Climate: Styles In Art As A Reflection Of Cataclysms And A Short History Of The Earth - Alternative View

Climate: Styles In Art As A Reflection Of Cataclysms And A Short History Of The Earth - Alternative View
Climate: Styles In Art As A Reflection Of Cataclysms And A Short History Of The Earth - Alternative View

Video: Climate: Styles In Art As A Reflection Of Cataclysms And A Short History Of The Earth - Alternative View

Video: Climate: Styles In Art As A Reflection Of Cataclysms And A Short History Of The Earth - Alternative View
Video: How Climate Changes Art 2024, May
Anonim

The climate model of the Earth, on the creation of which I have been working recently, is practically formulated. She turned out to be very interesting in her physical form. More extraordinary, however, is that many historical events are explained with this climate model.

In this article, I will share only a small part of my research. They relate to styles in world art and their coupling with climatic physical processes of the “planet” World (Earth).

Let me remind you beforehand that there is an established theory of periods of glaciations and interglacials, which proves that such periods can and did occur on Earth. Further, I will note, probably, many have noticed an incomprehensible fuss of world forces around Antarctica, as well as a constant search for salvation from a threat that has not yet been understood.

Then, I will note, much of what previously seemed true to us has recently become false. Recall at least the scam of the Americans with their "flight" to the moon. In the fall of 2015, in a video interview published after his death, director Stanley Kubrick confessed to a fake. Moon observations generally leave more questions than answers. And the official characteristics of the Earth's atmosphere do not at all testify to the spherical shape of our "planet".

And, finally, the absolutely incomprehensible pace of the demography of the Chinese and Indian "peoples" against the background of the quite intelligible age-old demographic trends of the Russian and English peoples indicate that 93 percent of the world's population, shall we say, are clones.

It is this texture that I propose to look at through the prism of well-known world trends - styles in art.

Man is a productive creature. He leaves a memory about himself not only in the waste of his life, but also in various things and cultural objects. Just as in archeology, the technology of making a tool is a dating feature, a similar dating feature is the era created by mankind in art.

The list of such eras is small. This already speaks of the brevity of the history of mankind, and the absence of ancient styles indicates that man himself was absent at the appropriate times. At the same time, the emergence of a new style capable of forming a corresponding cultural era is associated with a global restructuring of the way of life and consciousness of the human masses.

Promotional video:

Romanesque style - XI - XII centuries;

Gothic - XII - XV-XVI centuries;

Renaissance - XV - ¾ XVI - ¼ XVII centuries;

Enlightenment - ¼ XVII century;

Romanticism - ¾ XVIII century - ½ XIX century;

Stands aside

Classicism - XVII century;

It is quite obvious how the development of styles of art reflects the corresponding state of human society. In fact, in the period from the 11th to the 18th century, mankind made a full circle: starting from the Romanesque style, ending with romanticism. Both are one and the same, but at a different dialectical level. This circle of art is interesting because styles are indicators of the state of civilization.

The first to appear was the Romanesque style - from lat. romanus - "Roman". Its name literally means a certain border, a line - ROME [1] - through which mankind has crossed. It became a civilizational frontier: there was nothing before the Romanesque style, but with it, something human just appeared on Earth.

But it should be noted that the Romanesque style dominated only in a small area - in Western Europe, as well as in some countries of Eastern Europe. It was in the XI-XII centuries. In a number of places it lasted until the XIII century. In Russia in the XI-XII centuries there was also a Romanesque style. These are the Assumption Cathedral in Vladimir (1158 - 1160), the Dmitrievsky Cathedral (1194 - 1197), the Church of the Intercession on the Nerl (1165), the St. George Cathedral in Yuryev-Polsky (1230 - 1234), the Assumption Cathedral of the Moscow Kremlin and much more.

With regard to other territories, the style parameters need to be clarified, starting with the question: were there any people at that time in these other territories? Despite the "rich" history of modern Asia, Africa and America, there is no real evidence of the existence of people on their territory in the past. Therefore, these countries turned out to be open in the XIV century - Asia, in the XV - America, in the XVIII - Africa. Actually, the annexation of Siberia is 1582. Before that, it was impossible to get to Siberia - its entire western part was under water.

Dating the Romanesque style makes one think about the nature of the trait that humanity has passed at this stage. Judging by the fact that the next style of art was extremely negative, then this feature also represented a transition through some kind of catastrophe, after which the previously normal human existence was replaced by total death.

This catastrophe is quite obvious - in 981 the so-called "choice of faith in Russia" took place, and in 982 the Holy Roman Empire (which existed until 1806) was founded. And in the same year 982, the first religious reform was carried out in Russia. The Roman Empire is the border of the beginning of the Romanesque style, which is named after this Rome.

