Steel Ties And Lattices Of Temples. Part 3 - Alternative View

Steel Ties And Lattices Of Temples. Part 3 - Alternative View
Steel Ties And Lattices Of Temples. Part 3 - Alternative View

Video: Steel Ties And Lattices Of Temples. Part 3 - Alternative View

Video: Steel Ties And Lattices Of Temples. Part 3 - Alternative View
Video: Три вещи по одному мастер классу топ юбка и платье крючком 2024, May
Anonim

- Part 1 - Part 2 -

In light of the interest shown in the current posts, it is time for some introduction to explain what is happening within this magazine. It's simple, this is another attempt to shake the generally accepted foundations. Solid alternatives.

We take what thread and pull it apart into its components, and then put it together, how it goes.

We get acquainted with the traditional foundations (those that shake) in the process of parsing the elements. We can say we start from them, and look further and wider on the time scale.

It is close to us within a fairly large framework. Attempts to remind about this framework, with the official code, if you think that it is your duty to slip this or that specialist ossified in dogma, the collective farm is voluntary. You like that everything has already been stolen before us, and we only have to assent, so be it.

There are only versions, how and who will dispose of them, everyone decides for himself. At least no one is chained to the monitor, and the page is easy to close and forget.

From such a lyrical twist.

The virtual excavations are based on the texts of dmitrijan That is, everything stolen into this magazine has its roots in those numerous texts from this author dmitrijan. The topics are very different. The sphere of interests is wide. A huge number of uncomfortable questions were asked there. A huge number of directions where you can look for answers to inconveniently asked questions are also present.

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The texts are multidimensional and multilevel. In the sense that each paragraph has semantic modular links to other elements of this information complex. Any paragraph has weight as in itself, but together with a complex it is more clearly positioned in the semantic picture of the submitted.

There are many letters. Some simple words are folded in such a way that many who try to read it will get stuck. In the literal sense of the word. From the outside it looks like a "sleeping computer". Otherwise, in essence, there will be deactivation and "erasure" of what has been read, so that you can continue to live like everyone else in blissful ignorance. Home, work, born like everyone else, lived like everyone else, died like everyone else. A rock. Date. Dash. Date. Everything is like everyone else, in the warehouse of their spent bodies. Yeah. Cemetery.

O caught up with horror.

In the same magazine there is a light version based on the texts of dmitrijan. With pictures. A toned visual range. Like there is a script, here is a series based on it.

As a result of the excavations, it turned out that the parameters of the world can change. Calculated in practice, all kinds of constants are actually not so constant. Our ordinary human consciousness takes a long time and it is difficult to get used to the idea that space can be with different parameters. Multidimensionality is perceived as a kind of heresy. We heard something about that, but no one really knows what it is. And how to apply multidimensionality to human history? Nobody is able to admit this terrible thought.

Does time always flow straight and all events are linear? And if this is not the case, then what are we going to do?

Everyone has heard about some discoveries in the field of physics. All kinds of hypotheses are put forward. From all this, a kind of locomotive is swarming, which supposedly drags humanity into the bright future, and we, as passengers, only need to go in the cars of this train. And we have been driving in this train for so long that what the station looks like from which we started and where it is. And how many and when what cars were unhooked, but who will remember that?

But sometimes there is someone who looks at this yellow arrow and thinks that something is wrong here. Are we driving at all or are we just swinging the cars? Are those ruins and chanting places over there that station? Or was he a little further?

And we are the first here who plays this locomotive or who else was before us?

And how is it, the world was with the same parameters, and then again and other parameters?

It's like there was a caterpillar, and then a butterfly. And so suddenly at once with everything we can reach.

And at the time of the changes it had its own civilization. And it was advanced in its own way. And naturally she had all kinds of knowledge. Something technical was used quite actively. And decently so of them remained.

We will not go deep into history yet. Let's dwell on electricity.

It was officially announced to us that it was not there before. Well, perhaps in the form of lightning that the gods threw at the guilty people.

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Thoughts that were and were quite used by themselves, few admit. This does not fit into any framework. And if it was, where did it go? And here we run into changing the parameters of the world.

Let's imagine that in those parameters, static electricity could not "melt" for a long time. Everything is dry to impossible. That the charge doesn't really run anywhere. Let's put all sorts of dives to the past at digitall_angell. And they say that in not so distant times there was not even mold. The bread, they say, just dried up. And that, they say, about the mold then and did not hear. Probably seen somewhere, but everywhere.

And what happens is that in such a world of static electricity, accordingly, the equipment should be exactly for such a connection.

And there is a great many of it. It stands all over the world de-energized. Well, the static charge does not hold now as before. Leaks away. Rumor has it that St. Basil's Cathedral was a kind of attempt to rebuild under a changed world.

This is after the prince will be credited with the violent blindness of those who built the cathedral. And then my eyes just burned in a working installation. We started it, but nobody canceled TB.

And now we look at the clothes of the ministers of the church. These hats are wonderful, and clothes are sewn to the floor with conductive threads and insulating fabrics.

What is this if not a protective suit? And what happens to the hair of the head if there is such a static in this building? Maybe that's why it was customary to cover your head? Well, so that these dandelions do not spark among themselves.

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And if that corner steel ties are given static electricity to the coronal glow. Bah! So the same trivial spotlight is obtained with a "light bulb" and a reflector. Well, that's how it coincided.

They compose the tabernacle there, then they fumigate it so that it was clear where the charge flows. To wash your feet that you can walk by statics.

The entire magazine is based on the collection of material devoted to technology that worked and was built for other parameters of the world.

They say they used a banal piezoelectric effect in those balls. Pressing a little, it sparkled.

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About feathers, too, as it was. And this was the then commonplace source of static electricity. The more, the more charge we get when moving. That is why those warriors could well hold such large spears for themselves, because the statics decently facilitated all this. And who read about this from historians?

The warriors are furry, but there is no explanation for their need. And so don't touch anything.

Well, we are digging slowly. In the magazine, everything that has been accumulated for now is laid out.

Vladimir Mamzerev

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