In the book by Alexei Kungurov (Tyumen) “There was no Kievan Rus, or what historians are hiding”, came across an interesting fragment from the chapter “Arseny Sukhanov. A debate with the Greeks about faith. " I will not discuss the authenticity of this document now, but in spite of everything, it quite reasonably explains why exactly three independent laboratories (Switzerland, Great Britain and the United States), not knowing about the origin of the tissue samples (Turin Shroud), on the basis of dating studies with the help of radiocarbon analysis, they gave almost the same conclusions about their age: - 12th century AD.
Astronomers also indirectly indicate the date of birth of Jesus, calculating the expansion rate of the Crab Nebula, which the evangelists called the Star of Bethlehem, they gave an approximate date of its origin. And this is not "zero", and not the 1st century AD. This is the 12th century!
Now we read a quote from the "Debate":
“Yes, you have lost even years from the Nativity of Christ: you are writing this year, 158, from the Nativity of Christ, 1650; and your Greek books convict you of this, but you do not want to obey. - And all that you received from the Romans, after the Hellenic doctrine, the printing court at your imate and books are printed for you in Rome and in Venice and in England; and the Hellenic scripture, go to learn in Rome and Venice, and didascoli (Didascal [didascal; Greek διδάσκαλος], literally - teacher. - my comment) all of you from those sciences come to you and, there he was, even in the scabs of the herd and the healthy cattle grows stiff, tacos and your didascoli come to you from Rome and from Venice, all scabies, like Blasius didascoli rivers from the science of Roman customs, and they teach you this; and you listen to them in everything, because you do not have your own sciences in the Greek language and you accept books from them. - The rest of the river that you did not have good,then everything passed to us in Moscow."
So, Arseny Sukhanov denounces the creators of the fake history and the fake calendar in plain text - Rome, Venice and England. But most importantly, it turns out that back in the middle of the 17th century, people remembered exactly when Jesus was born! In 1650 he would have turned 158 years old! It turns out that Jesus was born in 1492, and we, according to "their" chronology, should not show off 2013 on our calendars, but only 521!
Again, we have to make adjustments in understanding who we are and where we are from. More recently, I thought that 5508 years were stolen from us, and now it turns out that 6029 years have been stolen from humanity! And what happened during these times? More or less reliably I see only the last 120-130 years. Well, okay, 135. No one knows what happened before, because the whole history was written by Jesuits, French Freemasons, Germans and Bolsheviks.
Reasonable question: - How do they do this? How can history be rewritten on a global scale? A sane person will say: “No way! There are manuscripts, archaeological finds, and everything agrees with traditional history! " More recently, such "evidence" did not even occur to anyone to check for reliability. Having learned exactly how forgeries and manipulations are performed, I dare to draw my own conclusions.
What is the only myth about the Library of Alexandria, which supposedly contained carriages of folios, despite the fact that paper had not yet been invented? And what is the cost of trying to find the library of Ivan the Terrible? And remember how the Bolsheviks simply burned the archive of the Romanovs' house of more than half a million volumes in vacant lots in different parts of Moscow?
I believe this is the case:
1) Replacing calendars. This is a sure and proven way to bury the truth. It is enough to regularly arrange changes in the chronology system. Lunar calendar, solar, Muslim, Jewish, Slavic, Hindu, Julian, Gregorian, the devil himself will break his leg in this chaos. You can bury anything in it. Any date can be drawn to the "desired" event. The Gregorian calendar does not fit, we take the lunar calendar, and now you have a thousand-year history!
2) The substitution of place names is also a favorite way to falsify true events. They wrote that the Battle of Kulikovo was on the Don River, and everyone is still convinced that it was on the Don on the Don, where "the horses roamed." And the fact that any river was called Don is difficult to remember. And now look for which of the Don was the event. But LONG DON is also LONG DON - just a long river. This hypothesis was prompted, paradoxically, by the name of the mountain in the Falkland Archipelago. The mountain is called Longdon.
3) Resettlement of large masses. The most harmless is the organization of large projects, such as BAM, NPO Nizhnekamskneftekhim, Celina, Sayano-Shushenskaya HPP, Magnitka, etc. not aware of the history of the land on which they came to build something. And having broken away from their homeland, they will no longer remember the true history of the places where they were born. And the most terrible of the tools of progressors are the great shocks: - wars, revolutions, crises, epidemics, etc. In such fireplaces, not only books of libraries and archives burn, but entire nations, and their memory, and their history.