One could look at this problem philosophically and try to prove that the world massacre was caused by the emerging Christianity - as a new, revolutionary teaching for that time, the followers of which established their righteousness with fire and sword. However, in our opinion, everything happened exactly the opposite: Christianity itself was the result of some total event, and already on the basis of the awareness of its perception, Christians built their dogma.

Let us recall that until the X century (a map from Cotton's library), geographical maps were oriented so that the North was the Horse and Moscow was the center. But the maps, starting from the X century (the London Psalter, the map from Ebstorf in 1236 and others), received a different orientation. In them the former East became Riding. That is, the cards have turned 90 degrees to their previous state.

If geographical maps fixed nature - nature, and nothing else can be expected from people of that time, then these maps recorded the geographical restructuring of the Earth, which took place in the 10th century. Rome itself is a poetic establishment of a new trait, which so strongly influenced the life and minds of the population of that time that it caused such negative consequences.

Counting from 981 to 1240.2 years (see below), we find that the Romanesque period lasted 259.2 years and ended with a flood resulting from the movement of the pole zones.

Following the Romanesque style is Gothic. The name speaks, and it comes from the Greek word "γοτθικο" - "cemetery". Nowadays, adherents of a similar style are called "Goths". But, since Gothic refers to the Roman, that is, the German zone of occupation, the word "Gothic" can be formed from the German "Gott" - "god" or Yiddish "got" - "god".

It is from that time that the Church has placed the fear of God, that is, Gothic, at the basis of faith. And the name of that god was later reduced to the "sacred" language - Sanskrit, in which God began to be designated by the word "Isha" - Russian. Yasha, celt. Jesus, Judah. Jesus, Islam. Isa, christ. Jesus et al.

The symbolism of that action, when a Roman soldier kills with a spear nailed to the T-shaped cross of Jesus, should be read in the mainstream of catastrophism. The T-shaped cross is the three axes of the geographical map of the World (Earth, see fig.), Which was widespread in the X century. Jesus is the personification of the World (Earth) itself. The Roman soldier with a spear is a designation of a change in the position of the axis of the Earth.

Figure: Medieval card with the names of the children of Noah, Guntherus Ziner, 1472
Figure: Medieval card with the names of the children of Noah, Guntherus Ziner, 1472

Figure: Medieval card with the names of the children of Noah, Guntherus Ziner, 1472.

Historians report that for the first time the T-shaped map was created back in the 8th century by a certain monk Beatus from Liebana, allegedly as an illustration to the 12-volume "Commentary on the Apocalypse". That is, if the Apocalypse is considered an ancient scripture, then it could describe the events that took place in the X century. The scheme of these events is fixed in the T-shaped map - this is the rotation of the axis of the World, that is, the rotation of the poles.

Gothic is a period in the development of medieval art in Western, Central and partly Eastern Europe. Began from the XI-XII century. It ended in the 15th - 16th century.

Art critics note that there could not be a genuine Gothic in Russia, but, nevertheless, the Gothic style can be traced in the architecture of buildings. For example, in the architecture of the Faceted Chamber (1487). The “history” of its creation is completely mythological. To start with the names of the architects: the construction was started by the "Italian" architect Mark Fryazin [2] (lit. Space darkness), finished in 1491 by the architect Pietro Antonio Solari (lit. Power of the Sun). The Faceted Chamber was the ceremonial throne room for ceremonial receptions in the new Grand Ducal Palace of Ivan III.

What caused the cemetery theme during this period of centuries? Obviously, by those processes that negatively affected the existence of human civilization at that time. What were these reasons - we will consider below. Here again, we note that the influence of these causes was so deadly that it contributed to the formation of art based on death itself. Therefore, the style of Gothic architecture is characterized as "eerily majestic".

There are two approaches that can explain what has been said. The first approach is that for 1000 years (until the 10th century), human civilization could simply not exist in reality. It was invented by historians and inserted between the 0th year and the 11th century. This is the so-called antiquity (Romanesque style), in which there are no clothes and no physical manifestations. The next 300 years are allotted to Gothic, as well as non-existent years. And only at the end of the Gothic period does a person really appear on Earth.

However, there are contradictions here, and the main thing is that until the 0th year, there is no real history at all. In addition, modern society is mentally and morally not ready to BELIEVE that people could have ended up on Earth only 666 years ago, having arrived here from other places or in any other way materialized.

