Hidden Worlds In Paintings By Leonardo Da Vinci - Alternative View

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Hidden Worlds In Paintings By Leonardo Da Vinci - Alternative View
Hidden Worlds In Paintings By Leonardo Da Vinci - Alternative View

Video: Hidden Worlds In Paintings By Leonardo Da Vinci - Alternative View

Video: Hidden Worlds In Paintings By Leonardo Da Vinci - Alternative View
Video: Leonardo da Vinci: The Annunciation 2024, March
Anonim

Not so long ago I talked with a girl who is an art critic of one of the painting galleries. The conversation was initiated by me and should, in my opinion, professionally interest the girl. It was about pictures with the second content, not visualized externally on the canvas. This primarily concerned some of Leonardo da Vinci's paintings on which markers were applied, which a prepared visitor has in a state of emptiness, i.e. meditation, must manifest images.

In yoga there is a technique for indirectly transferring the image. For example, I draw a line with a pencil and, stopping at some points of the line, the person who draws at this moment projects an image in his imagination. Thus, making the point of the drawing line with a marker for finding this image in the sphere called Akasha by yogis, otherwise a memory card for all thoughts and events on our planet. Thought images do not disappear anywhere, even thousands of years ago, they can be read, you just need to know their marker point, i.e. binding. Externally identical drawings, if their lines contain different images, carry different semantic information. In esoteric literature E. Blavatsky mentioned this technique of information transmission. This technique of indirect transfer of the image was skillfully mastered by Leonardo da Vinci.

In the paintings of Leonardo da Vinci, on which markers are applied, images from the life of Christ appear, complementing the content of the New Testament and changing the idea of the origins of the very personality of the Savior. Also, some of the invisible images are devoted to the energy structure of the surrounding world and the wave structure of a person. On the back of some paintings, there are also invisible markers that project images of the technical side and other aspects of life in the underground realms.

In conversation, I named some of da Vinci's paintings and told their invisible content. The girl often asked and commented on much of what I said as fantasy or delusion. “All this must be scientifically proven,” she said in the conclusion, having previously apologized for her harsh remarks. She could be understood, The ability to convey images not related to the visual perception of paintings, besides, the story of Leonard's extra-ordinary origins, and many other things I said, were really strange. I also told her about the unrevealed topic, the existence of the same markers in the paintings of Sandra Botticelli and Ivan Kramskoy. This article is written as a retelling of that one hour conversation with some additions.

Realization in reading markers in pictures is associated with the energy structure of our body, i.e. with chakras. Reading on the radiations of the chakras gives

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a holographic picture of the world and everything that happens. Historically, for the study of the world, we have long adopted Aristotle's model of cognition, based on logic, which gave rise to the development of science, while forgetting and completely excluding the branch of natural figurative, meditative cognition. And this was a mistake, since we simplified and eliminated an important component of this holographic structure of the world.

One of the serious questions raised by researchers today is the influence of unmanifest, unknown forces on the development of our civilization. The problem is interesting and the question itself arose in connection with unsuccessful attempts to analyze inexplicable fluctuations in the development of society. This applies to social upheavals, sudden events not prepared by the course of history, the emergence of new unexpected social formations, sudden epidemics. Along with these phenomena are individuals possessing genius, as well as periods of the historical development of society, which are explosive in cultural life and technological progress. One gets the impression that our civilization is moving along an irrational route that was not laid by us. That there are forces that have charted this route for us, due to a logical necessity unknown to us.

Promotional video:

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If the question of the influence of unknown forces on our development is raised today by time, an answer can be found by examining all the extraordinary events in the world with the help of a different perception and drawing by Leonardo da Vinci “Canon with 8 spheres”.

Illustrations from this drawing were very popular during the Soviet era. They could be found in the most unexpected places, from wall calendars and postcards to the presence in the murals of gyms in stadiums and palaces of pioneers. This figure is considered to be the regularity of Fibonacci numbers, the standard of golden proportions in the human body. But there is also other information. If you read it with a different perception i.e. radiation of the chakras, then a strange at first glance image of a hologram is found in the lines of the drawing.

The figure contains a hologram of a detector nature. By superimposing bodily forms on it, it separates the representatives of our surface civilization from the representatives of the spheres of underground civilizations and extraterrestrial civilizations. Also, this hologram, if it is positioned along the South-North axis and superimposed on it, a photo of our planet shows from the south pole, the structure of the Earth is traditional from a scientific point of view, but from the north pole five spheres with different phases of the space-time shift are visible. These are five parallel worlds that are shifted relative to each other and the surface sphere of the planet. These worlds are inhabited and here it is appropriate to recall the symbols of Priory-Zion, Shambhala and the Thule society.