4) the media. The most effective weapon. It all started with wandering buffoons. The gentlemen quickly learned that satire and criticism, which was contained in the speeches of jesters and buffoons, is capable of raising popular uprisings. The method is adopted, and now, get: - Hollywood "number one" - a project called "William, Shakespeare" (which translated into a language we understand, means: Bill and Shook the Spear). And now a whole literary agency scribbles dramas and tragedies (read - soap operas), and hundreds of nativity scenes across all the islands and western Europe show how to speak, move, dress correctly, which houses to live in, what to strive for, what to appreciate, whom respect, and whom to hate and destroy as undemocratic regimes that do not know pluralism and tolerance. And Britt's, Walles's & Scott's, just like the modern housewives,learned the rules of behavior, wept into the skirts of dirty rags and thought: “Wow! We are sitting here in a backward village … But real life is what it is! " Today, our compatriots see gigantic, basketball court-sized apartments in TV shows, chic furnishings, clothes and cars of their favorite characters, and they absorb a special type of consumer thinking into their subconsciousness. Is the story here true? If there is one thing in life, but something completely different on the screen?Is the story here true? If there is one thing in life, but something completely different on the screen?Is the story here true? If there is one thing in life, but something completely different on the screen?
In general terms, the mechanism is clear. It remains to answer the main question: - WHY? By the way, this is not an entirely correct question. In Russian, before the reforms of Lunacharsky, whose native language was Yiddish, every Russian knew the difference between the questions "WHY", "WHY", and "OTHER". These concepts are not interchangeable. Depending on the question asked, the answer was given correspondingly, by no means the same in meaning. For example:
Q: - Why did you wear black?
A: - To match the atmosphere of mourning at the funeral.
Q: - Why did you dress in black?
A: - Regarding the mourning for Yaroslav Vladimirovich.
Q: - Why did you wear black?
A: - From the fact that I grieve over an untimely loss.
So obviously they are not the same thing. So why, why and why do we see the application of the above-mentioned four tactics of depriving truthful information about the history of mankind to humanity?
My version is this:
To keep people in ignorance for as long as possible, for ease of control. Lest they realize that they are simply bred as plants or pets. So that they fulfill the given program, and continue to meekly feed their owners. That would never know who they really are and where, what is their true nature and purpose.
All this is true for all three questions - why, why and why. With the motives sorted out, now the main thing. What exactly do the progressors hide from people? Some very important event, most likely exactly the one thanks to which they managed to seize and retain power. Maybe they received power as a result of a planetary catastrophe that they themselves arranged (echoes of which are the myths of the flood, the battle of the titans, Atlantis, Lemuria, Hyperborea)?
And having learned the truth about it, humanity will be able to find ways to prevent it in the future, and break out of slavery, interrupt this endless run in a circle? Let's think, not believe!
After that: So what was the year according to the Slavic calendar, if Jesus was really born in 1492. Incredibly, this is a round date - 7000 from the creation of the world! And this year is also considered the official date of the discovery of America! Coincidence? No, guys are Democrats! I don't believe in coincidences of this order!
What else has this year been marked in history, besides the "discovery of America"? First of all … the End of the World. Yes, that's it, neither more nor less. 7000 was originally considered the last year in the history of the World, in accordance with the early apocryphal prophecies that were not included in the canonical edition of the modern Bible. Suppose that the situation was developing exactly as in 1900, or in 2012, when the world was eagerly awaiting the end of the World. And he felt a terrible dissatisfaction that he was not able to see the promised grand performance. Let's clarify: - LIGHT-presentation.
But in the same year, the calendar changed in Moscow Tartary! Is the transition from the Constantinople calendar, in which the year began on March 1, to the Byzantine calendar, where the beginning of the year was September 1, accidental? And what is the difference between "Constantinople" and "Byzantine" if it was one country, as we are assured?
And here's another oddity. Ensisheim meteorite. Let's start with the title. I understand that it is ridiculous to look for the etymology of the name of a village in Gaul, in modern English, but as practice shows, in the absence of visible connections, the essence of the phenomenon often manifests itself even in words that are not in use at the time of the event.
