A new phenomenon of the XXI century - cryptograms, which were discovered in grain fields, first in England, and then in other countries, otherwise called "crop circles" - are attracting more and more attention of researchers.
Even a new scientific direction for the study of this phenomenon appeared - cereology. However, to call the most complex patterns and whole works of art "circles" is becoming incorrect, and probably too simplistic.
After many years of studying the phenomenon, we with like-minded people came to certain conclusions, and some of the messages were deciphered by us using “key symbols” (semantic signs). We will share some transcripts on the pages of this site. The conclusions are as follows:
Most of the drawings (about 50%) are intended simply to attract the attention of the public, enthusiastic researchers in order to identify the problem - who could have made these drawings? Usually these are drawings without a semantic load, obvious, do not require deep comprehension. For example, a schematic drawing of a butterfly, dragonfly, ant, bird, just a beautiful symmetrical pattern without the presence of space symbols.
These drawings are created in densely populated and inhabited places with the aim of attracting the attention of enthusiasts. The drawings have anomalous residual energy. There are no traces of physical impact on the soil, the stalks of cereals are laid in an incredible way, very neatly, with a characteristic silky sheen when viewed from above, from a bird's eye view. Even in a bent position, they continue to grow and produce crops.
Another part of the drawings (about 30%) contains encrypted information intended for thinking people who are able to see further - a kind of test of intelligence. To understand them, it is necessary to find a "key" to decryption. We believe that such "keys" have been found.
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Such messages are specially created in the immediate vicinity of space observatories (for example, the observatory in Chilbolton, England), near megaliths and cult historical centers (for example, Stonehenge), often visited by people. The drawings also have an abnormal residual energy, without traces of physical impact on the soil.
Another part of the "crop circles" (about 3%) represented by simple single circles or rings without additional details, are traces of a UFO landing. Usually, such traces are found far from settlements in the wilderness. These trails are not intended for mass visits by people. They cannot be attributed to messages either.
And the last part of the drawings (about 7%) are attempts at forgery, attempts to contribute to the overall process, to deceive or trick the researchers and laugh at them. Most often these are banal straight lines and circles (or rings) of roughly crushed plants.
The design of such drawings is simple to the point of primitivism (is it possible to create something more complicated at night under the light of a flashlight?). In addition, there is no abnormal energy, the earth is mercilessly trampled, the stalks of cereals are simply broken and do not grow.
The first three types of "crop circles" were created by the Higher intelligences, including extraterrestrial civilizations for the universal development of people. The fourth kind was created only by people who intentionally or unintentionally try to confuse the problem, simplifying it to a banal joke. Ultimately, the goal of these pranksters' pranks is to publicly discourage the phenomenon, obfuscate and stop serious research.
It is possible that some members of our society are perfectly aware of everything, and do not want the majority of the inhabitants of society to learn about the existence of extraterrestrial civilizations and, as a result, not to learn about the existence of highly developed societies that flourish without money, in full equality and brotherhood.
Therefore, we are forced to admit that "Cosmic messages in the fields" (decoding of drawings and cryptograms in grain fields) - the topic is discredited and trampled down (literally and figuratively).
Agree that when scientists in all seriousness explain the appearance of "crop circles" by the mating games of preoccupied hedgehogs or "air vortices of local action", and fans declare that all the drawings were concocted by them at night, inevitably there is an impression of a deliberate withdrawal of public attention from true knowledge of the phenomenon.
All these years our attention has been focused on the second group of pictures, namely, on pictures containing encrypted messages, or simply carrying some kind of information. Dozens of cryptograms were deciphered without using any complex mathematical calculations, while using the well-known universal space symbols.
Pavel Khailov