Since the days of friendship between Hamlet and Horatio, little has changed: well, maybe it has only become more that our sages never dreamed of. But there are also glimpses: here, the clue to one of the most intriguing and oppressive mysteries of the last quarter of a century has appeared the other day. It is a secret message to humanity in the form of the Blucifer and the murals at the Denver airport.
As in antiquity there were 7 wonders of the world, which everyone knew by name, so in pop conspiracy there are several "opus magnum" - objects whose origin and meaning are shrouded in mystery. Now, wide sections of believers in the worldwide conspiracy are following the story of Qanon, a mysterious false user from the 4chan forum.
This gentleman presented himself as an associate of Donald Trump, publishing photos from the holy of holies of the White House, and also regularly reported that the National Guard had been given the go-ahead to arrest the pillars of the "deep state" - Madame Clinton, Barack Obama and other members of the ramified network of pedophile cannibals-satanists, in which consists of the entire color of the American beau monde, for example - Jim Belushi and Johnny Depp. There is a version that under a pseudonym Trump himself was playing pranks on the network: he regularly dropped cryptic phrases like "The calm before the storm", and they mysteriously synchronized with the activity of Qanon.
The Qanon adepts love Donnie, who is being held hostage by evil people.
But the anonymous person disappeared a year ago and the story has not yet been continued: Hilary is still quite at large.
Also famous is the sculptural composition "Kryptos" installed in Langley, at the entrance to the CIA building. This object was built of petrified wood, quartz, reinforced concrete and copper: it has 4 encrypted sections.
Kryptos as it is.
Since 1990, the year of installation, to the present, 3 of them have been deciphered, the content of the last, fourth, remains a secret. I managed to read such meaningful texts:
Promotional video:
in the first part - "Between the darkness and the absence of light lies the nuance of illusion";
in part two - “He was absolutely invisible. How is this possible? The earth's magnetic field was used. The information was received and transferred underground to an unknown location. Does Langley know about this? He is buried somewhere … and so on.
Here, the same is shown:
A rather strange situation arose: the author of the sculpture is alive, but is silent. He coordinated the content of the message only with CIA Director William Webster.
The author and his creation.
And here is such a fool standing in front of the building of one of the most influential and secret institutions of the United States, and no one knows what she means. Again, a quarter of a million for its manufacture (dollars of the 90th year, let me remind you - it was very decent money) was allocated without even asking - what will it be and about what? A very strange story, and for conspiracy theorists there is expanse.
You have to understand that monuments in the States can not be installed so easily and where you like: Tsereteli, over there, knocked on many city administrations with his hundred-meter Columbus under his arm - moreover, he did not ask for money, but simply accept thousands of tons of metal as a gift. Well, take it, it would seem, but if you get tired of it, you will hand it over on the second day. But no, they only let him into some hole in Puerto Rico (which is not even the States).
There are also the famous "Georgia Tablets". In 1979, a gentleman came to the office that mines and processes marble in Georgia, whose name was a hastily invented pseudonym: he introduced himself as "Robert Christian" - that is, Bobby Christian. This gentleman agreed with the stone craftsmen on a contract, the details and payment for which will later be agreed remotely. In the 80s, a monument was opened to the public, which was an obvious relative of Stonehenge:
The Georgia Tablets.
Five slabs covered by the sixth; almost meters high; a gap in the central slab, through which the sun pointed out the date with a ray on the slab-calendar, mounted at a distance.
Astro-calendar: God-God looks into the gap and wearily looks for dates - * Oh, damn it, how slowly time passes and how long is still left! *
The vertical slabs were covered with warnings in 8 living languages, including Russian, as if on behalf of those who have the right to command us all:
By the way, translating correctly is also a job: the editors, despite the noise around the tablets, never showed up.
Find out - who, why and by what right dictates to us - with what intensity to reproduce? - failed to this day. In truth, this object is of the least interest: for it to appear, it was enough to be born to one and several pompous fools with easy money. This is where the matter could well have done without any state involvement and without collusion of people in power - while participation and collusion in the case of Qanon and the significant CIA scroll is quite obvious. Mysterious, but not in doubt.
But with the Denver airport, which was finally clarified last week, everything is very bad. It is literally stuffed with all sorts of Freemasonry and Satanism - not to take a step, so as not to get stuck somewhere.
