Part 2
Sumerian legacy of enslaved humanity or the origins of ziggurat architecture in Red Square
Recently, the mass media and the Internet have raised the issue of removing V. I. Lenin from the mausoleum on Red Square. This was preceded by a number of materials on the subject of analysis of flights around this structure itself and its functions, why is he there, and even with the deceased, embalmed according to ancient Egyptian technologies inside. The question matured to the point that the baton was picked up by the party EdRo, hitherto unnoticed in this field, having arranged a vote on whether or not to remove the mummy from the mausoleum on Red Square. Many interesting questions were raised on this topic. But in doing this, we missed a lot of everything else.
Well, tell me what is the Sumerian ziggurat doing in the center of the capital of Russia on Red Square? This question is probably already being asked by everyone. The question, of course, is interesting, excites many, but for example, it is difficult for me to answer it, I am not privy to the magic of the Chaldeans, but I will try to shed some light on the origins of the tradition of decorating this ziggurat, its architectural and symbolic features and put the question in a slightly different way! I am sure for many, even those closely involved in the study of the mausoleum, this material will be unexpected and interesting. I will mark and intrigue right away. The ziggurat on the red square is directly connected with dolmens and pictograms in the fields, which are supposedly drawn by some kind of "aliens".
Everything in order …
In fact, with this mausoleum-ziggurat, not everything is as simple as it seems at first glance, and if we really deal with this issue closely, then let me show you analogs of this mausoleum - ziggurat, which you see and visit almost every day. Some people live so directly in these structures, I would not be surprised even if among those living in the architectural analogues of the ziggurat there are those who are engaged in the study of this very ziggurat. But first, let's talk about the origins of architectural traditions in accordance with which this ziggurat-mausoleum on Red Square was designed and decorated, because if we are talking about the Sumerian tradition, our field of view needs to be expanded much further than Red Square.
A look from heaven
There is a very interesting Internet service, Google - Earth, which allows you to look at city buildings and layouts from "heaven", like "gods". A very amazing picture opens, I tell you! Sometimes, looking at all this as if from a satellite, you think, and for whom all this is so built and planned, for whose behold. We can't see this beauty even now! Not otherwise for those who had and are able to observe this. Let's take a look using this service at the mausoleum of V. I. Lenin, what will we see? And we will see extremely interesting details:
Promotional video:
From the front of either side, this is a kind of stepped design, but about it a little later, I think the reader will see the analogs himself. At the base of the mausoleum of V. I. Lenin is a square, spatially a cube! But the cube is not simple, but with one cut or cut, as if marked with a face. Just a question WHY !?
In search of the answer to the question "Why", we will pay attention to our cropped (marked) on one corner of the square and to begin with we will answer the question "Where", believe me, it's worth it. For those who are firsthand familiar with the religious cults of the planet, it will not be difficult to draw parallels with an object very similar in design. A sacred object. Let's take a look at the Muslim shrine - the Kaaba, which is located in Mecca. What will we see?
We will see at the base a square, spatially a cube. In the corner of this cube we see the so-called. foundation stone. Conventionally, the Kaaba can be represented as a square with one marked or marked edge, from which the foundation stone looks. This can be shown, among other things, as a square cut to one face.
Most of all, the ziggurat on Red Square is similar to the analogue of the Kaaba in the Christian religious tradition. Such an analogue is the "Holy Sepulcher" in Jerusalem, the very one from which the blessed fire descends. We look at it:
At the base it is a square, spatially a cube, 3 faces of which are marked, and one is clearly absent, as if carved out, just like a corner was carved or even torn out in a ziggurat on Red Square! Among other things, the Holy Sepulcher is the place where someone should lie as in the Holy Sepulcher, i.e. in the tomb, and the ziggurat - the mausoleum on Red Square is nothing more than a "crystal" coffin - a burial vault. Strange analogies, right? But that's not all, the most interesting and unexpected for the researchers of the ziggurat-mausoleum is ahead. Those. you can also designate the angle in this way, showing 3 clearly protruding and one clearly carved, as is done in the case of a Christian relic. In fact, the Christian "GG" is the same as the Muslim Kaaba with a foundation stone in the corner. Those. the symbol of the same object,adapted to different religions. The ziggurat in Red Square has the same origins as the "Holy Sepulcher" in the Christian religious tradition and the Kaaba in Islam.
