This article is about the activities of the Templars and members of the Priory of Sion, which was aimed at realizing the intention of the Unified Form of the Universe to restore the cells of different parts of the skin in one of the Forms that are part of the Unified Form. This intention was transmitted to the level of our being at the beginning of the second millennium of the new era.
We live in a wave reality, where our senses fix the physical dense world, and the holographic reality with the system of radiating chakras. Having these two systems of perception, we still daily use only one of them - the senses. We do not use the system for perceiving holographic reality, but it can be consciously activated for practical use by yoga, qigong, internal martial arts, where meditation is the main element of these practices.
Our world is full of static stone holograms indicating the living form of the planet and all kinds of living forms of different dimensions in the Universe. But this is not supported by our usual perception and is an unconscious fact for us, which impoverishes and greatly simplifies our understanding of the world and is the cause of negative human behavior on the planet in the field of ecology, frequent local military conflicts, the presence of a huge potential of guaranteed mutual destruction in the form of atomic weapons.
The activities of the Templars and members of the Priory of Zion clearly demonstrate to us historically unconscious gaps, when the meanings of holograms of the castles and fortresses of the Templars related to one of the living forms of the Universe fall out of our field of vision from the point of view of a different perception.
Our world is the world of small biological forms, where events and intentions that occur with the forms of higher levels of the universe reach. Therefore, it is not surprising that on our planet with our level of limited ordinary perception there are secret organizations whose members perceive and understand these events. Events, as a rule, are associated with certain changes in the worlds of Big Forms, which fragmentarily include the Form of our planet.
One of the teachings in Tantra says: "If you are not on the brink of death, not very old and healthy, then on this earth through deep concentration in the silence of the mind (ie meditation) and reasoning you will discover the secrets of life."
The author's reading of the books by Dan Brown "Angels and Demons" and "The Da Vinci Code" prompted him to search for the goals and meaning of the existence of the Templar Orders and the Priory of Zion. In the historical and fictional literature on this topic, the external side of these secret societies is interestingly described without disclosing all the internal reasons for their emergence, goals and objectives. Although on this score there is factual material that we have not demanded. This material is the well-known symbols of these organizations. Symbols, being holograms, carry a semantic load. From the previous experience, which was obtained in the study of holograms of pyramids and megaliths, the author understood how to work with this material.
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The main symbol of the Templars is the image of the Red Cross.
If you scan it with the radiations of different chakras, revealing the possibility of reading, it turns out that in the range of radiations of the Akitra and Manipura chakras it is readable, that is, it really is a hologram. This confirming fact about the nature of the symbol served as the beginning of work. But in the beginning, a little digression.
Scanning symbols and other holograms by radiation of the selected chakras gives an approximate and not always accurate result. This is due to the fact that it is rather difficult to establish a range point within the chakra broadband radiation. And here it is convenient to use some languages that are holograms in nature. This hint is found in tantra, where it is said that meditation on the letters of Sanskrit can lead an adept to comprehend all forms of the universe. It also talks about asanas, which are not only physical modifications of the body, but also information about the structure of the world, where Sanskrit is an instrument for reading them. More details about this feature of languages in this article below.
The wave structure of the human body is very complex and comprehensive. She integrates all the wave forms of the surrounding world. Asanas symbolize holographic fragments of this whole form of the Universe.
The main pose in Hatha Yoga is Shavasana. The pose proclaims on the physical plane a complete and deep relaxation of the body. If the body and psyche of the student are healthy, then this asana is read in Sanskrit letters as a single form of the Universal Man, who has absorbed the entire material Universe. This form, in turn, consists of numerous forms of different levels. At shoulder level, the shapes are composed of integrated galaxies. Then there are the knee-level forms, they are inside galaxies and consist of the forms of integrated star systems, and finally planetary forms at the ankle levels, inside these star systems. Forms on our planet, consisting of various biological species, go to the levels of the soles of the feet.
The form of the One, which has absorbed everything, is the basis of the world outlook in some religions where it is about the One God. Let's try to use this scheme in relation to the symbol of the Templar Cross. The hologram of the symbol reads as four forms: Horse, Snake, Woman and Goat. If we determine the level of these forms in the shavasana pose, it turns out that this is the Intergalactic level, consisting of integrated galaxies at the shoulder level. The red color of the Cross at this level activates only one form of the Horse, that is, we are talking about the Intergalactic Kon entering the form of the One.
It is natural to ask how the Knight and the Templars are related to each other? For a long time I could not find an answer until I came across an interesting episode in the life of Leonardo da Vinci. This story is very old, but amazing. Leonardo da Vinci in 1483 planned to make an equestrian statue for Lodovico Sforza in Milan. And he made, only plaster, seven meters high. It was necessary to cast a bronze statue. But the war began. The metal purchased with donations from the citizens of Milan went to the cannons. The plaster horse was shot by the French who entered the city. And the brilliant idea of the great Leonardo remained unrealized. Numerous sketches and calculations have been preserved. And only in our days there were people who, according to the sketches of Leonardo da Vinci, still cast this beautiful and powerful sculpture. In 1997, a special air flight from New York to Milan delivered a copy of the sculpture of his horse, which had been expected here for a long time.
