- Part 1 - Part 2 -
Since the birth of the Internet, a baidu about Soviet engineers who carved the largest unfinished Aswan obelisk in human history with gas burners has been dragged across the networks.
The alternatives should protect it, the officialists - the ancient Egyptians, the creators-carvers of the underobelisk.
Aswan "obelisk" was cast with an adjacent "part of the quarry", like the rest of "ancient Egypt". There are many flat surfaces on it, impossible for any burner.
On the Internet, the same LAISTs have more than enough good photos, where all this is visible.
Peeling of granite (!!!) and a number of grooves from the formwork fixing beams were mentioned in passing. I show more.
Promotional video:
We look further.
First, a general view.
Part of a quarry is not a rock. It differs both in texture and color, and flakes as well as an obelisk.
Once again we admire the grooves of the third, last formwork. Why doesn't anyone notice that the color of the "obelisk" is completely different from that of natural rocks? Because it is not ordered to notice - neither the "academics" nor the "alternatives".
A type of carved granite block nearby. What other doubts about casting?
Without any doubts.
Stones like the one above were cleared from one of the component components - right here. But not always carefully, since they come across in the casting.
It seems that sorting and mixing work was carried out right here, the mixture spilled underfoot without measure.
On the "obelisk" a border is visible - an obvious docked cast of lower quality.
On the "surface of the quarry" there are obvious three different casts with an overlap. The right molding presses on the left one, like plaster, crumbles, because the quality of the composition is worse.
The border between artificial and natural granite is very clearly visible. A "quarry surface" was made under flexible formwork, the most suitable is a flexible sheet like roofing iron pressed with sandbags.
What idiot, and how, will drag granite out of the "cuts"? There must be tens of tons of it here. And you can't use the technique here.
Neither the ancient Egyptians, nor the Anunakhs, nor the builders of "ancient Egypt" of the 19th century have idiots, they are only among scientists.
Obelisk.
No burners, like cutting, can get this plane. Just take a piss.
The wall of the formwork was lowered into the still viscous mass - apparently, under the curtain of the pouring there was an idea to make a parallelepiped like the South Stone, but it didn't work out, or they changed their minds.
We threw two slats. Dropped a long object (either flat, with a jagged side).
On the left is a part of the "unfinished obelisk" under the lower formwork - all the more so not to be obtained with heaving burners. The plane is drawn with regular squares, i.e. flooded with cubes. They carried the usual “ancient Egyptian treasure,” a temple or pylon of some kind.
Borders of different layers of granite mix.
Almost high quality granite. Well done ancient Egyptians, this brigade deserves the evening opium! Only one lump of a finely dispersed component is not mixed, spilled out, naturally, in the "sands of time", over the "darkness of centuries".
And this is a worthless impurity. No opium for slovens!
The foundation of the "obelisk" was a foundation made of defective beams from some nearby "temple of the Egyptian", covered with cloth, i.e. in a bag that was filled with an almost liquid mixture. They are the struts of the foundation cast in fabric.
At the same time, we pay attention to the border between the first and second vertical formwork and the influx from the casting of the second formwork.
The same beams at the base are visible from this side.
Beams are lying nearby. Any marriage was brought here to the beginning of work. From here they took him and drove him to the "obelisk" and "quarry".
The last brigade has already drowned out all this girder waste. They dragged me into the underfilled part of the "quarry with the unfinished greatest chopped obelisk of all time." Some slovens threw or dropped the granite debris into the finished "cut", they did not pour it back.
Here some of the beams were thrown, one was half-drowned … But something else is interesting here: three and a half lines of mysterious traces of lasers from the Anunakh Whitemans, these traces are the grooves from the resonator effects of the Mantrean-Lemurian-Atlanto-Sirianto-Aryans, which stand in a herd and they sing mantras, the egregorial field frequencies of which are made of plasticine from granite.
