Post-catastrophic Artists And Cyclopean Ruins Contradicting History - Alternative View

Post-catastrophic Artists And Cyclopean Ruins Contradicting History - Alternative View
Post-catastrophic Artists And Cyclopean Ruins Contradicting History - Alternative View

Video: Post-catastrophic Artists And Cyclopean Ruins Contradicting History - Alternative View

Video: Post-catastrophic Artists And Cyclopean Ruins Contradicting History - Alternative View
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Anonim

The theme will come true closely related to various objects in Russia and not only, called "baths", "vases" and the like, which contradicts not only history, but also common sense.

Let me remind you that now many of these objects are either in museums and nothing is known about their creators, or they are on the streets and most people simply do not pay attention to it. In any case, in order to tie everything together, I advise you to read my article, or you can overlook a lot and lose meaning.

So, I will take as an example "baths", such as "Tsar-bath" and the like, but only of smaller sizes. Even taking into account their "smaller size", so to speak, for people they are still large.

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In other words, such a bathtub could fit 5-7 people, or at least 3-4 people. This is not to mention the material, many of which used granite, polishing it, rounding and changing various elements, which is almost impossible without accurate calculations and at least some more or less "high-tech devices" and the like.

In general, closer to the topic of the article itself. It turns out that there are a lot of huge objects in the world, most likely not intended for today's people. Moreover, neither the purpose, nor the creator, nor the age - nothing is known about them.

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Promotional video:

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And surprisingly, almost the same objects were depicted in the 17th-18th centuries by some artists, as they are called "post-catastrophists".

These artists were few and yes, we can say that they were Europeans, but this does not change anything and I can argue for this with at least a few facts.

For a start, the paintings appeared in the period from the 17th century until the 19th century and they are all almost the same. If you compare paintings by several artists, but do not know that they are works of different authors, it will be difficult to understand.

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I am leading this to the fact that everyone had some kind of general picture, or a source of information. An equally interesting and important fact that is closely related to many objects in the world and the very topic of the article is cyclopean dimensions and elements in paintings, canvases, drawings, etc.

People were depicted on the ruins of huge structures, which were several times larger than themselves. And these same works of art depict objects very similar to the "bathtubs" and "bowls" that are now scattered around the world.

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I doubt that in the 18th century everyone had information from all over the world and about all the finds from that time. Even now, there is not much such complete information, only a few amateur photographs of various researchers.

In general, it turns out a lot of "water", so I want to bring all this to a conclusion and my subjective vision. I believe that those works of art that have survived from the 17th-18th centuries were created from some older sources.

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Of course, everything is possible, but I don't really believe that a larger civilization (in the literal sense of the word) existed not so long ago, although everything is possible and I often repeat this.

Also, one should not exclude the possibility that cyclopean elements and, in principle, many elements of ancient architecture could belong only to large inhabitants of the Earth, perhaps they just wanted it so much, but knowledge and technology allowed.

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On the basis of the past, one can guess for a long time, but in the paintings of the 18th century, you can see many ruins that remained as if after some kind of cataclysm. If all of this was depicted, it is difficult to answer to what period of time everything that happened was related, but if it was as depicted and described, many questions already arise.

As for the close connection of these very "baths" and other similar large objects, they could have remained from that time and a possible catastrophe, after which they appeared as the work of "great masters".

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For example, the Tsar Bath, the creation of which is incomprehensible to anyone, according to the official history, because it could not be used as a bath, but it was supposedly made anyway. Such examples are all over the world, but only slightly smaller.

As a result, there are too many such artifacts left and they began to be placed in museums and even exhibited on the street, as I said in the previous article, in the form of "flower beds", which is quite funny.

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It is difficult to find out what happened in the past, but in my, I repeat, subjective opinion, a lot comes from there, including huge "baths".

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