The statue was erected in front of the hippodrome, although five centuries earlier it was planned to be installed in the square in front of the Sforza castle, where the fountain is now.
On the spot near the horse racetrack we cannot read, there are no information readable bases under the surface. But if you mentally install the statue in the previously planned place, then the ensemble of the Horse, the castle and the eight houses arranged in a horseshoe-like shape make sense for reading. The whole ensemble reads something like this.
The statue of the Horse reads like his ammunition with highlighted metal elements in it. This is a metal mouthpiece in the mouth, a horseshoe, a horseshoe nail, a ring on a short leash on a horse's face, a stirrup, a metal sheath, a rider's spur. The areas of friction of different parts of the Horse's skin on the metal parts of the ammunition are highlighted. In this complex, the skin of the corners of the horse's mouth is emphasized.
The Sforza Castle reads like new rebuilt five-layer skin cells at the corners of the mouth. Further, if you include in reading the eight houses surrounding the castle, or rather their information bases under the surface, they will tell about the shells of these five-layer cells.
The horse is oddly not static. It is periodically activated, thereby revealing by its actions the functional systems that carry out restorative reactions in the destroyed cells. Here are Knight's actions that reveal these functional systems.
Running around the castle reveals the nervous system of cells, neighing in some places of the castle reveals the immune system, digging the ground with a hoof occurs in the places where differentiated stem cells are located, which serve as a projection for building new cells, i.e. schemes of building a castle. Circling in one place is revealed by information bases telling about damage in old cells. All this suggests that in addition to the holograms of the cell complexes themselves, there must be holograms of systems for the restoration and functioning of cells.
The holograms of the cells themselves and parts of the horse's metal ammunition are quite easy to identify. Here they are.
The Sforza Castle and the Basleica of Saint Ambrosius are a hologram of tissue cells in the corners of the Horse's mouth and part of a hologram of the mouthpiece.
The Moscow and Novgorod Kremlin is a hologram of cells of a part of the Horse's hoof and a part of a hologram of a horseshoe.
By the way, Monomakh's hat from the Armory is a hologram of these complexes doubled vertically.
The Dome Cathedral and St. Peter's Church in Riga is a hologram of the cells of a part of a hoof in contact with a horseshoe nail and a hologram of a part of a nail.
The ruined Temple of the Temple and the North Dame Cathedral in Paris is a hologram of skin cells under the stirrup and a hologram of a part of the stirrup itself.
Temple Church in London and Rosslyn Chapel in Scotland are a hologram of skin cells under a spur and a hologram of a part of the spur itself.
The Gisors castle in France and the Castel del Monte in the south of Italy are a hologram of skin cells under the ring of the bridle on the Horse's face and a hologram of a part of this ring.
Kolossi Castle and Limassol Castle both in Cyprus are a hologram of skin cells on the belly of a horse under the sword sheath and a hologram of a part of the metal sheath.
All these complexes on the east and west sides had burials of those who built the complex. They were members of the underground civilization who were buried in the eastern cemetery and our surface civilization located in the western cemetery.
The symbols of these cemeteries are holograms of a sword and a dagger. These forms can mentally personify the work of those and others on the construction of any chosen holographic complex.
Found holographic complexes of castles and fortresses, if mentally connected by one line and read in Sanskrit, then the connecting line reads as a Horse with two riders. But if you change the reading angle from bottom to top, then the Form of the One and many different symbols will appear.
Some of these symbols are self-explanatory, such as the Jug and the Branch with Leaves. A jug is a dead form within the One Form. Apparently what physicists call dark matter. The branch with leaves is the Universes near our Universe. The Universe in the form of a Woman, three Universes in the form of Children, also the Universes is a House with Trees located nearby. There are tubular tunnels connecting all these universes together.
Now about the functional systems responsible for the repair and functioning of cells. These are small pieces of the nervous system, midbrain, immune system, horse stem cell system. The stone golog-frames of these systems look like this.
Palmela Castle Portugal is a hologram of a part of the brain that inverts the nerve endings of cells. When reading, the castle reveals the following symbols: a man, a horse, a lizard and a bee. The DNA of these forms is involved in the formation of nerve cells around tissue cells.
The Temple Mount on which the Temple of the Lord was located is a hologram of a piece that seems to be the middle brain. This spot brings out the symbols of the rose, squirrel and goose. The DNA of these forms is involved in the formation of tissue cell membranes.