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All of them were figurative guides, from different territories, to the underground inhabited spheres under the North Pole. Previously, these guides were in demand, since there were massive migratory flows to these underground worlds of people and animals. There was also a reverse process from the underground spheres. Symbols of Shambhala and Thule society work only with the old map, where the Arctic is without ice.

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You can check this information using da Vinci's drawing "Vitruvian Man". This is a hologram of all types of movement: apparatus, foot, movement into the future and the past.

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Numerous skeptics of the existence of underground inhabited spheres should take into account the records of the outstanding polar explorer Admiral Richard Byrd, about his visit to the underground sphere. His information, like the admiral's very identity, is verifiable with this drawing and the Canon with 8 Spheres.

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Earlier, before the discovery of the multifunctional features of these two drawings, it was theoretically possible to assume the existence, in different historical periods, of representatives of other unearthly civilizations in our earthly civilization. Earlier in my articles, I showed with the help of a different perception the intelligent holographic essence of our planet, which, like a hologram, is in turn part of other holograms of different space-time scales. Ultimately, in the form of a small holographic fragment, it is present in the composition of a single hologram of the Universe, which in religions is called the One God. Therefore, the alleged presence and interference in our life of representatives of underground spheres and extraterrestrial civilizations is expected. This presence is necessary for the dynamic existence and control of holographic forms,which include fragments of the hologram of our planet. The challenge is to find these links of government, consisting of representatives of underground and extraterrestrial forms.

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Viewing Leonardo da Vinci's self-portrait with the "Canon with 8 spheres" drawing gave results, highlighting him as a representative of the underground sphere. His figure fits into the figure of the drawing with outstretched arms and legs. In addition, he has a chip similar to the one extracted by the French scientist Antoine Lefebvre from the bone tissue of Napoleon Bonaparte's skull.

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The Leonardo chip consists of five parts, four parts for adapting all body systems to surface life and a fifth for creating nodes of targeted motivational neural connections to complete a task on the planet's surface.

If you scan a self-portrait of Leonardo da Vinci with a detail drawn in the lower left corner, then a double scan reveals the image of the Horse and his frayed skin under the harness. Leonardo's task was to make changes to eliminate these scuffs, to the information bases located below the surface, around the architectural holographic fragments of the galactic Horse that are scattered throughout Europe. The task was big, since he made changes to one information base five times with a time interval of 80-100 years. There were enough of these information bases, and in order to make changes, it was necessary to move into the future. I have an article “Leonardo da Vinci's Horse, Templars and Other Perceptions” where I wrote about Tam-Pliers and Leonardo da Vinci. That article can be an introduction to understanding the image of the galactic Horse.

With the help of the drawing “Vitruvian Man”, you can see how Leonardo made his time travel. The movements took place by hardware, apparently from the 1480s from several places, this is the Sforza Milan palace, from Florence and the Clos-Luce France castle.

Let's summarize a preliminary summary of the personality of Leonardo da Vinci and the tasks that he performed. First, he was a representative of the underground realms. Second, its main task was to make changes to the information bases of holographic architectural objects using technologies of underground spheres.

In his paintings, Leonardo declared two types of perception familiar to representatives of underground spheres. One of them is based on vision by the radiation of the chakras and the second on the perception of the senses that is familiar to us. With pictures with holographic markers, he showed us a wave picture of the world, giving images of the holographic universe.

It is rather difficult to tell in detail how information is removed from the pictures, but in short it happens like this. The information markers that are on the picture and need to be found are set by themselves, i.e. they activate the viewer's chakras, on which further holographic reading takes place. When there are many markers in the picture, then, as a rule, dynamic reproduction of invisible images occurs.

Returning to the conversation with the girl, I remembered her remarks that, first of all, it is necessary to scientifically prove the existence of these markers in the paintings, and if they exist, then prove the possibility of removing information from them. Secondly, if markers exist and you can work with them, then it is necessary to check the correctness of my interpretation of everything that I have told, and especially about the life of Christ. It was hard for me to disagree with her arguments.

