Looking at the photographs in our album, we do not even assume that they have their own energy, can influence our lives and make us younger and healthier. Parapsychologists have long learned about the secret power of human photographic images and have even developed a kind of safety technique for handling photographs.
The invisible connection between a person and his image
Since ancient times, people have believed in a magical connection between a person and his image. It is not for nothing that so many stories have appeared about the mystical connection between a person and his portrait, about people who died, as if transferring their vitality to the artist's canvas. According to the portraits, medieval witches induced damage, using during the ritual a thing belonging to the victim or a lock of her hair.
When photography appeared in the middle of the 19th century, many representatives of occult knowledge did not even imagine that they had received a new, much more real opportunity for remote influence on people.
Over time, sorcerers, witches, sorcerers and clairvoyants fully appreciated all the possibilities at their disposal with the advent of photography. It turned out that a photograph can be very successful remotely "work" with an object, read information from it, carry out one or another impact. Now scientists have already proved that not only our appearance is imprinted on photographs, but also bioenergetics.
Each photo has an invisible connection with the person who is captured on it. From the photograph, you can determine whether a person is alive or not, what diseases he suffers from, the level of his energy and count a lot of other information. Portraits are especially good for exposure, where a person is shot from the front with wide-open eyes. It's good if the photo has a positive effect: a person is being treated for some kind of disease, his energy is raised, or alcohol addiction is removed. And if they want to harm a person ?!
Influence from a photograph is possible not only on a person, but also on any other living creature and even a plant. A very interesting experiment was made with chickens. Of the four newly hatched chicks, healthy and identical as twins, one was photographed and distributed to so many people. The owners of the picture were offered to look at the photo when the soul is sad, when the body is "de-energized" by the disease, and mentally, as it were, to borrow strength from the chicken.
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How did the experience end? Three chicks grew and developed splendidly, and the fourth, who did not voluntarily become a model, lagged behind them in development and literally died before our eyes. He even had to be specially nursed! With the help of photography, a kind of energy hacking took place and the vitality of the chicken began to be sprayed over all the owners of his picture.
Caution: photography
Try to take good care of both your pictures and the photographs of relatives, friends, friends and acquaintances. Parapsychologists and bioenergetics, who are studying the influence of human images on his health and fate, have developed a kind of safety technique for handling photographs. Here are some of their tips:
1. Do not pass out your photos left and right, especially to unfamiliar people, or to those with whom you have rather strained relationships.
2. Try not to keep in sight the photographs of the deceased, even if they are people close to you, especially in the premises where you spend a lot of time - sleeping, working, eating.
3. Do not allow yourself to take out your anger in other people's photographs: tear them, paint, cut, etc. Relations with the person you are angry with may well improve in the future, but the harm done to him in a fit of anger through the photo, you you will no longer be able to compensate.
4. Couples in love should not be photographed too much before marriage. For reasons unknown so far, such "photo chronicles" seem to de-energize love and it leaves.
5. It is not advisable to photograph the dead. Some parapsychologists believe that this can cause problems to calm their souls.
6. Avoid filming near energy vampires. They can be people, after communicating with whom you feel a breakdown, as well as objects of living nature, for example, such a tree as an aspen.
7. Pictures of people who died from serious illnesses should be placed in a separate album, and in no case should they be placed next to pictures of people who are now alive.
8. If possible, do not keep in your albums pictures of cemeteries, abnormal zones, photographs of alcoholics, the mentally ill, criminals.
Black Mark of Fate
I dare to suggest that we still do not know all the secrets and possibilities of photography. This is evidenced at least by the property of photographs discovered by Russian researchers in some incomprehensible way to “mark” people doomed to misfortune and artificially created objects (airplanes, cars, buildings), which are facing accidents or destruction.
Of course, these are not quite ordinary photographs, they are taken in a special spectrum of electromagnetic radiation, and this know-how is based on the Kirlian effect, the authors of the invention do not disclose other details. In their opinion, some time before the disaster, people or machines and objects created by them begin to accumulate the energy of destruction.
On images of the energy-informational field of a person or an object made in a special way, this destructive energy looks like a black spot, therefore the name “black mark” has stuck for this phenomenon. People “marked” in this way are practically doomed to illness, injury, and even death. The fate of machines and objects created by people, on which a "black mark" appears, is unenviable; accidents, breakdowns, disasters and destruction await them.
It is amazing, but Russian researchers a month before the sinking of the space shuttle Columbia became aware of the catastrophe: in the aura of all seven astronauts and in the energy-information field of the spacecraft itself there were fatal “black marks”. Of course, our scientists warned the Americans, but NASA did not believe their message, what this led to, everyone knows.
Why is there a "black mark"? Researchers believe that if the team that builds, for example, an airplane is torn apart by internal contradictions, people are dissatisfied with their salaries, their working conditions, then sooner or later an ominous black spot will appear in the energy-informational field of this airplane, and the car itself will face technical failures, or even catastrophe.
In people, a "black mark" can appear as a result of unseemly actions, violation of moral commandments. It is not excluded that the fatal "mark" is transmitted by inheritance because of the so-called generic curse. Another reason for the black spot can be the evil eye, damage - in short, the negative impact of one person on another, sometimes with the involvement of a sorcerer or a strong psychic in the "process".
Fortunately, not everything is so gloomy and hopeless: in about 70% of cases, you can get rid of the "black mark". A person can part with a fatal mark by changing his lifestyle, sometimes prayers, fasting, meditation help. Specialists can also help.
It is also possible to get rid of the destructive program of machines, buildings and industrial facilities, the main thing is that scientists are believed and allowed to engage in the diagnosis of future troubles and their prevention.
When the brain affects photographic film
No less mysterious is the phenomenon of the so-called psi-photography or thought-graphy. What does it consist in? There are people who, willingly or unwillingly, can act on photographic film, causing some images on it.
At the end of the twentieth century, scientists devoted a long time to the study of photographs of the Englishwoman Rita Smethurst, who was very annoyed by the strange light spots and lines that regularly spoil her pictures. The Association for the Scientific Research of Anomalous Phenomena was closely investigating this curious case.
It turned out that Rita used two different cameras, and sometimes even took a camera from her son, but strange defects were still recorded on her films. The experts carefully studied the photographs of Rita and came to the conclusion about the authenticity of the light anomalies. There could be no question of double exposure, unintentional flashing or disruption of the development or printing process.
The decisive stage of the study came when expert Vernon Harrison gave Rita his camera and film and asked to try to reproduce the anomalies in his presence. This experiment ended successfully: strange "jelly-like" objects were noted on the films. The experts had to admit that the phenomenon really exists. In some incomprehensible way, against her will, the woman influenced the film.
In an official conclusion, Harrison wrote: "The fact that inexplicable images in photographs are obtained not by professional tricksters or illusionists, but by ordinary people on ordinary cameras with ordinary photographic materials, makes experts think about the need for a serious study of this mysterious phenomenon."
If Rita Smethurst acted on the film involuntarily, then Ted Serios, a bellboy of one of the Chicago hotels, became famous for being able to project images ordered to him onto photographic film. Many suspected Ted of deception, but the American psychiatrist Dr. Jul Eisenbad, who devoted a lot of time to studying the incredible ability of this man, was convinced of the opposite. He even wrote a book "The World of Ted Serios", in which he described all the experiments conducted with this person and placed the photographs obtained during this.
In fact, it's hard to imagine that Ted, a heavy drinker and heavy smoker with a low educational level, could fool scientists for years without ever getting caught. And when the Polaroid Land camera appeared with almost instantaneous capture of pictures, Ted did not have any opportunities for deception.
Sometimes it took Serios quite a long time to project a mental image onto photographic material, for example, he only got the image of the Taj Mahal after 1500 attempts. This also testifies in favor of the authenticity of the phenomenon. In addition to Eisenbad, American researchers J. Pratt and Ian Stevenson studied Ted's unique abilities, they conducted about 800 experiments with him and also did not find deception.
An interesting experiment involving Serios was carried out on May 27, 1967 at the Museum of Natural History in Denver (USA). Ted was asked to concentrate in a Paleolithic and Neolithic hall and try to portray an ancient man lighting a fire. After a series of unsuccessful attempts, a bent figure in animal skin finally appeared in the picture, which the museum staff uniquely identified as a Neanderthal!
After this experiment, Ted's phenomenal ability quickly began to wane, for some time he still managed to get dark or light spots on the film, and then even this became beyond the power of a rapidly aging alcoholic. Scientists have lost interest in Ted and his further life path is unknown. The fact that Serios has lost his unique ability to mentally influence photographic film once again speaks of the authenticity of his phenomenon: if Ted was a deceiver, he would continue to fool scientists until he was caught by the hand.
Other people also had the ability to take psychophotography, but none of them could surpass Ted Serios. By the way, the famous psychic Ninel Sergeevna Kulagina (1926-1990) could also expose geometric shapes (cross, star, etc.) and letters assigned to her on photographic film. The experiments took place in the dark, Kulagina held in her hands the film segments with the emulsion up and mentally projected a given image onto them. It was not easy for her, it took at least 30 minutes for the simplest figure, and the process itself required such concentration and effort that Ninel Sergeevna was very tired.
Will photography die?
The global spread of digital cameras is, of course, wonderful! Any ordinary mortal can now record almost an infinite number of times all the milestones of his life, all his movements and body movements, and even with the help of a computer, remove pimples on his face and smooth out wrinkles. It is important that he can do all this, so to speak, in private mode: none of the outsiders is now involved in this process.
However, photographers believe that with the help of a “soulless” number one can only copy reality, in their opinion, if the photographic equipment habitual in the twentieth century disappears, then photography, as such, will simply die. Fortunately, despite the proliferation of digital photography, while film is still alive and true masters still suffer, developing films and printing pictures in dark, chemical-smelling laboratories. After all, a photo taken with a photo emulsion is alive! It is not for nothing that the salons of magicians and healers often refuse to work on digital photographs and ask to bring a REAL photo …
A. Sidorenko. "Anomalous news" No. 29 (503) 2010