Although, we note, the concept of the special services is precisely this. Back in 2005-2007, Major General of the FSB Georgy Rogozin told me that the closed concept of human origin is that people arrived on Earth by a beam. This will be further explained below.

Therefore, adhering to the concept of a long history, the main reason should still be called the geographical change in the poles of the Earth. Let's remind, in 1492 Columbus "discovered" America. In fact, this means that the previously known, but during the flood, an inaccessible path for free navigation to this country became open again. That is, America and Southeast Asia, frozen during the Gothic period, thawed again. It was by the end of the Gothic period that the North and South Poles on the maps returned to their places.

The reasons (or parallels) of the Gothic period, recorded in written sources, are also obvious. This is the so-called Mongol-Tatar yoke. The term "yoke" is not found in Russian chronicles, since all chronicles were written after the 16th century. The term first appeared in Polish [3] "historical" literature just at the end of the Gothic period - at the turn of the 15th - 16th centuries.

The etymology of the word "yoke" is not at all connected with oppression or slavery. Igo is a word of a common Slavic Indo-European character. Max Vasmer singles out the suffix -g- in the word "yoke", as well as a stem similar to Old Ind. yáati - "to bind" (cf. lit. jùngas and jùngti - "to connect, harness", January - the same). That is, the yoke literally means "that which binds, unites."

The word "needle" is one-root, meaning an object that literally binds halves of matter. In Moscow, the two parts of the city were separated and connected by the Iglim River (now Neglinnaya). The needle is the very axis of the World, or the Roslin line. Perhaps the word "Gothic" (Suf. -Tika, as in "arithmetic") is a cognate word for "yoke". Then what is designated as IHOM in Russia was called GOTIKA in Europe.

Thus, if the Gothic and the "Mongol-Tatar" yoke are identified, then the yoke is presented as a kind of period connecting what happened to humanity after the introduction of Christianity and the Romanesque style and which lasted until the Renaissance.

"Igo", according to generally accepted data, lasted 250 years - from 1237 to 1487 (Russian influence on the Kazan Khanate). But if we take into account the main events of Europe, that is, the appearance of the work of Copernicus, then the end of the Gothic style should be considered the previous year 1499.2. The period from the beginning to the end of the Gothic is the same - 259.2 years.

An analysis of historical events shows that during the Gothic period there was a high water level on Earth (plus 70 - 100 meters to the present). People survived in the high places, but the lowlands were completely flooded.

That is why, in particular, the development and annexation of Siberia to Russia was not possible, because Western Siberia was under water during the Gothic period. Let us recall that Western Siberia is a collection of lowlands, the largest of which is the Middle Ob lowland. The absolute heights do not exceed 50-60 m above sea level.

The period following the Gothic is the Renaissance, that is, the Renaissance. Even in its name, this period carries an explanation for what happened. The generally accepted etymology says that the word "renaissance" allegedly came from fr. Renaissance, Italian. Rinascimento; from "re / ri" - "again" or "anew" and "nasci" - "born".

But the root "re / ri" in all languages means something else - the source of life, existence (ray, earth, etc.). Hence, in particular, Russian. oratay - "plowman", fr. roi - "king", paradise, etc. The second part of the word "nasci" also means something completely different - letters. "lower". This etymology can be found on geographical maps of the Renaissance, where, for example, Nizhny Novgorod is named: Nissi Nouo grodt (1512), Nisnouo gorod (1562 - 1598), Nisnovo gorod (1563), Novogardia inferior (1600), etc.

And all the lands in the southeast of the Novgorod land in the era of the Gothic flood (XII - XIII centuries) were called "Nizovskaya land", and in the Renaissance (XIV - XVI centuries), the Nizovskaya land, Nizom or Ponizovye was also called the Middle Volga region located between the Oka and Volga rivers.

Therefore, the word "Renaissance" should be interpreted not as "rebirth", but as the conquest or appearance of the lower lands - previously occupied by water. One of the evidence of such a process can be considered the fresco "Flood", which is located in the Vatican. It dates back to the end of the Renaissance - 1509. In the work, the artist visualized the events of that period.

Figure: Fresco "The Flood" (1509, Sistine Chapel, Vatican, Michelangelo Buanorotti)
Figure: Fresco "The Flood" (1509, Sistine Chapel, Vatican, Michelangelo Buanorotti)

Figure: Fresco "The Flood" (1509, Sistine Chapel, Vatican, Michelangelo Buanorotti).

It is not worth arguing whether the art of this period was a reflection of the real surrounding reality or not, it is enough to look at the Soviet period closest to us, in the art of which all trends, without exception, are literal fixations of what was happening around the artist at that time.