Here's a compass, and a square, * New World * - so that there are no doubts.
First, a little history. In the early 90s, the Denver authorities decided to build a new international airport, although there was already one there and it coped well with servicing cash passenger traffic. Well, okay, this is not Newton's binomial - the authorities wanted to fall into the life-giving and invigorating cash flow, too, I have never seen it. But then the oddities begin. Instead of 1.5 billion, 4.6 billion were spent on construction - although this is also no wonder.
Work in progress.
But all the work was ordered to hundreds and thousands of contractors, each of whom performed only a small fraction of the work and could not form the slightest idea of the object as a whole. Here, too, one can suspect theft, but after all, the tangle of cash settlements can be unwound from both sides - it turns out that since you can check those who pay, and not only those who are paid, then there was no particular point in fooling the contractors. Rather, there was nothing else but to try to hide the true scale and nature of the work. It is known for certain that a network of underground tunnels and halls has been created under the airport - multilayer, as many as 6 levels.
Entrance to the mysterious rock tunnels under the airport.
No one knows for certain, but, as for the secret Stalinist subway, there are rumors that the Denver dungeons are connected with the city and the military base of Colorado Springs. But that would be okay: you never know what infrastructure facilities have a dual purpose?
Who pretended to be a builder and was able to shoot strange dungeons: the picture came out like a rag, but we have no others for you.
The most interesting thing is that the airport itself was designed as a kind of gates of hell and a formidable prophecy: moreover, this cannot be attributed to the brain dislocation of a single tyrant bureaucrat. Design projects were approved and accepted by commissions, funding was audited, city government spending was monitored by the Governor and Congress of Colorado - and that nobody's aesthetic sense was hurt? This is possible only if there is some kind of intra-elite agreement: well, let's say that signs with a square and a compass should be scattered throughout the airport, as well as with the words "New World".
Again the square-compass - and even in Braille, which even the blind knew: to whom mankind owes such happiness as Denver airport.
It is not difficult to meet free masons in the States: Esquires in any village will call their poker club “lodge”. Which, however, does not cancel … "Bohemian Grove" gathers the financial, political and military elite - not every president will be invited there yet: after all, some kind of collective rituals are held there - they burn Baal, Isis and the Golden Calf. In general, it is not a fact that the native authorities really communicate with the other world, but that they persistently call there, knock, tickle God or Satan's nostrils with the smoke of sacrificial fires - this is a fact.
Gatherings in the Bohemian Grove 90 years ago, there seems to be no more recent photos.
As well as the messianism common to all this public, implicated in the belief that they are OTHER, that they are superhumans and higher beings.
A blue monster with eyes burning in hellfire meets passengers at the entrance to the airport: among the horsemen of the Apocalypse there is not one on this one, but it looks convincing - maybe the Evangelist John was simply color blind?
Believe it or not, this demon with four hooves killed its creator: Luis Jimenez was just finishing a 3-ton horse when its head came off and hit the poor sculptor. If you don't want to, you will become a mystic: although here, at the airport, there are so many hints that maybe by the death of Jimenez someone who was completely earthly and two-legged hinted at us? We go further: at the entrance of the passenger, there is a platform studded with metal stakes:
Agree, strange "wellcome", especially since Dracula the Impaler is a longtime hero of the American pop cult. But that's not all. Already in the hall, passengers are greeted by a gargoyle: it appeared on Notre Dame only in the 19th century thanks to the freemason Viollet-le-Duc.
In theory, all this satanic offspring on the facade of the temple symbolizes the expulsion of any abomination from the temple: the Denver gargoyle obviously does not run anywhere, but is interested in choosing a victim among those who come in - blessing and she has her own suitcase, there is where to pack. You can get to the airport by train, but there the tunnel is also decorated in such a way that you can twist the convolutions, guessing: in any case, the subway composition "Air Curtain" also does not give rise to serenity in the soul.
And here we are, finally, in the building. It is full of all kinds of visual debris of varying degrees of ominousness, but the frescoes of a certain Leo Tengama occupy the centerpiece. They have the following names: the first - "In peace and harmony with nature", the second - "Children of the Earth dream of peace." Well, here the viewer can drive everything crazy: every stroke, every color intonation is carefully thought out. Recently, this has somehow not been actualized by the consciousness, but painting is therefore the sister of photography, because the world DOES NOT REFLECT, but INTELLIGENTS and CREATES AGAIN. They say that the most mysterious canvas in history is Velazquez's Meninas.