So, this word is missing one single letter "D", which, like an evil joker, was deliberately removed. "End sys game" requires translation? Yes, there are such jokes in history. There is a legend that the great Albrecht Durer witnessed the fall of this meteorite. In our time, this is a common thing: - if an airplane can crash into a skyscraper, then surely someone from the eyewitnesses, at this moment "accidentally" will turn on a video camera with a view of a skyscraper. And at a time when cameras did not exist, it was necessary for some painter - a graphic artist to be in the right place at the right time.
And that's why it seems to me that this "meteorite" is not really a meteorite. More precisely, he was not alone, and they fell in different places, otherwise how to explain the fact that Dürer painted many drawings in which the same event is depicted in completely different ways?
Here are two options:
The fall of the Ensisheim meteorite on November 7, 1492. Albrecht Durer.
The fall of the Ensisheim meteorite on November 7, 1492. Albrecht Durer.
It seems to be even "filmed" from the same point, but why then does the meteorite fall in different directions? Or there were more than one. But it seems to me that these two prints cannot in any way belong to the same person. Moreover, I can’t believe in the authorship of the great Dürer.
We look at a photo of the meteorite itself, which, by a strange circumstance, was not forged into swords for kings, as was customary in those days. There are several images with the same name, for some reason. In addition, in Europe at about the same time, abundant "meteorological precipitation" "fell out", which never happened later.
The reason why both meteorites are called by the same name among researchers, I could not establish.
For example, over the past 200 years, not a single reliable fact has survived about anything larger than small meteors falling to Earth. Except for the Tunguska "meteorite", which is not at all a fact that it came from the sky. Nevertheless, the meteorological service existed in the eighteenth century, and was state-owned. She was not observing the weather at all, as now, but specifically for the celestial bodies falling to the Earth. However, why am I explaining this? From the very name "METEORologicheskaya" this clearly follows.
It turns out that we have grounds to suspect some very important events for the history of mankind in the late fifteenth - early sixteenth centuries. Albrecht Durer's "deep immersion" in the meteorite theme is an indirect confirmation. Let's remember his famous "Melancholy" (1513).
Melancholy. A. Dürer 1513
A winged woman in a state of melancholy (this is when not just sad, but when everything is over) is surrounded by objects: measuring, carpentry tools, and a ball lies at her feet … The symbolism is easily guessed. Here you will find a set of items from the arsenal of Freemasons, builders of the world, and a symbol of the planet, and a bright light from above.
Alienation, a sense of powerlessness to change the situation, emphasize the hourglass. A huge crystal (or meteorite), an incomprehensible creature that carries a banner "Melancholy" in varnishes. Everything points to the end of time. And the possible beginning of a new era. Particularly attractive is the magic square on the wall.
The sum of the numbers in all lines vertically, horizontally and diagonally gives the same number - 34. Why? If we are talking about Masonic symbolism, then 33 is the highest degree of initiation. Then. 34 - God?
In general, one gets the feeling that it was a difficult time! The outbreak of the "Star of Bethlehem", the fall of meteorites, wars, uprisings, pestilence, the "discovery of America", the change of the calendar, the arrival of Jesus, the heyday of the Renaissance, and … The beginning of the Reformation!
Two questions: - What, in fact, was revived, and what was reformed? The answer to both questions may be hidden in the key - the reasons for these processes. In the encyclopedia, mind you not to peep, if someone has forgotten. And who remembers - forget that you were told about it at school and institute.
It is enough to decipher the overseas terms, and much becomes clear.
Well then! Clearer than clear. Secular revival is an attempt to adopt and revive the technologies of a lost civilization, and religious reform is to bring spiritual government in accordance with new realities, such as: - Introduction to Christianity of Jesus as the son of God, and the writing of the Bible.
If we assume that the guess is correct, then a new version of post-Flood events is easily born:
Jesus was executed by the Jews when he was thirty years old and three years old. Exactly as they say in Russian fairy tales. It turns out that if he was born in 1492, then he died in 1525. And what is this year remarkable, according to the officially accepted chronology? Well, practically nothing. Completely "legendary" battles, and the milestones of the Reformation. But! In this year, the famous Pieter Bruegel (Sr.) was born, who is known for non-trivial depictions of biblical subjects.
According to cultural experts. Then everything is logical. The man lived at a time when there were already the most vague ideas about how everything happened in ancient Judea, and he portrayed characters from the time of the birth of Christianity in the image of his contemporaries. Well … How our Nikas Safronov is now swaggering, depicting pop stars and tribunes in suits and armor of the late Middle Ages.
