Tiwanaku Without A Veil Of Mystery. Looking For An Analogue Of - Alternative View

Tiwanaku Without A Veil Of Mystery. Looking For An Analogue Of - Alternative View
Tiwanaku Without A Veil Of Mystery. Looking For An Analogue Of - Alternative View

Video: Tiwanaku Without A Veil Of Mystery. Looking For An Analogue Of - Alternative View

Video: Tiwanaku Without A Veil Of Mystery. Looking For An Analogue Of - Alternative View
Video: The Mysterious Monoliths of Tiwanaku | The American Stonehenge of Lake Titicaca | Parable 2024, May
Anonim

The nature of a rational being is such that his thought, which characterizes any discovery or invention, cannot be the property of only one individual. And as for the functional tasks, especially those related to the theme of the survival of civilizations, there is even less space: literally everyone is walking along the same beaten track.

And if we try on these provisions to our topic, where it is necessary to determine the reasons for the construction of Tiwanaku, its purpose, as well as the ways of implementing the object that guarantee the solution of the tasks at hand, then the design methodology and functional tools of the complex must have already been used by someone. Let it be partially, not in full, but such an object must already exist somewhere. And if you take only one civilization operating in a very specific time, then the handwriting of its designers and builders will always be easily distinguishable and recognizable. Hence - in spite of the ~ 3.5 thousand years old buildings of Tiwanaku and its massive destruction, there must be a similar complex somewhere, even if it partially solves the tasks facing here. Which will definitely help to clear all questions to Tiwanaku. And we must certainly find this analogue!

And now, at the very initial stage, we need to select the determining factors by which we will conduct our search.

And here the first object of attention is the Akapana pyramid.

Why? Yes, because a pyramid is always a source of energy. And, like oil is oily, this source defines the source of the search. And it is clear that a source of energy without consumers is nothing. Hence the logical conclusion: you need to look for consumers of Akapana's energy.

And here, based on previous developments, as a kind of hint, it is known that the gods of various civilizations the most common consumers of this energy were:

- space communications and

- air defense weapon systems.

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And here we look at Akapana again: are there any signs of these 2 consumers around it?

And one of the consumers was immediately found - this is the Kalasasaya menhir emitter, this double rectangle of its walls, which is located between 2 energy sources - the Akapana pyramid and the Lakakolyu pyramid. And this means that, in principle, this consumer, working on the basis of the interference of 2 signals, can emit plasmoid bunches of energy into space. Those. we can already clearly assume that the declared three objects of Tiwanaku (Akapana, Lakakolyu and Kalasasaya) could well be part of the local air defense station.

I may be asked: where did I get the idea that the nested walls can be a plasmoid emitter?

The answer is simple: this knowledge was acquired during the study of the air defense system of the Rama empire, when he was covering the southern tip of the Indian peninsula. And for clarity, consider a photo of the Arunachaleshwar temple, located in Tiruvannamalai, a small city in the center of Tamil Nadu state. And on it you can see 4 sources of energy, these 4 huge peripheral pyramids-gopuram, between which, as in an electrical circuit, 4 corner wall segments with the tops of menhirs sticking out of them are included. And here, during the work of the station, the energy from the gopuram was transmitted along the walls, as through conductors, to the menhirs embedded in them, and those already emitted plasmoids upward, above them. But in order to get the fire to break up, one or more central menhirs were used, which were now installed inside the rectangles of the walls. In this case, there was already a pairwise interaction of plasmoid-emitting menhirs: the central one and one of the peripheral ones. But, since the radiation frequency of the central menhir was set an order of magnitude higher than that of the wall menhir, the first one managed to interact in turn with all the others.

Menhir emitters of the air defense station in Tiruvannamalai
Menhir emitters of the air defense station in Tiruvannamalai

Menhir emitters of the air defense station in Tiruvannamalai.

Kalasasaya menhir emitters
Kalasasaya menhir emitters

Kalasasaya menhir emitters.

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The walls in Kalasasaya had a similar structure. It is now, as a result of illiterate restoration, some of their sides have lost their functional appearance. But earlier, the tips of the radiating menhirs necessarily protruded above the upper edge of the walls.

But, we never found an analogue. And for its successful finding, it would be necessary to determine the name of the civilization that erected the Tiwanaku complex. And here I see several factors that directly indicate the Hathor civilization. The one that was based in the Yucatan lands of MesoAmerica.

Digress: knowing the correct term "Meso" (middle, middle), apparently due to the euphony of consonants, in my articles I use the prefix "Meso", and may the reader forgive me for this liberty.

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But, let's go further. So, the images on the Gates of the Sun, the Big Idol (the first 2 pictures of the table) quite often overlap with numerous similar images of Mesoamerican gods from various Indian drawn Codexes: Becker, Bodley, Borbonicus, Borgia, etc. In addition, both first pictures on the stone give us a stylized image of the aircraft of this god, which already directly corresponds to the 3rd image on the stone, showing the internal structure of the LA Pakal (from the lid of the sarcophagus of the pyramid of the Inscriptions from Palenque).

Speaking about another case of coincidences, one cannot fail to mention the use of the principle of modularity of structures. In Tiwanaku, and especially in his Puma Punku, this principle was seen as determining. And allowing to erect stone structures of various configurations from blocks of the same type. And in the metropolis, this principle was constantly applied in another direction - in the construction of aircraft. When, using a small number of original modules, it was possible to assemble both flying platforms for various purposes, and cruising aerospace aircraft that differ in size, weight and purpose.

The next coincidence I would like to call the use of a very specific megalithic construction - "ball stadium". In my article "The Space Odyssey of MesoAmerica" I dwelt on it in some detail. By showing that this is not a "stadium" where the losers got their heads cut off, that it is a landing gear for cruising Hathor aircrafts, and to which I gave the missing name - Bitavring. The name, I believe, rather accurately characterizes the I-beam configuration of the bottom of the ship, which was not used either in the aircraft of the Sumerians or in the Vimanas of Rama. And if in Tiwanaku there was only one such bitavring (in Puma Punku), then in the Yucatan cities there were a great many (for example, only in Chichen Itza - 13 "stadiums").

And, apparently, it is no longer advisable to look for other matches. I believe that these are enough. And those that have been found, they directly indicate the owners of the Tiwanaku complex: of course, these are the Hathors, these are the gods of the Mesoamerican civilization, whose earthly metropolis was located in the lands of Yucatan.

But, behold, various structures were built there apparently-invisibly. And where to find our analogue?

Then, to narrow the search field, use additional information from Tiwanaku. Moreover, the subject of consideration is rather unusual: it is a rounded green pebble found both at the top of the Akapana pyramid and in the Temple of Stone Heads. That unusual pebble, laid in several layers, and discovered by A. Poznanski. Where each layer of pebbles was interspersed in pairs with a thin layer of dense clay. When the result was a kind of multilayer cake: a layer of pebbles - a layer of clay, a layer of pebbles - a layer of clay, etc. And what is especially characteristic is that this multi-layer “pebble-clay” is very unusually laid in the mentioned semi-underground temple: there its upper layer, this is the floor covering, is buried by a well into the ground by an amount of 2.0 m.

And this fact is significant, because, due to its uniqueness, it directly and immediately points to the place of the Yucatan with the desired analogue.

And it's time to call it - this is the La Venta complex!