Meninas.
Although the "Birth of Venus" is still a cryptogram: what can I say, even if we do not know the names of the paintings, they were not invented by the authors?
Obvious, in general, the idea of painting is hard and long work, each brushstroke is thought out carefully - it is clear that the artist does not tell us anything in simplicity. Tengama - he is not Botticelli: God deprived him of the lightness of his brush, but not his cognitive abilities. Moreover, he was clearly not the only one thinking about the composition.
The mural "Genocide" "depicts the death of mankind under the heel of a certain subject in a gas mask, with a sword and" Kalash ". He will drive the representatives of all three races into the graves, and without counting people he will become refugees.
The next picture shows the consequences of an ecological catastrophe: again, representatives of all races are in the grave, forests are burning on the planet, and all this disgrace is overshadowed by the flapping wings of a quetzal eagle. In truth, a more sinister symbol could not have been invented: Quetzalcoatl is the god of war, horror and death among the Aztecs.
In the Indian girl under the quetzal, many see an object that coincides with the contours of Russia on the political map of the world. But it is not exactly.
All that we know about the sacrifices on the steps of the pyramids is for him and in his name. But, finally, we have before us a picture that should inspire hope: a crowd of children of different tribes, the same killer from the first mural is sleeping in the ground under their feet. All faces are not so much colored as they are brought together by convulsions of a smile - absolutely the same and mechanical: interpreters see in this a promise of psycho-chemical control to those who are experiencing genocide.
Most have armfuls of weapons wrapped in flags: British-Irish, Palestinian-Israeli - everything is being dragged to reforging. The artist is clearly politically savvy. A certain pioneer is engaged in the business of forging swords into plowshares, gloves and a hammer in which they give out a freemason: something cunning also means a tie, but we have our own associations in this regard.
The racial type of the blacksmith is deliberately expressed: it is Anglo-Saxon and Aryan. He is not very good with the plowing: it turns out, rather, a pure scimitar. In general, thousands of electronic pages are devoted to the interpretation of all this good, so much electricity has been spent on it that it was enough to provide all American electric hives for a century.
Surprisingly, Leo Tengum is a tongue-tied talker and has given interviews about his work many times: “I love good and hate evil, in general: down with all the bad and long live all the good. All my pictures are about this. But about all this, finally, the aviation authorities of Colorado - in particular, Jennifer Garner, the representative of the airport - spoke out. According to them, and this is quite traditional, there are no secret meanings in the design of the airport.
Reptiles and spells in Indian languages.
The only thing they were guided by when placing orders for artists, sculptors and decorators was economy: in short, the building was decorated simply and without fuss. Actually, for the first time, such requests were given a meaningful answer: usually they only broke off. But the airport management made its statement standing on marble slabs, on which were chaotically reptiles and spells in dead Indian languages.
It is clear that without shamanic prayers, construction would have become much more expensive for the budget. According to the laws of Colorado, 1% of the total estimate is supposed to be spent on the decoration of state-owned objects: in this case, it is 50 million. For some murals about the genocide, 100 thousand were paid, and the marble was brought from Chile, Italy, India: well, exactly, all out of an understandable desire not to spend an extra dollar. In general, there seems to be an explanation now, but I would not “put the tail of a dead donkey” on its reliability.
As for this whole story, here's my explanation if you're curious. All the meanings that the mystics read are really hidden in texts, images, monuments - it would be strange to deny the obvious. But only by agreeing with that, the authors are able to embody all this, you flatter them very much. It is a fact that the highest American, British, French bosses have long been pupated into a caste - and ours, in truth, too. From complete lack of control, they clearly went crazy: they began to confuse permissiveness with omnipotence and, it seems, feel admitted to the feast of the all-good as interlocutors.
Symbolic diagram of the device of Denver Airport.
Their messianism is very specific: they do not dream of saving the world, but to mold it according to their own whim. Fortunately, the Great Equalizer eats in the world, who, since we ourselves cannot, constantly reminds them: "You are a slave, you are a worm, not a king and god!" I suspect that for Denver airport, for this contemptuous conversation with the plebs through the lip, someone has already been prescribed healing hellish cauldrons, and the rest are waiting for the cauldrons.