Milan Cathedral in Milan is a hologram of apparently part of the pituitary gland. The Cathedral, when reading, reveals the following symbols: a chalice, a symbol of the Templar god Baphomet, a symbol of the ark, and something I did not understand.
Frederiksborg Castle Denmark is a hologram of the part of the spinal cord where stem cells are produced. The castle projects the symbols of the Priory of Zion, the Flag of the Templars, the symbol of Fleur de Lys.
Each symbol corresponds to a hologram of a castle or fortress. They are considered here in part, since not all were found.
Kyrenia Castle has a hologram of Baphomet. The image of Baphomet is a hologram of projections of a representative of an underground civilization lying under the surface of the earth in a state of suspended animation or deep samadhi. It serves as a blueprint for building a castle or fortress.
Miravet Castle has a Cup hologram. The image of the Chalice is a golog-frame of some volume under the surface of the earth.
How did the Templars use the Cup? They poured blood into a bowl and in their hands it reacted only to the isolated structure of cells in the body of a representative of the underground civilization who was under the surface in a state of suspended animation. With a bowl, the Templar's wave system reacted only to a wave structure in the form of Baphomet, which was above the surface, and the Templar, by dowsing, otherwise dowsing, found this area of projection and outlined greatly enlarged contours of cells, thereby drawing a diagram of the castle on the ground.
Carcassonne Castle is a hologram of the Ark. The Ark is a hologram of all stages of the construction of the castle, from design to the construction itself and interior decoration. The shape of the ark can be considered above any building constructed by the radiations of the upper chakras. Some guys who are seriously involved in meditation manage to read the design documentation from the shape of the ark above the building, with the drawing and estimate documentation attached to the place of the design organization where they were developed.
Almourol Castle Portugal is a hologram of the Knights Templar Flag, aka alchemical technologies. And there are about ten of them, for the production of metals, which were made by the Templars with representatives of the underground civilization. The metal was produced using biological cold fusion. The basis of this technology is simple and well known for a long time. It consists in the fact that the root system of the plant is injured or pruned, and as a result, in the places of injury, the synthesis of trace elements occurs, which then migrate into the stem, foliage and fruits. Then, by distillation, trace elements are released from the fruits, parts or the whole plant. This technological process, consisting of many flasks, was carried out by representatives of the underground civilization. The plants were fed with the secretions of horses - urine, sweat, manure, etc.… Today laboratories in our country and abroad are engaged in the subject of cold fusion, and artificial gold and silver is a matter of the near future.
Chinon Castle contains holograms of transportation and laying of representatives of underground civilizations under the surface of castles and fortresses as their projections. The Templar chevron is one of these holograms, it was covered in leather and worn around the neck.
Laneck Castle Germany is a hologram of a protein whose DNA is found in the membranes of cells.
The ruins of the Marienburg castle in Latvia are a hologram of snake parts, whose DNA is located in the nerve endings of the cell being restored.
Monzon Castle Spain is a hologram of the entire volume of work done by the Templars and members of the underground civilization to build castles and fortresses. All processes are depicted in the hologram of the Templar Coat of Arms.
The Templar Castle in Convent de Cristo Portugal has a hologram of the Priory of Zion symbol. The Priory of Zion symbol has produced interesting results.
We are talking about paintings and sculptures in galleries, books in libraries, amphitheaters, hippodromes and arenas where, in addition to the visible side, there is also an invisible side. Invisible images in paintings, in books, in arenas, in theaters, wherever there is a lot of diverse energy of the audience, are diverted to the holographic objects of castles and fortresses, otherwise into the cells of the tissues of the Horse. Invisible images serve as markers for the release and reception of energy.
In the Sforza castle, in the inner space of the castle, you can read some markers for receiving energy. Markers, that is, invisible images from which energy is transmitted, are present in the paintings of Leonardo da Vinci "Mona Lisa" and Sandra Botticelli "The Abyss of Hell".
In the first picture, an invisible marker is the image where the newborn Christ is in the cave.
In the second picture, an invisible image is a drawing where the Magi give gifts to the Christ child.
These drawings are read by the matrix of the Italian language, but it is also possible with the radiation of the Akitra chakra. Invisible images were applied by representatives of the underground civilization, apparently in the workshops of artists. By the way, Sandra Botticelli and Leonardo da Vinci were Grand Masters of the Priory of Zion like John 8 and John 9.
Once I was talking with a girl friend of art criticism about the painting "Christ in the Desert" by Ivan Nikolaevich Kramskoy from the Russian Museum.
I told her about the invisible drawing in the picture showing the body of Christ and his disciples bowing over it. The energy from this picture goes to the Moscow Kremlin. The girl's natural reaction was the question: "How can the instrument detect this image?" Unfortunately, this is not possible today, although I think you can try torsion detectors.