Holographic World theme

Painting "Savior of the World"

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The picture shows hidden images of the planets of the solar system and their holographic incarnations. Earlier in the article "Different perception of the world or collecting a puzzle from artifacts" I made mistakes that became obvious here. With regard to the hologram of a Man, there is no corresponding planet in the solar system, it is outside of it. I defined it incorrectly, in the Earth's orbit behind the Sun. Also missed the holograms of the Children, their planets are also outside the solar system. Otherwise, the plan-no matches and their holograms in that article are correct. The hologram Woman is the Earth, the hologram of the Dog is the Moon, the Cat is the planet Venus, the Rooster is Mercury, the Bull is Mars. Further, the hologram of Izba is Uranus, the Grove and the surrounding area are Neptune, the Horse is Jupiter, the Goat is Saturn, the Cow is the Sun.

If you mentally lift the crystal ball on your hand, then everything can be viewed in dynamics. This is the life of a village family and their master's house in a kaleidoscope of holograms.

On the reverse side of the picture, there are three types of flying vehicles: an apparatus used within our planet, an underwater vehicle and an apparatus for moving to the planets of the solar system.

Portrait of da Vinci (by unknown artist)

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There are many interesting and unexpected things in the hidden drawing. There is a circle in the central part of the beard. If any planet of the solar system is inserted into it, then the regularities of the formation of its hologram are manifested. Further, by manipulating the headdress, removing it and placing it above the head, on the left, right side, lowering it down and holding it at eye level, one can observe the inner spheres of the planets, the construction of pyramids, megaliths and other holographic artifacts in underground spheres and on the surface of planets. You can also see living forms and flora, fauna, technology in different inner spheres of the planets inserted into this circle.

On the reverse side of the painting there is an apparatus for moving in time.

Painting of John the Baptist - the original and its copy of da Vinci's disciple, Salai

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On the original, Leonardo, in an invisible picture of the painting, depicted the figure of a hologram of the One God, representing our entire Universe.

On the back side there is an apparatus for moving under water.

The copy of Salai's painting shows the second level after the One, these are holograms of Essences consisting of aggregates of several Galaxies.

There are no markers on the back.

Bacchus

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In the hidden picture of this picture, the third level of construction of the hologram of the One is the holograms inside Galaxies consisting of Star systems.

On the reverse side there are suits for the emergence of living forms on the surface of other planets.

Madonna with a spindle

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In the hidden figure, the next level of building the hologram of the One is the holograms of all the planets of the Star systems.

On the reverse side is a device for flying in near space.

Human energy structure theme

Annunciation

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The hidden picture shows a hologram of the baby's fetus in all its details.

On the reverse side is childcare after childbirth.

Battle of Anghiari (lost fresco)

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The picture shows several holographic drawings. All battle figures reflect a certain wave aspect of the organism. This is the skeletal system, the circulatory system, the structure of all organs, the immune system is given, the cause-and-effect essence is shown, i.e. soul.

The downside is missing.

Portrait of La Bell Ferronier

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The hidden figure shows a dynamic picture of childbirth.

The reverse side shows the first hours after the birth of the mother and baby.

Leda and the Swan

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The hidden drawing shows a hologram of the anatomy of the female sphere.

The reverse side shows a hologram of the energy connection between the senses and female organs.

Madonna Benoit

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There are many incomprehensible things in the hidden drawing of this picture. A hologram of the soul and its embodiment in the body are given.

The reverse side shows the structure of the soul consisting of previous incarnations, but there are also many incomprehensible things here. Much resembles the Eastern teachings on reincarnation.

Madonna Litta

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The hidden picture has a very interesting picture. A loving mother transfers her energy to her child. And they two become an energetic one, emitting light.

On the reverse side is the energetic process of feeding the baby.

Madonna of the carnation

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On the hidden hologram, the development of the child's personality during games with the mother

On the reverse side is a hologram of synchronization of energy processes of mother and child The topic of how important it is to have a loving mother is the key to the further successful development of the baby.

Theme from the life of Christ

Unfinished early work "Adoration of the Magi"

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In the picture, a hologram is a worship of a newborn, but in an underground sphere. The dark figures in the picture are personalities from this sphere. The bright part of the picture is the surface life, which has no relation to Christ yet.

On the reverse side is the hardware study of babies after birth.

Madonna of the rocks

There are two nearly identical versions of Madonna of the Rocks, one in the Louvre in Paris, the other in the National Gallery in London.

