Who built the ancient megaliths around St. Petersburg?
Geological studies of the environs of St. Petersburg have revealed interesting facts. It turns out that several thousand years ago, the sea was splashing in this area. This contradicts the opinion of some researchers of ancient history, who argue that an unknown megalithic civilization could have existed on the territory of St. Petersburg in the past. Sergei Sall, PhD in Physics and Mathematics, claims that, despite all these facts, traces of ancient culture have nevertheless been preserved in the form of huge stone blocks weighing about a thousand tons and seids, located not far from St. Petersburg. Historians cannot answer who created these artifacts.
Petersburg is a city that was dug up, not built
Regularly one question comes up - about the attitude towards those multiple publications on the network, in which the question of cities that have been dug out rather than built, about some noticeable cataclysm in the relatively recent past is being revealed in more and more detail.
About St. Petersburg, in the context of these issues.
After walking a little through St. Petersburg, let us talk about the version that seems the most probable.
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Traces of Ancient Civilization in St. Petersburg
Researchers of the secrets of antiquity have repeatedly drawn attention to the many oddities of architecture and symbolism of the northern capital of Russia. Oddly enough, one of the youngest cities in our country is leading in the number of objects, whose origin raises many questions. Historian writer and traveler Georgy Sidorov commented on the most striking of them. This is the symbol of St. Petersburg, the Alexander Column (aka the "Alexandrian Pillar"), the Atlanteans of the Hermitage and St. Isaac's Cathedral. “As always, Georgy Alekseevich put forward his own sensational assumptions. Staying in St. Petersburg became the starting point for a long expedition across the waters of the Arctic Ocean.
St. Petersburg has always had a mystical reputation. This city attracts seekers of secrets of various directions. Riddles in St. Petersburg are found literally at every step: there are houses with bad fame, and an extensive network of dungeons, and a sign of the unfortunate Emperor Paul I, and even its own Bermuda triangle, not to mention countless Masonic symbols on the architectural structures of the northern capital. For a researcher of artifacts of ancient civilizations, Petersburg is a real treasure chest, but the writer-historian Georgy Sidorov, remaining true to himself, went the path not yet traveled and presented a radically new look at the secrets of Petersburg.
The first object of Georgy Sidorov's visit was the famous Alexander Column. This gigantic monument, almost fifty meters high and weighing more than 600 tons, was erected about two centuries ago in 1834. According to the official data, the blanks for the column and the pedestal were mined in the Puterlak quarry, then transported by water to St. Petersburg, where, under the guidance of the architect Auguste Montferrand, further processing of the stone monoliths was carried out. However, the point of view of Georgy Sidorov on the origin of this monument differs significantly from the generally accepted one.
Georgy Sidorov:If you look at it, it is surprising that it is chiseled. To carve such a column out of a solid block of granite, firstly, at least, our civilization is needed, we need electricity, we need electric energy, we need special machines. We need a machine that could hone such a huge block. Well, for example, a column itself, 750 tons, can hardly be rotated, even in our time, now we do not have such technology. Most likely, this huge block was standing, fixed, and some kind of mechanism moved along it, segment by segment, honing it to its full length and making it tapered. The fact is that if you look at it, you can see, here is one segment, the second segment, it is all cut into segments, the sharpening went like this. Now the question is - how could this be done? After all, this was done by the mechanism, because the glare of light falls,not a single wave, it is made like a ruler. It was made, preserved somewhere, most likely, they found it and decided to adapt it for this purpose, to perpetuate the power of the Russian Empire. Montferrand brilliantly managed to deliver it, establish it, but the fact that it was made in another civilization, not in our civilization, it was made a very long time ago, maybe 12-15 thousand years ago, because even now, as far as I am managed to ask architects and builders, those who know stone, work on stone, they shrug their shoulders. Currently, there is no technology for manufacturing such a column. They just never existed. You can put it, you can bring it, but it's almost impossible to do it. Here a lot of questions arise. On the one hand, why were Hittite eagles needed, not Russian, but Hittite eagles, they are not Byzantine,Byzantine eagles, they are already with crowns, here a pure Hittite two-headed eagle stands on four sides, and it is not clear where it came from here.