The left footprint is the footprints of the flooring, which was used to carry the granite mix to the fill when the central ridge did not yet exist. Middle chain - from the same and for the same after filling the middle ridge. One and a half chains on the right are beams, "container quality" wooden beams, not for walking, but for enclosing ready-made cuts. We made a tent from a bar, covered it with sackcloth or tarpaulin, and refilled the right side of the “quarry”.
"Unsharpened" ("underdeveloped by mantras and lasers") part.
The formwork was soil or sand in bags, pressed from the side and top with sheet material. We made the base of the "unfinished-unfinished obelisk", folded the formwork from the bags, after pouring the base onto the bags, put the usual vertical formwork.
The filling of the right side - the quarry wall - was phased. On the lying bags, under which a tarpaulin with a free edge was laid, the following bags were superimposed, tightly one to one, the free edge of the tarp was tucked to the left, onto the “obelisk”. The layer was poured, the tarpaulin unfolded, the next bags were laid on it, the edge of the tarp was again thrown onto the “obelisk”, and poured. And so on to the very top. At the end of the work, the bags were dragged away and the tarpaulin removed. Even the borders of the bags and the horizontal folds of the tarp are visible.
Traces from the vertical and horizontal beams, from which the frame of the shield of the third vertical formwork was made. The upper semi-liquid mass was piled up already without formwork. Clear streaks are visible on the horizontal beam.
From this perspective, the layered structure of the vertical walls is noticeable. The streaks are visible on both walls. Puddles of water stood under the tarp.
Water flowed from the "obelisk" through the tarpaulin, washing out the dispersed element. The characteristic "stalactite" forms were formed.
"Mysterious Holes" from "Mysterious Instruments" - a drainage hole.
Water was constantly needed during the pouring of the megalith "obelisk", the flooded layers should be constantly wet and not have time to dry out (so that later the "obelisk" would not exfoliate like puff pastry), upon reaching the upper edge it already interfered.
The puddles stood, and they were diverted. They squeezed a hole in the piled mass with a square bar, stuck a round pipe and led it in a circle
Ordinary drainage channel.
It can be seen here that the horizontal fastening - formwork - beam was also removed.
Typical puddles on a wet cast.
And these are not puddles, there were also sacks. Perhaps the next casting formwork, or maybe just stockpiled.
Blocks are laid on top of the tarpaulin. Anyone else questioning the layers?
What kind of "burners" and "cut-downs" are here? Water and flaky "granite layer" without dispersion.
Why were the tiles laid out on the tarpaulin? Maybe they should be wet for use, or maybe just like that - the more mysterious, the more interesting for posterity!
About the time of the creation of the "unfinished obelisk", science has the only evidence - this inscription of Thutmose III, imprinted on raw casting. There is nothing else)))
Traces of these tutmoses, left in a granite solution, yigiptolokham, a stump is clear, it is forbidden to see.
An interesting monument. I like this.
And a few words about sacks and Anunakh masonry with micron precision - this was the beginning at the Aswan obelisk.
The Egyptians in the Egyptian province to this day build walls from sandbags. In the cut in the photo below, it looks like this. Press it down with a flat shield, press it down with a tarp … - you will have an incomprehensible masonry of mysterious Egypt with the mysterious Sacsayhuaman.
And if the "polygonal mega-layer of the Atlanto-Sirianto-Aryans" is not pressed down by a rigid plane, such a casting turns out (this is Cuzco, "the primitive civilization of the Incas").
The material of the bags is familiar to everyone. The same celluloid (which disintegrates in the open air at most in a few years, and in direct sunlight in general for the season, in the closed one disintegrates without a remainder for a maximum of tens of years) was officially invented either in England in 1855, or in the USA in 1869 - sources differ, unofficially - God knows. Thanks to him, cinematography became possible, only the films are not stored, so there are no museum copies of the first films. The cellophane bag familiar to us, for reference, has existed since 1908.
Goodness, intelligence and health!
Continued: Part 4.