Architectural and symbolic versions of the "ziggurat"
Many researchers are convinced that the ziggurat on Red Square is some kind of eye-catching structure that does not fit into the city's architecture and was invented by those who organized a kind of "revolution" on the territory of Russia. I will try to show the opposite! At first glance, everything seems to be so, but let's dig a little deeper, because both the "Holy Sepulcher" and the Kaaba were before the mausoleum! Let's look for traces of the "ziggurat" in Russia before the coming to power of the "communist" junta. After all, those who built the ziggurat did not suck this project out of the blue! As it turned out, with a more serious approach, they really did not suck, this is evidenced, for example, by this bill from 1919, when they did not even hear about the ziggurat on Red Square:
For those who do not understand what this is about, I will briefly explain that they do not depict anything on the banknotes, each detail has its own sacred meaning, especially for banknotes before 1961, however, it is no exception further. In general, banknotes are a place of concentration of sacred symbols that carry a specific meaning for those who can read it. So what do we see? We see a bill marked on 4 sides with such round patterns, but one of the bill's corners is especially highlighted. The same goes for the scene in the lower right corner with the aunt sitting on the square. THREE ANGLES SEE WELL FOR EVERYONE - OPEN, AND THE FOURTH ANGLE IS HIDDEN BY A TUNIC SITTING ON A SQUARE AUNT! It just cannot be explained by such an artistic or design idea. In fact, the whole scene has its own sacred meaning, every detail of this scene, but this is not about that now. In front of you, in general terms,a symbolic version of the Holy Sepulcher, the Kaaba and the Mausoleum. To be more precise, all of the above originates from the source that was once the same for all these objects. Without going far from the bills I will give a little advice to the ideologically minded electorate of various social and political formations. Citizens! look not at the wrapper, but at the symbolism. From this position, I want to upset those who are still running around with red banners and believe that some kind of revolution took place in Russia in 1918. It is enough to look at the money and everything will become clear that globally there was no change from the very beginning of the circulation of securities in Russia (you can check it yourself), this is such a theater from a dedicated priesthood, a change of scenery, because it is infinitely impossible to manage under one sauce, everything moves, everything changes!then all of the above originates from the source that was once the same for all these objects. Without going far from the bills I will give a little advice to the ideologically minded electorate of various social and political formations. Citizens! look not at the wrapper, but at the symbolism. From this position, I want to upset those who are still running around with red banners and believe that some kind of revolution took place in Russia in 1918. It is enough to look at the money and everything will become clear that globally there was no change from the very beginning of the circulation of securities in Russia (you can check it yourself), this is such a theater from a dedicated priesthood, a change of scenery, because it is infinitely impossible to manage under one sauce, everything moves, everything changes!then all of the above originates from the source that was once the same for all these objects. Without going far from the bills I will give a little advice to the ideologically minded electorate of various social and political formations. Citizens! look not at the wrapper, but at the symbolism. From this position, I want to upset those who are still running around with red banners and believe that some kind of revolution took place in Russia in 1918. It is enough to look at the money and everything will become clear that globally there was no change from the very beginning of the circulation of securities in Russia (you can check it yourself), this is such a theater from a dedicated priesthood, a change of scenery, because it is infinitely impossible to manage under one sauce, everything moves, everything changes!Without going far from the bills I will give a little advice to the ideologically minded electorate of various social and political formations. Citizens! look not at the wrapper, but at the symbolism. From this position, I want to upset those who are still running around with red banners and believe that some kind of revolution took place in Russia in 1918. It is enough to look at the money and everything will become clear that globally there was no change from the very beginning of the circulation of securities in Russia (you can check it yourself), this is such a theater from a dedicated priesthood, a change of scenery, because it is infinitely impossible to manage under one sauce, everything moves, everything changes!Without going far from the bills I will give a little advice to the ideologically minded electorate of various social and political formations. Citizens! look not at the wrapper, but at the symbolism. From this position, I want to upset those who are still running around with red banners and believe that some kind of revolution took place in Russia in 1918. It is enough to look at the money and everything will become clear that globally there was no change from the very beginning of the circulation of securities in Russia (you can check it yourself), this is such a theater from a dedicated priesthood, a change of scenery, because it is infinitely impossible to manage under one sauce, everything moves, everything changes!that in 1918 some kind of revolution took place in Russia. It is enough to look at the money and everything will become clear that globally there was no change from the very beginning of the circulation of securities in Russia (you can check it yourself), this is such a theater from a dedicated priesthood, a change of scenery, because it is infinitely impossible to manage under one sauce, everything moves, everything changes!that in 1918 some kind of revolution took place in Russia. It is enough to look at the money and everything will become clear that globally there was no change from the very beginning of the circulation of securities in Russia (you can check it yourself), this is such a theater from a dedicated priesthood, a change of scenery, because it is infinitely impossible to manage under one sauce, everything moves, everything changes!