The Renaissance era began in Europe from the 15th - 16th centuries. and lasted until the last quarter of the 16th century. In some cases, the Renaissance affected the first decades of the 17th century. Even from the generally accepted terminology, it follows that during this period, the world and civilization recovered from the theme of death and went into the mode of rebirth.

One of the most significant events for the Earth took place at the end of the 15th - beginning of the 16th centuries. It is believed that at this time Copernicus came up with a new paradigm, through the efforts of which the Earth was in space and began to revolve around the stationary sun. And one more event - no less important - Columbus in 1492 "discovered" America. And it was this year according to the Julian calendar with the Byzantine era (7000 - 7001) the year of the supposed end of the world.

In our model, Copernicus described something different - the return of the Sun, which disappeared in the Gothic era. Before there was diffused milky light, and Copernicus predicted the appearance of a concentrated Sun (flare), which, having appeared, contributed to the fall in the level of the world ocean.

The Renaissance period gave way to the Enlightenment period. The beginning of the Enlightenment - the first quarter of the 17th century - can be associated with the arrival of the Romanovs - in 1613, or, better, with a radical change in the burial rite (1629). This should also include the concept of Descartes (1637). The style of the period suggests that in the World (on Earth) the light was turned on, and it was he who gave enlightenment. In total, from 1499.4 to 1629, 129.6 years - half of the period 259.2 years.

Simultaneously with the Enlightenment, a parallel trend developed - Classicism. The name comes from fr. classicisme, from lat. classicus - "exemplary". Formed in France in the 17th century, it lasted until the 19th century. French classicism asserted the personality of a person as the highest value of being, freeing him from religious and church influence.

Art critics write that Classicism only "relied" on antiquity, but it would be more accurate to say that it was Classicism that invented, invented and promoted Ancient Greece and Ancient Rome with their lack of clothes - due to the impossibility of inventing national clothes for peoples that never existed.

By virtue of its artificiality - caused by the desire to CREATE an example in the form of the "golden age" of "Ancient Greece" and "Ancient Rome" - Classicism has remained a parallel reality, not joining a series of natural styles, replacing each other in a natural order - Romanism, Gothic, Renaissance, Enlightenment, romanticism. There was no place for classicism in real life.

The period of enlightenment gave way to the period of romanticism. Romanticism is an artistic trend in European and American culture of the late 18th century - first half of the 19th century. And this is a tracing paper of the Romanesque style of the XI-XII centuries. In romanticism, too, everything that did not exist prevailed. In the 18th century everything strange, picturesque and existing only in books, and not in reality was called romantic. At its core, romanticism is the opposite of Classicism and the Enlightenment.

The beginning of Romanticism falls on the time when the Great French Revolution took place. Another revolution marked the beginning of a new style - just like the Copernican revolution “lat. De Revolutionibus Orbium Coelestium”marked the beginning of the Renaissance. Yes, and the beginning of the Enlightenment was also marked by a revolution - this is the first appearance of the fictional Romanovs. But perhaps the main revolution at the beginning of the Renaissance was the introduction of the Gregorian calendar (1582).

The revolutionary pattern is clearly visible. The introduction of a new style in art always begins with a revolution: the Romanesque style is the Christian revolution (baptism), the Gothic is the Tatar-Mongolian revolution (horde), the Renaissance is the calendar revolution (Gregorian style), the Enlightenment is the French Revolution, romanticism is its revolution, according to calculations. fall on the year 1888.2.

And here there is a revolution - this is the introduction of a new Roslin line. It became in 1884 the new 0th meridian - Greenwich. And this change is again geographical, affecting the whole concept of the whole World (Earth), reshaping maps, time zones, etc.

But it is generally accepted that romanticism ended in the first half of the 19th century, that is, it existed until about 1850. It is also customary to tie the end of romanticism to the industrial revolution - the appearance of the steam engine, steam locomotive, steamer, photography, and factory outskirts. But not only…

The art of the latest period of time begins its countdown from 1848. This is clearly seen in the art collections at the Louvre. These collections cover vast geographic areas: from western Europe to Iran through Greece, Egypt and the Middle East. And in time they embrace the period from antiquity (Romanesque style) to 1848 (the end of romanticism). That is, from the First Rome to the Second Rome.

Modern European art begins in 1848 and continues to this day. It is represented, for example, in the Musée d'Orsay and the Center Georges Pompidou. Asian is exhibited at the Guimet Museum. Art from Africa, America and Oceania is exhibited at the Quai Branly Museum.