Just like that! The column glorifying Russia's victory over Napoleon, in fact, contains symbols of completely different peoples and completely different times, which may indicate its ancient origins. By the way, you can read about some of the little-known details of the death of the Hittite Empire and the appearance of the two-headed eagle in Russia in the books of Georgy Sidorov.
Passing the building of the new Hermitage, Georgy Sidorov drew attention to the magnificent figures of the Atlanteans, holding a massive balcony on their shoulders. The keen eye of the researcher was attracted not so much by the artistic merit of these magnificent sculptures as by the way they were made.
Georgiy Sidorov: They are all one to one, all one. For fun, look, it's all one. Do you understand? Bodies, bodies, the impression is that they are simply cast from the same mold, everything is made.
Woman: Hair too, they are slightly different.
Georgy Sidorov:What is left for the sculptor to finish? Here, loincloths, hair, that's what sets them apart. Toes, feet, proportions - everything about the body itself, it's all one to one, down to maybe one tenth of a millimeter. That is, it is practically one figure, it is one figure everywhere. So, it turns out that those who once made them, they owned the secret of liquid granite, managed to make granite liquid, poured it, then some parts that caught the eye, they changed, here are the loincloths, they changed their hair, that is, there the sculptor's cutter was already working. And it turns out that they seem to be the same, at the same time slightly different, but the proportions are absolute. The structure of the knees, the structure of the legs, the structure of the veins, the veins are all the same absolutely on the legs, as it were, here they are from the same shape. It is all one form. Here,how to explain this? Only in one case can it be explained that the Atlanteans were cast, they were not made of solid granite, granite slabs or stones, they were cast from the same mold, and then they were finished, the difference was made only here where the work went on the wool, that is wool, loincloths, hair on the head, everything, everything else is the same.
The last point that Georgy Sidorov planned to visit was St. Isaac's Cathedral. This majestic architectural structure was erected in the middle of the 19th century by the design of the same Auguste Montferrand, the author of the Alexander Column. Is it possible that they have a common ancient origin?
Georgy Sidorov: This part here, the large steps are an exact copy of the May pyramids, the Aztec pyramids, they are circular, this is a piece of the pyramid. He goes there, I don't know, the depth, maybe there is a depth of 20 meters, maybe more. And this is the temple. Here, too, these steps, they are already modern, they are made for the modern, that is, it was done recently. And those steps too, but they are made for people not of our race, two, two twenty, two thirty, two fifty, approximately, height. The construction has been done, and these steps have been made for other people, this is done for giants, for a very large four-meter man, and this was then adapted for us.
You can see that this is the same technology as the Alexandrian pillar, that these columns, the only difference is that they are lighter, much lighter than the pillar. Each column weighs approximately 110 tons. This is also a huge weight, and it is not clear how these columns were delivered, it is not clear how they were installed, because you can describe everything, as we say, “paper will endure everything,” but, in fact, in those times when there was no electricity, it was all done. They were chiseled, then polished, but now, if you look closely at the steps and columns, you can see that, both along the steps and along the columns, such ripples have gone through the polishing, that is, the process of weathering is underway. And the weathering over a century, for two such levels cannot be, it is clear that these columns and steps are gigantic, they were not made in the 18th century, not in the 17th or even in the 15th, that is, it was a very long time ago. All of this is a single complex.
The tour of St. Petersburg has come to an end. In the port of Georgy Sidorov, a boat "Mercury" is waiting for him, on which he, together with his colleagues, will sail along the coast of the Arctic Ocean. The purpose of the expedition is to search for traces of the ancient civilization of Hyperborea, which existed on the disappeared continent of Arctida.