A similar pattern in a slightly more modest version can be seen on modern banknotes.
It's just that in the new "act in the theater" they changed some symbols, similar in their sacred meaning to the previous ones, changed the signboard. For example, a two-headed eagle is identical in meaning to the hammer and sickle and is located there. The base has remained unchanged, and this base is a very important artifact, so much so that interest in this is shown by the forces involved in drawing crop circles around the world, through these very "drawings" in the fields!
But this is a separate conversation, but for now we will continue through the mausoleum.
In addition to the symbolic version of the ziggurat, there are also numerous architectural copies of this very ziggurat in simply terrifying numbers. These copies look like a ziggurat from a bird's eye view. It's still the same square or rectangle truncated from one corner. Such buildings are found in almost all settlements in Russia and the rest of the world. It looks something like this:
As a rule, if you look at the building from above, it is a rectangle or square at the base, with one, as it were, a truncated edge. Crowned and denotes a cut from above, or a superstructure in the form of a turret with a round hole - a dome (cover), or a symbolic dolmen. For those who are engaged in the study of dolmens, I think it will be interesting to know what the symbolic dolmen does on the roof of the building in the place where one corner is cut off, and why is it on the roof anyway! We can say this is the key to understanding who and what the dolmens are related to and why they are now destroyed!
The entrance is usually located below.
Together, this is the architectural version of the so-called. ziggurat on the red square, the Holy Sepulcher and the Kaaba. Many people who talk about the mausoleum-ziggurat do not even suspect this. They are also unaware of the fact that religious buildings have absolutely the same source in their design. If, for example, you look at a church from a bird's eye view, a mosque or some kind of Chinese or Indian temple in the classical style, will it be at the base? Correctly a square, oriented on four sides with domes. In most cases, we will clearly not find a hint of a marked facet or base stone, although balls under the crosses on domes are not uncommon. Inside each church there is also an altar with a crucifix, i.e. in fact, with a symbolic, but the tomb of the Son of Man crucified there. In the sense - the Holy Sepulcher - This definition will become more understandable later in the text.
Absolutely the same source lies at the heart of the execution of fortresses and we will talk about this when we receive confirmation from the fields of England a little later, but for now examples of the "ziggurat-mausoleum" in serf performance:
The options for the execution of the same incredible variety around the world, for example, the version of the Holy Sepulcher, the Kaaba and the Mausoleum in the Vatican:
So that skeptics do not wave their hands, they say all this is fiction, I will digress a little from the main topic and for reflection I will give a screen of the main square in the Vatican and in Mecca (i.e. from the Christian and Muslim versions of the same). In the Vatican, on this square, there is an obelisk on a square base, and it is oriented along 4 sides, and in Mecca, on the same place, the Kaaba is also oriented along 4 sides! The shape of the square needs no comments.
Although not identical, they are different, but very similar versions of the performance of the same!
And to make it not boring at all, I will give the reconstruction of the Sumerian city, made on the basis of excavated foundations, there is just a ziggurat in the middle:
And here's just an amazing French version of the same ziggurat in the courtyard of the Louvre:
This is just such a ziggurat-mausoleum (Holy Sepulcher) with a carved corner in the form of a broken park. This corner (i.e. the foundation stone) in the form of a square enclosed in a sphere is shown just below. Such parks, as well as architectural structures, strewn with sacred symbols along and across, are very common all over the world. You don't need to be a great scientist to conclude that what these architectural monuments originate from in the performance, including the ziggurat - the mausoleum on Red Square, is some very important and significant "thing" for those who know about what we are talking about, otherwise why give this, frankly, not quite adequate, increased attention! Just some kind of paranoia with these ziggurats!
But there is more! It turns out that the same paranoia struck those who are engaged in "drawing" crop circles around the world. The fact that this is often done by some kind of jokers, I strongly doubt already only by the fact that these jokers must have extremely high degrees of initiation in certain circles, well, or have wings to see all these beauties in the cities of the world from a bird's eye view (not to mention the scale and technology), i.e. they must at least understand what symbols they put on the fields, otherwise how can THIS be explained! A version of the ziggurat - the mausoleum in pictograms from the fields!