Invisible markers in paintings, books and sculptures are drawings on the life of Christ and his disciples, but there is another symbol that collects energy from large spaces.
The Castle of Santa Maria de Feira in Portugal is a hologram of the Fleur de Lis symbol, which is the spectrum of all emotions from pain to pleasure. With regard to the Horse, this hologram appears in the places of friction of the skin with the metal parts of the ammunition.
This symbol is an invisible marker for transmitting the energy of emotions of large masses of people in squares, in palaces, in wars. This energy is transferred to the cell complexes, to their membranes.
This invisible marker can be quite easily spotted near the Sforza Castle and at the San Sir Stadium in Milan. The energy of the spectators from the stadium is transferred to the Sforza Castle.
I am assuming that the unexpected and explosive period of the Renaissance in Europe is the result of the activities of the members of the Priory of Zion. To obtain strong positive energies for works of art, marked with markers, to transfer these eneogies to holographic castles and fortresses built by the Templars. But so far this is unsubstantiated. Although it is possible to construct a hologram of this period, however, this requires a lot of objective historical data from that period.
Now about languages, they help to read holographic complexes. Below is a piece of the synopsis that was read at the beginning of the 2000s at a yoga seminar held near Moscow.
Languages, which by their nature are wave internal expressions or holograms of certain physiological functions, systems and human organs, can serve as a working tool for scanning large artifacts of the planet and everything that is incomprehensible that surrounds us and have a holographic nature.
The language is tied to a certain locality and to holographic artifacts of that locality. All artifacts on the surface are readable in the languages of the area. An example is the holographic artifacts of Jerusalem - the Temple Mount and the Western Wall, which are read in Hebrew and Yiddish. These languages in the form of alphabetical matrices are readable by the radiations of the Akitra chakra. They contain the holographic building blocks of the female and male reproductive systems.
Where the meaning of the hologram of the Temple Mount is the woman's chest, and the hologram of the Western Wall is her reproductive organs.
An example of a reverse language, where Hebrew and Yiddish are rotated 180 degrees, is the Voynich manuscript. It is directly related to the Temple Mount and was once extracted from the information base of this artifact. Its content is divided into five parts with a short and identical meaning: a woman's feeding a baby and the internal processes taking place at this time in her body. The manuscript is divided into five worlds in which the forms of a woman and a baby increase to grow to a single universes.
The manuscript is written in Hebrew and Yiddish holograms, but these holograms are rotated 180 degrees. In this form, languages are used by representatives of underground civilizations when they write information bases describing the internal processes of a surface holographic artifact.
These languages are also in our wave system and for their meditative use they need only be mentally noted. They reflect our internal processes in the organs. That is, we, as surface cells for the planet's organism, use direct languages, and the underground civilization, as cells inside the planet's organism, use the same languages, but oriented differently.
The syllable alphabets of Hiratana and Katakana are another example of the possible uses of languages. They are holograms of our immune system and the immune system of the planetary Essence. They can read holograms of crop circles that are formed when reading a signal of trouble from an acupuncture point by the so-called UFOs. Apparently it is correct to call them devices of the immune system with the abbreviation AIS. Signs of trouble are read from acupuncture points, there are especially many of them in England, where holographic artifacts are the skeletal system, namely the bones of the skull and the bones of the face of the Essence of the Planet.
How the planet's immune system works can be judged by large catastrophes, where the Tunguska meteorite is an example. Traces of this disaster are read in hiratana and katakana.
Along the inner perimeter of the circle from the catastrophe with these alphabets, you can read the form of a Woman milking a Cow, whose milk is streaming into her face. In physical terms, this large plasmonoid from the Sun flies into the Earth's atmosphere, where it is met by UFOs and is divided into two parts. At the same time, out of four UFOs preventing this, one suffers a catastrophe. It is interesting that the crew of the injured UFO carries out from the taiga, the one we call the Yeti or Bigfoot. It also belongs to the group of cells of the immune system of the Essence of the planet and belongs to the underground civilization.
In conclusion about the facts present in the material.
First. This is the existence of the Unified Form of the Universe, it can be called God or an integrated form.
Second. Our planet, besides the fact that it itself has a holographic form of a Woman, is also fragmentarily integrated into other universal forms. Which puts a great responsibility on us to preserve the planet.
Third. Many events that took place on the planet were and will be associated with the Universal forms. Therefore, if we want to understand the causality of certain planetary events, we need to consider the universe from the point of view of forms, i.e. holograms of different dimensions.
Fourth. The theme of the Templars and the Priory of Zion I understood with large gaps, not detailed and disclosed approximately seven to eight percent of the strength. The activities of the underground civilization are not at all covered. There is a lot that is not clear and not found.
I think this material will be of interest to a small group seriously engaged in meditation and energy practices. It is desirable that the material be checked and further detailed as much as possible.
I wish you success.
Author: Alexander Zhirnov
