The Shroud of Turin is nothing more than a copy created in the Middle Ages by the artist Giotto from the original, now lost
To prove his words, Buzo cites the fact that after a careful study of the photographs of the Shroud, he was able to find in one place two numbers 15 and that if this indicates the year of the writing of the work 1315, in those days it was customary to indicate the last two numbers by the year.
Buzo's theory is surprisingly supported by data from early radiocarbon analyzes, which showed the date of the creation of the Shroud between 1260 and 1390. Giotto was at that time the most famous artist in Europe.
Buzo's opponents say his theory is more worthy of a book like The Da Vinci Code, but is essentially fiction. However, Buzo is persistent.
"Lamentation over the Body of Christ" by Giotto in the chapel in Padua (Italy)
“The original was most likely in a very poor condition and the church asked the artist to create a copy. This was known to only a few people in order to keep the secret. Some people assure me that they have read the description of the Shroud in ancient manuscripts, but still there is not a single fact confirming this."