The Fate Of One Of The Brightest Figures Of The Twentieth Century, Whose Life Was Unbearable - Alternative View

The Fate Of One Of The Brightest Figures Of The Twentieth Century, Whose Life Was Unbearable - Alternative View
The Fate Of One Of The Brightest Figures Of The Twentieth Century, Whose Life Was Unbearable - Alternative View

Video: The Fate Of One Of The Brightest Figures Of The Twentieth Century, Whose Life Was Unbearable - Alternative View

Video: The Fate Of One Of The Brightest Figures Of The Twentieth Century, Whose Life Was Unbearable - Alternative View
Video: Антон Долин – стыдные вопросы про кино / вДудь 2024, March
Anonim

There are names that have entered world history. There are those that seem to be forever inscribed on its pages, but in fact are tightly connected with a certain time, with a specific period in the history of one or two countries. A decade or two - and they begin to be forgotten, and the mass consciousness that adored them finds other idols. Our era of rapidly forgetting about the media written yesterday gives rise to those over and over again. Many contemporaries of the author of these lines may disagree, but the Bulgarian rural soothsayer Vanga from Petrich belongs precisely to the latter category. Her name really sounded at the turn of the eras, equally fateful for Russia and Bulgaria, already in the last decades of her long life. Its fame became an integral part of the first chaotic emergence of the lurid late Soviet "spirituality" (the one that under the slogan "there is something like that after all"),and then, to the accompaniment of a general "perestroika", the flourishing of the completely thoughtless and insane "spirituality" of the post-Soviet era. There is hardly a person from the last late Soviet and first post-Soviet generations who paid attention to the media in the slightest degree, who had never heard of Vanga at all. But for generations of completely non-Soviet, following, the Bulgarian clairvoyant is already less familiar than the funny neologism "wang" produced on her behalf and spread across the World Wide Web.than the funny neologism "wang" produced on her behalf and spread across the World Wide Web.than the funny neologism "wang" produced on her behalf and spread across the World Wide Web.

However, the same Network, as you know, remembers everything. Even if we do not take into account the collections of predictions that appear regularly to this day, it is not difficult to find examples of the still relatively recent stormy joy of the writing fraternity and its readers about the next supposedly come true prediction of Vanga. So what if the soothsayer herself, for obvious reasons, has never seen the chronological tables of the “future according to Vanga” lovingly built by admirers (and falsifiers)? So what if for one “come true” prediction taken out of context (which still needs to come up with a new meaning) there are a dozen standing nearby and not come true in any sense? "Fake News" in today's language? Well yes. And to whom and to whom should we apologize? You consume madness - you are offered it.

Victoria Balashova tried to write a true biography of Vanga, as far as it turned out to be in a dense forest of conflicting myths and subjective memories. The author is carried away by the character of Vanga - "not broken by adversity", "an example of perseverance, courage and endless patience." And yet, in the book written by Balashova, there is practically no room for anything supernatural. Before us is the fate of a deeply unhappy woman who has chosen the only craft available to her to survive in difficult years. A blind man in Slavic folk culture is always a “special”, “knowledgeable” person, and Vanga was no exception. But her life fell on two eras of change at once. When, with the end of World War II, the first of them came, the village prophetess found herself in a place that was not at all desirable to her at all. By and large, the entire second half of Wang's life was used. Used - often with sincere intentions - people around her for the sake of money and fame. Used the new government to weaken the influence of the Church. They used the intelligence of the "Eastern bloc" in difficult games against the United States, including diverting the forces of a potential enemy to use invented "phenomena." Used - with devoted respect - the daughter of the Bulgarian leader, Lyudmila Zhivkova, who sought to nestle in the communist camp that very "new spirituality." And, of course, the industry of mass culture grown at the second turning point - replacing a living, tired and suffering from unnecessary fame person with the stereotyped image of modern Nostradamus.to weaken the influence of the Church. They used the intelligence of the "Eastern bloc" in difficult games against the United States, including diverting the forces of a potential enemy to use invented "phenomena." Used - with devoted respect - the daughter of the Bulgarian leader, Lyudmila Zhivkova, who sought to nestle in the communist camp that very "new spirituality." And, of course, the industry of mass culture grown at the second turning point - replacing a living, tired and suffering from unnecessary fame person with the stereotyped image of modern Nostradamus.to weaken the influence of the Church. They used the intelligence of the "Eastern bloc" in difficult games against the United States, including diverting the forces of a potential enemy to use invented "phenomena." Used - with devoted respect - the daughter of the Bulgarian leader, Lyudmila Zhivkova, who sought to nestle in the communist camp that very "new spirituality." And, of course, the industry of mass culture grown at the second turning point - replacing a living, tired and suffering from unnecessary fame person with the stereotyped image of modern Nostradamus. And, of course, the industry of mass culture grown at the second turning point - replacing a living, tired and suffering from unnecessary fame person with the stereotyped image of modern Nostradamus. And, of course, the industry of mass culture grown at the second turning point - replacing a living, tired and suffering from unnecessary fame person with the stereotyped image of modern Nostradamus.

Balashova calls Vanga “one of the brightest figures of the 20th century,” and with all that was said at the beginning of this review, this is really so. Three centuries of struggle for the "awakening of reason" eventually created a vacuum of spirit not only in Eastern Europe. Who just tried to fill it! And the further, the more often to replace the civilian-looking magnetizers and doctors of spiritual sciences, characters more resembling a primitive sorcerer came. Or not at all different from that. A blind country woman, because of her simple and world-old craft, at the end of the 20th century became an object of admiration and pilgrimage, if not statesmen, but famous and educated people from peoples brought up on a "scientific worldview", is a very suitable symbol of the ending era.

In the last lines of the book, Balashova quotes the words of a real Vanga: "Do not envy me for anything, but mourn my life, for its burden was unbearable." It is difficult to say what exactly the fortuneteller herself meant, by that time she had long believed in her “official” image. But I really want to feel sorry for her.

Sergey Alekseev