Squares and cubes with emphasis on either three or one face:
These formations deserve special attention, and especially for those who deal with pictograms in the fields seriously. For example, you can ask yourself a question, what does the symbol, which is also placed on a Reebok sweater in the form of a pictogram, on a cereal field, the area of a couple of football fields, does?
Either it is such an advertisement for Reebok sweaters, or this symbol carries some specific information for the dedicated gentlemen, because companies very often choose to place sacred symbols on their products, which consumers think that it is just for beauty, like with bills - a designer's idea!
Or, for example, this interesting option:
Here we have a cube with a round in the corner and an emphasis on three faces (a triangle is inscribed in the cube). Everything is surrounded by some kind of wall! What is this wall? We will see the answer to this question on the Masonic cryptogram of what originates from the Holy Sepulcher among Christians and the Kaaba from Muslims and the ziggurat-mausoleum on Red Square and much more, than those who build and design all this are so obsessed with! All this, of course, again in a symbolic form.
On the presented gram, we see a square at the base, spatially a cube. According to the attributes presented on the gram, this is a fortress with defenders in loopholes from external threats. The well-known corner with the base stone, discussed above, is represented on the gram in the form of a hand sticking out of the corner with a sword at the ready for defense. The soldiers in the fortress defend themselves from air targets, from "heaven". The doors to the fortress are closed, a winged cover is already put on this fortress from the top in the center. The loopholes on the sides are still active, but soon they will be covered with “domed lids” and you will get a “cathedral” tomb - a coffin with the defeated defenders locked there, buried there alive.
If you and I imagine that we are looking at the corner from which a hand with a sword sticks out, from above through the loophole of the fortress, and we take into account that we are talking about a foundation stone in the corner, then it will be possible to depict it this way !:
Those. the authors of the pictogram meant the loophole!
In total, we are talking about a kind of confrontation as a result of which the “cube” with the defenders inside was locked with “dome lids” and only one corner somehow remained active.
Accordingly, this symbol itself can mean the victory of those who attacked from "heaven",
over those who defended themselves on the ground. This is for dedicated gentlemen, those in the know. And for those who are not in the know, all this has become a religion and a means of managing the descendants of the vanquished. What is it about? What attacks? What defenses? And we are talking about this:
Wherever you are, whatever you do, there is a war between the Earth and the sky
Those who study ancient artifacts and ancient mythology of the peoples of the Earth know that in every culture there are references in the form of legends, tales and myths about the confrontation or war of the "gods". In the religious tradition, this story tells about the confrontation between the rebellious Angels and, as it were, “God” who possesses all the negative qualities that a person possesses, this is revenge, jealousy and cruelty, etc. He talks with his charges here on Earth, he leads the chosen people through the desert, equipping them with a communication device. T. N. Ark of the Covenant. He feeds them with some kind of manna from heaven, he helps to conquer other peoples, to tear down the walls of cities with a trumpet. He betrays entire peoples with acquired property for slaughter. Destroys cities with some strange anger, very similar in description to nuclear weapons. There is no need to listall these evidences are described in detail in the well-known literature and are available to everyone.
Artifacts of ancient civilizations often reflect scenes of confrontation between the winged "gods". If desired, everyone can independently find information about these ancient events. After all, myths, legends and legends of the peoples of the world are this ancient history of mankind, captured in this way, which over time has overgrown with fabulous details and the interpretation of technical features, technologies, weapons, in the words of an illiterate person in this sense. For example, the Greeks wrote about this war like this.
Quote:
Titanoma? chiya (Greek ????, "battle, battle") - in ancient Greek mythology - the battle of the Olympian gods with the titans.
Some titans also took the side of the Olympians, and the first were the titan Ocean and his daughter Styx with their children Zeal, Power and Victory. This struggle was dangerous for the Olympian gods. Their opponents were powerful and formidable. But Zeus came to the aid of the cyclops. They forged him thunder and lightning, and Zeus threw them into titans. The struggle lasted ten long years, but the victory did not lean towards either side. Finally, Zeus decided to release from the bowels of the earth the hundred-handed giants-hecatoncheires and call them for help. Terrible, huge as mountains, they emerged from the bowels of the earth and rushed into battle. They tore off whole rocks from the mountains and threw them at the titans. The earth moaned, a roar filled the air, everything around was vibrating. Even Tartarus shuddered from this struggle. Zeus threw flaming lightning and deafening thunders one after another. The fire covered the whole earth, the seas boiled,smoke and stench covered everything with a thick veil.
Quote:
Finally, the Titans wavered. Their strength was broken, they were defeated. The Olympians fettered them and cast them into gloomy Tartarus, into eternal darkness. At the copper indestructible gates of Tartarus, the Hecatoncheires stood guard to prevent the mighty titans from breaking free from Tartarus. The power of the titans in the world has passed. The power of the victorious gods reigned over the world, led by Zeus.
The Olympians fettered them and threw them into gloomy Tartarus.
For your reference: The territory now occupied by Russia was once called the Great Tartary. Where does the name of the country come from? Not from Tartarus, where did Zeus cast the Titans. If so, then the misfortune of this country is understandable. Or is someone still thinking about some Tatars?
Map of Great Tartary 1570:
In Mayan mythology, the confrontation also occurs between two forces, the "god" civilizer Quetzalcoatl and the black Tezcatlipoca. In this struggle, the black Tezcatlipoca wins and sends Quetzalcoatl to the "cross". The "cross" is the tree of life, which is also a very well-known object in many ancient cultures.
Sleeping on sacred corn (analogous to the Mayan tree of life) is a "god". Bas-relief from a tombstone in the Temple of the Cross in Palenque.
According to one version, to the rock, and according to the other to the tree, which was later thrown into the abyss of Tartarus, Zeus chains the leader of the Titans Prometheus for kidnapping from Zeus and bringing people some kind of fire (also a kind of civilizer). Actually, this was one of the reasons for the war. Probably this "fire" for Zeus was a very important "thing".
Among the Egyptians, the central place of confrontation in the war of the "gods" is occupied by Horus and Set, in ancient Egyptian artifacts, the opposing sides are also often shared by the symbol of the tree of life. Horus deprives Seth of his masculinity and defeats him. All these ancient cultures are united by the same history, which they captured with the means available to them and with the peculiarities inherent in each cultural niche, but the general essence is visible to the naked eye, which for some unknown reason is not visible to historians. And judging by the fact that this story unites almost all ancient cultures, both through myths and legends and through artifacts, this story and its consequences were of some very, very important character for our predecessors.
In the Sumerian version, Enki and Enlil opposed each other, one of them favors the humanity of the Earth, teaches him, the second wants to destroy him. Sumerian and near-Sumerian artifacts most vividly reflect the object around which the opposition of the parties takes place, i.e. "Tree of life".
It's all about the same thing.
On the Sumerian tablets, you can also track some kind of confrontation between two forces, someone is fighting with someone, someone is defeating someone. Here, for example, one in a characteristic hat wounds another with a knife, whose face is shown in the form of the sun, like thorns near the Sumerian "tree":
But for example, here a company of winged, apparently allies, drives the other into a square hole, in the place where on other seals there is usually a "tree" from which he defends himself (pulled out a knife), one character from the attacking company has a bird on his hand, presumably EAGLE! The eagle also pecked at the liver of the defeated Prometheus, at the direction of Zeus. In general, you yourself know these eagles all over the world!
Judging by the Sumerian artifacts that have come down to us, not everything just worked out for the "gods" of the winners. Their "three-headed bird - Triglav" cannot "sit on a tree that has become thorny."
On the same “tree” to which Zeus chained Prometheus and threw him into Tartarus, on the same “tree” on which Quetzalcoatl, defeated by Tezcatlipoca, fell asleep. Here is the tree-fortress:
Trees, birds, hedgehogs what is all this about …?
And what do you think could depict the war of technically equipped "gods" with the use of appropriate weapons, underground, bases, radar, anti-missile and anti-space defense, technically illiterate people? Of course, the flying machines were birds, of course, the schemes of underground engineering structures, like these structures themselves, were the branches of a giant tree, like the branches of the metro today. Are these not branches or roots of the “tree”?
And this?
What did you think? Is this impossible? Already today, the facts of the presence on the ancient structures of Egypt, South America and other places of the planet of traces from high-tech and high-precision instruments, the parameters of which are not attainable even for modern civilization (for example, the traces of a cutter on the pyramids of Giza, were first built, then milled with whole faces where necessary)!
Part 2