However … Bruegel is not alone. There is a whole layer of painting depicting biblical stories exactly in accordance with the level of development of civilization at the end of the fifteenth century. Well, see for yourself!
Pieter Bruegel Sr. Battle of Shrovetide and Lent. 1559 Digital reproduction is in the Internet museum Gallerix.ru
Here, we are primarily concerned with the question of how, during the Renaissance, the Slavic pagan Maslenitsa could be celebrated in Catholic Europe! Those. Once upon a time, it was not us who celebrated the European "Halloween" and "Valentine's Day", but the Europeans celebrated Maslenitsa!
Lucas Cranach the Elder. Flight of the Holy Family to Egypt (1504)
This is generally a seditious picture. It directly confirms the version that Jesus had an older sister. It may seem incredible to some, but look for yourself, Jesus is in Mary's arms, and to her right is not an angel, but an earthly girl, who quite pretends to be an older sister. Well, how could it be otherwise? Earlier, after all, women, at the age at which Mary is portrayed, already had up to a dozen children.
And the most important thing is the landscape. It is European, if not Siberian.
Paolo Veronese. Finding Moses (1575)
Culturologists say that in the center of the picture is the wife of the Egyptian pharaoh. And that, they say, the artist did not know what Arab women and the landscape of North Africa looked like. But … Our culturologists were born in the twentieth century, and they have much less opportunity to correctly describe biblical events from the everyday point of view than those who were much closer to them on the timeline. Somehow I believe more artists of the Renaissance. And Paul's surname obliges … Veronese, translated into Russian, means "Pravdivtsev", or "Pravdin".
Pieter Bruegel Jr. Adoration of the Magi. XVI century
And again European architecture, flora and climate. Snow and winter. If illiterate artists, who for some reason at once, rushed to paint pictures on biblical themes after one and a half thousand years later, and did not know how they lived in Palestine, then why do they so amicably depict snow on the streets and roofs? It seems to me, only for one reason. At one time, they knew exactly when and where exactly these events took place.
Pieter Bruegel Sr. Massacre of the innocents. (1567).
This picture gives even more food for thought. In addition to the brick buildings of the snow-covered city, we see a typical image of the Russian squad. They are under red banners, in armor and uniforms of the Russian army from the early sixteenth century. And the horse Cossacks in red caftans are a real "cherry on the cake".
Pieter Bruegel Sr. The path to Calvary. (1564)
This picture is a real treasure. She alone is worthy of a separate article, so I will not dwell in detail, I will only note that on this canvas, we again see a typical Russian landscape, Russian Cossacks who are taking a suffering Jesus to the Execution Ground on a cart, and even an indispensable attribute of a Russian village - a nest for storks in the form of a blank from a broken wheel from a cart.
From the presented, the thought already suggests itself that, in fact, the artists of the Reformation era saw the biblical history in a completely different way than we do now. If we were led to believe that all the events described in the New Testament took place in prehistoric Palestine, where everyone wore sandals, wrapped in rags, belted with ropes, then this does not mean at all that this was the case!
The events described could actually be, but not there, and not when it is now accepted to be considered, but quite recently, and not in Palestine, but in Europe, and (or) partially in Russia. Then a lot of questions are removed for historians. Everything becomes logical, simple, and understandable without interpretation or explanation.
In the fourteenth century, a tragedy broke out that went down in history as the great flood. She destroyed a civilization called ancient. And this is reflected in the pictures of the witnesses of the flood:
God instructs Noah. Woodcut 1539 Artist Amman.
Another of the objects looks absolutely fantastic. Either a skyscraper is falling, or a log in the eye of God. This print was sold at an online auction just recently for $ 60,000. The new owner did not wish to disclose his name. And the picture has been removed from the site, so you can only see it on the Tart-Aria.info website.
Note! The picture of the forty days of rain and the flood caused by it is depicted against the backdrop of the most real skyscrapers. One of them is the so-called. Tower of Babel. It is now being reconstructed. I think that in the same place where its biblical prototype existed - in Brussels. But who will tell us about this?
The building of the European Parliament in Brussels.
Do you not believe that, corrupted, fallen Babylon, is this a prototype of the European Union? And so?
The Tower of Babel by Pieter Bruegel the Elder (1563)
And again, Pyotr Brezhnev … Oh … Sorry, Pieter Bruegel, of course in the know. Don't you think all this is a little strange?