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The paintings show John and Christ and their mothers. The leading role in reading the hidden picture is played by the right picture. Mary's pointing finger marks herself, Christ and John with his mother in the left picture. There is a lot of information, that's its main meaning. In yoga there is the concept of five kosas i.e. wave bodies. After birth in the underground spheres, these five holograms are scanned to identify the characteristics of babies. These two babies are special in the characteristics of these five holograms. Thus, they were subsequently identified for their missions on the surface of the planet. They gradually inserted chips to adapt to life on the surface. The adaptation took place in two stages, which they carried out on the surface of the planet. Their mothers were also with them and they also had chips. After adapting to surface conditions, they returned to the underground parallel sphere,where the children underwent many years of training.

On the reverse side there is information about mutual small migration processes. Representatives of the underground sphere and representatives of the superficial, not numerous, periodically, mutually change their place of residence, becoming, as it were, new blood in new areas of residence. But there is also a lot of ambiguity and incomprehensibility here.

Mona Lisa or Gioconda

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The hidden picture of the picture shows the story of the Magi welcoming the baby Jesus Christ. This is a retelling of an episode from the Bible.

The reverse side shows a screen for visual communication and a movement apparatus. There are some confusing moments when the painting was used by Leonardo da Vinci to invoke this technique. The picture was apparently connected to some kind of energy communication channel. It is not clear how the communication and the call of the locomotive took place.

Saint Anna with Mary and the Christ child

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From the New Testament we do not know about the great period of Christ's life. This picture, in its hidden drawing, fills this gap. Christ from the underground sphere traveled a lot on the surface of the planet. He traveled to preach the new faith on all continents. There are no mentions of his travels, perhaps except for India, where there is authoritative evidence. On all continents he laid the foundations of a new church. He preached and burned evil and negative emotions of those who listened to him, took the evil of the surrounding world upon himself. After his travels, Christ selected thirteen of his followers as disciples. Moving it around the planet was on the technique of parallel underground spheres.

On the reverse side there is information about closed bases invisible and not detected by us on the surface of the planet, in which there are few representatives of underground and extraterrestrial spheres.

Lady with an ermine

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The hidden picture of the picture is the dynamics of the spread of faith and Christian churches on the planet.

The reverse side shows the canonical architecture of the church from the outside and from the inside.

Last supper

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In the hidden drawing of this picture, the cave where Christ was laid after the execution.

On the back of the fabric, i.e. the shroud in which the body of Christ was clothed.

Sketch of Saint Jerome

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In a hidden drawing, an unfinished painting, there is a scene when the body of Christ is transferred from a walled-up cave to an aircraft and delivered to the underground sphere in his homeland.

There is no information on the reverse side.

And at the end of the article about one of the most informative paintings by Leonardo da Vinci.

Portrait of Beatrice d'Este

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There are many markers in this picture, and here every detail plays a role. It is about the church that reflects and contains the entire universe. A properly built church, without modern reinforced concrete structures, well prayed for, is a temple that accepts the believer and shows him the whole Universe. The temple has all the information from underground, underwater civilizations, us surface civilization, to civilizations like us that are part of the living holograms of the Universe. In the temple there is a hologram of the One and all the holograms that make up its form. In the temple one can understand how and from what the hologram of our planet is built and in the space of the altar one can see galactic holograms, a fragment of which is our planet. From this picture, you can learn a lot and go from religious beliefs to the actual reality confirming the basic dogmas of the church. Such as the Unified Hologram, he also exists. The hologram of the soul, passing into different living forms, also exists.

On the reverse side of the picture, there is a continuation of the theme of the church as a small center of the entire Universe connecting all worlds.

Autograph of Leonard da Vinci

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This is da Vinci's autograph. It contains four information points that tell about most of his childhood and youth life in the underground realms. Born in the underground realm. In childhood, a chip was inserted. Twice for a long time in childhood he ascended and lived on the surface of the planet for adaptation. In the underground civilization he studied painting a lot, did a lot of exercises similar to yoga asanas, prana-yama, studied languages, studied architecture, read a lot of literature. He devoted a lot of time to medicine and learned how to move around on flying equipment. He studied thought-like hidden drawing.

Clos-Luce castle

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Leonardo's quarters at the Clos-Luce castle, where he died. In the room was his picture Gioconda. Through it (how?) He got in touch twice from this room. A sound hologram of those conversations remained in the space of the room. Perhaps, in the future, conversations will be restored. Remains a secret, lost, the location of the grave of Leonardo. Apparently his body was also secretly returned to the underground sphere.

Some of his paintings with hidden images were not included in the article due to their complex interpretation and a large explanatory volume.

Wish you success. Alexander