In this regard, it is worth noting that the real date of the discovery of Kilimanjaro is May 11, 1848. In the same year, Napoleon III became President of France. And the next year, 1849, the Cathedral of Christ the Savior was erected. From that time, forests began to grow, and a new story appeared.

Table. The climatic period recorded by the styles of art in the history of the World (Earth):

Image
Image

The entire history of mankind lasts from 981 to 2018 - that is, only 1037 years. These are 4 climatic periods of 259.2 years each, that is, a complete climatic circle. During this time, 6 styles in art have changed: Romanesque, Gothic, Renaissance, Enlightenment, romanticism, new time. Each of them began with a revolution and ended with a revolution. Each of the styles and time periods is associated with global changes in geography, climate, calendar, faith, etc.

More than once I had to come across the fact that in history there is too large a percentage of falsifications. It far exceeds the percentage of reality. Of course, we can say that the following conclusions run counter to the official history. But maybe this official story runs counter to real events? We will analyze both the one and the other assumptions below, and here we will formulate the current conclusions.

The Romanesque style is the first style in art. This can only mean one thing - before him there was no human society. Otherwise, there would be such objects, the totality of which art historians would certainly decompose into styles and analyze them.

"Ancient Rome" and "Ancient Greece" do not count - they were created in the 19th century, as well as "Ancient Egypt", "Ancient England", etc. Today, there are many photos on the Web showing how all this falsification was carried out. And, perhaps, the most ridiculous is the presence of modern metal fittings in the bodies of "ancient" statues recently destroyed by Islamic terrorists.

Why were there no people before the Romanesque style? Because the living conditions on Earth were not suitable for humans. This was most likely caused by climate change. According to our model, there was a polarity reversal between the Sun and the Moon. It was she who was captured in the form of two mythological acts. The first is the choice of faith and baptism, the second is the founding of the so-called Roman Empire.

The Romanesque style denotes ROME - the border after which the great flood took place. But the transition to the flood did not take place instantly, but throughout most of the Romanesque period, that is, almost 259.2 years. Therefore, in the initial dates of this time, there are real historical events, and then there is a complete falsification, borrowed from fairy tales and myths.

The Gothic style is the flood itself. At this time, the north and south poles were in the modern east and west. As a result, the ice caps in Antarctica and Greenland melted, raising the level of the world ocean by 70 - 100 meters. This rise in water was enough for many low-lying areas, in which the bulk of the population usually settle, were under water.

The next period - the Renaissance - was marked by the fact that the water began to leave. It began to collect in glaciers that formed in new territories in those places where the north and south poles were - these are the territories of America, Europe and Southeast Asia. That is why the official statistics of China's demographics only begin with the Enlightenment. Before that, China was under water. With all its fictional history.

In the next period - the Enlightenment - the arrival of people took place. And the first kings of the aliens were those who later turned into the Romanov-Windsor dynasty. That is why this royal family is the only royal family on Earth. People of this time were the first settlers on Earth.

And finally, the next period is romanticism. At this time, there was a massive population of the Earth. Romanticism separated the era of the old time, the post-Flood, from the era of the new time in which we live today.

Thus, the Earth system has completed one complete large cycle - from 981 to 1758.6 years - consisting of three unit cycles with a duration of 259.2 years. The algorithm for this cyclicity is simple. In the first phase of this cycle, humanity passes a certain line (Rome), in the second phase there is a flood, in the third phase - the settlement of the Earth by people or other creatures is carried out. After that, everything is repeated in 3-D mode.

Today we are living in the first phase of this cycle, which began in 1758.6 and ends in 2017.8. After that, following the cyclical assumption, the next flood should take place. It will be caused by another polarity reversal, which will move the North and South Poles to the places of the modern equator. And the new equator will pass through the now old north and south poles.

From the point of view of the category of the human, such a cyclical nature should be attributed to God - for many simply cannot find other explanations. But today some extraterrestrial forces can be called the organizer of actions of this scale.

It is worth noting that the powerful are aware of the existence of such cycles. To illustrate, here are just three examples - although there are many more. The first example is the expiration of Vladimir Putin's presidential term in 2018. It might not mean anything. But about ten years ago I took part in a discussion at the Literaturnaya Gazeta forum.

There, the tolerant Internet community, as always, shamelessly nightmares an elderly woman about predicting the future, interpreting the Bible and its origin. The woman introduced herself as a special royal family living in Great Britain. She reported several facts from the future: small people will come to power in Russia, the second of them will extend his powers for 6 years, and then, after two terms of presidency, the world will cease to exist. This prediction ceased to be ridiculous when Vladimir Putin extended his term as president of Russia to 6 years.

Andrey Tyunyaev

Recommended: