According to the Kiev resident Anatoly Kuznetsov, the author of the book "Babi Yar", he observed this phenomenon in 1939 over the Podolsk Kurenevka:
“I was about 10 years old. Granny went out into the yard late in the evening, immediately returned and shouted:“Hurry, go! God is in heaven! And my grandfather and I ran. In the black starry sky, a figure similar to Nicholas the Pleasant was shining.
Rather, it, as it were, consisted of contours drawn by barely distinguishable points-stars. For some reason I was seized by such horror that I rushed into the passage and hid behind the door. The grandmother called joyfully: "Don't be afraid, go quickly, cross yourself." But I just, breathless with horror, peeped out of the door, and grandfather and grandmother in the middle of the yard, lifting their faces, crossed themselves into heaven. Then the vision faded, they went into the hut, and the whole evening the grandmother was enlightened, unearthly; and the grandfather is thoughtful, extremely concerned …"
Anatoly Kuznetsov did not know how to explain what he saw. But if he had read Plato, he would have understood the meaning of the phrase from the book of Genesis about “the creation of man in the image and likeness of God” - after all, according to Plato, the Universe is anthropometric to such an extent that man naturally arose. And this anthropic principle was documented in the fall of 1986 by the astronomer Margaret Geller (USA): having compiled a catalog of then known galaxies, she noticed that galaxies form a "human configuration".
This "self-portrait of God" in the cosmogonic sense was meant by the ancient Egyptian encyclopedist Hermes Trismegistus, speaking of the structure of the Universe: "What is Above, so is Below." The same Plato described the structure of the Universe as consisting of triangles, and in the twentieth century, triangulation was recognized as one of the methods of topographic survey, and the triangle is a symbol of God.
This perception of the Universe in the XXI century was distinguished by the Kiev artist Alexander Tarnovsky, unfortunately, who died in 2007. In the painting "Domes", he depicted the golden domes of an Orthodox church against the background of the triangulation of space. And the painting "Dynamics of Nature" shows "a part of the center of the Universe" - its rotation around the "chakra of the Universe", just as the circulation of substances in the human body occurs thanks to the heart.
It is noteworthy that the Kiev author Catherine in her book “Contemplation of Eternity” with the unambiguous epithet: “You are only a small part of the Great (the Universe), but that part without which the Great will not be complete … "Starting from the thesis of the English astronomer Fred Hoyle in 1954 that" physics, chemistry and biology were manipulated by the Higher Intellect ", Catherine, who had not read Plato, wrote:
“Billions of years, an infinite number of seconds, this Star Man devotes to the creation of all that on which love is based (“God is love”), uniting his creations into a single organism. Each breath and exhalation of the Star Man is accompanied by the birth and death of his creations, of all living beings."
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Indeed, astronomers have proven that everything in the Universe obeys the rhythm of vibrations emanating from the “heart of the Universe”. It is interesting that in 1931 the first president of the Academy of Sciences of Ukraine V. I. In his article in the journal Izvestia Akademii Nauk, Vernadsky pointed out the possibility of “communicating with the Universal Reason” - one has only to enter into resonance with its rhythm. The same Tarnovsky admitted that he painted the cosmic-scale canvas "The Dynamics of Nature" in just an hour, entering into resonance with the Universe, and "there was a feeling that I was not writing, but SOMEONE was guiding my hand." Yes, and Plato said that he could not write his famous dialogues "Timaeus", "State", "Phaedrus" and "Feetet" without God.
Many "revelations from Above" are also explained by the Platonic "inspiration", which then find confirmation in science. For example, the “organic thesis” of the Universe, mentioned by Catherine, had to be recognized by astronomers at the end of the twentieth century, who had to “break the sky” into … cells.
These cells, in turn, formed the "web of the Universe" on which "drops" of galaxies vibrate - this picture was portrayed by Tarnovsky in "The Dynamics of Nature". But not only that: the galaxies themselves are capable of dividing like cells, forming clusters on the surface of invisible "bodies of dark matter" - the organs of the "Star Man".