Many scientists and even simple fans of experiments in America and Europe have learned to listen to voices from the other world. Moreover, they invite everyone to try to communicate with the voices-spirits of their departed relatives.
The great Thomas Edison also tried to create a device that would allow a person to establish contacts with the departed: “I am inclined to believe that our spiritual individuality, even after death, is capable of influencing matter. If my assumption is correct, then a person will certainly create a supersensitive device that will allow us to record messages from our ancestors, regardless of what image their personalities take after death …"
Edison wrote these lines back in October 1920. And even despite the indisputable authority of the great inventor, many took his article for a joke, whim or temporary gloom of the mind. Unfortunately, death prevented him from creating a miracle device and fulfilling his dream, but time has shown that his "whim" has a real basis.
The pioneer of the phenomenon of electronic voice (EVP) should be considered the Swedish documentary filmmaker Friedrich Jurgenson.
On a beautiful summer day in 1959, he drove out to the suburbs of Stockholm to tape bird voices. This simple procedure went without complications or incidents. A surprise awaited Jurgenson in the film studio while listening to the tape, on which he heard something that made his blood freeze in his veins. In addition to the chirping of the birds, the voice of a man speaking Norwegian was clearly audible on the tape. But Jurgenson perfectly remembered that nothing of the kind sounded during the recording, since he was in an open field, completely removed from the city.
the hustle and bustle of the highway. The documentary filmmaker checked the radio and found out that none of the radio stations in Sweden and Norway broadcast anything like that that day.
Then Jurgenson decided to repeat the sound recordings in nature. The results stunned both him and his colleagues: while listening to the received recordings, he began to receive messages from unknown persons who clearly knew a lot about him. On one of the recordings, a female voice called him "dear Friedel" - this is how his mother addressed Jurgenson in early childhood. ^ The reference Swede continued his experiments and in 1965 published the preliminary results of his acoustic observations. This booklet, entitled "Voices from Space", fell into the hands of the psychologist Konstantin Rodiv, who soon turned to Jurgenson with a request to show him the received notes.
Soon they met and together performed several similar experiments in the presence of witnesses. The results were similar to those described in Jurgenson's booklet. However, Rodiv noticed that the voices from outside sounded much better when the recording was carried out in the immediate vicinity of radio-carrying waves or against the background of radio interference. Such a discovery by Rodiv made the skeptical scientists incredibly happy, who considered the recordings of voices against the background of radio interference and radio-carrying waves to be nothing more than extraneous radio signals. But by that time Rodiv himself had already received several recordings of the votes of his deceased relatives. These messages did not contain any special information, but Rodiv's "relatives"
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They went to him by name or nickname, which was known only in a narrow circle of his family.
rdiv continued to experiment. He tuned his radio to frequencies where there were no callsigns (in the neutral or dead zone of the bands) and made a regular tape recording. So he collected a music library, which included 70 thousand voices, some of which allegedly belonged to his deceased relatives or friends. Thus, Rodiv came to the conclusion that the radio waves and the spirits of the dead
are somehow connected or can come into a certain contact.
In 1971, Rodiv's book was published in New York, in which he summarized his long observations of otherworldly voices. It is called Breakthrough and is still popular in the United States. The fact is that Rodiv described in detail in it how to make notes in order to obtain the desired result. In the book, he claims that he managed to capture the voices of his deceased relatives when, before and during the recording, 'he tried to imagine an image of one of them.
Since then, EVP search engine societies have existed in the States and Europe.
What is the electronic voice phenomenon? It should be noted right away that otherworldly voices differ significantly from the sound of a normal recording of a person's voice on a tape recorder. EVP is heard
to us as a rapidly vibrating sound. It seems that the voice is coming from a confined, enclosed space, which is subject to strong shaking. The rate of pronunciation of words in a sentence is also unusual. Words are pronounced faster than in normal speech, but at the same time, a higher timbre of voice is not noted, as it would happen when listening to a tape recording at an increased speed. But here, too, there is an inexplicable mystery. The words sound faster, but the pauses between them remain the same as in natural human speech.
Another feature of the electronic voice sound is the monotony of the narration. Not a single word is stressed, not a single phrase is emphasized in intonation and no semantic emphasis is made in sentences: the voice sounds even and impassive. However, at the same time, the voice from space is recognizable for people who knew "its owner" during life.
EVP researchers have already divided the sound quality of voices into three classes: A, B and C.
EVG of class A is distinguished by excellent sound quality when the voice is clear, recognizable and there are almost no difficulties in assimilating the information received. On such a recording, the EVP is the loudest and clearest sound signal. If the sound is distinguished by a strong vibration, in which the endings of words or syllables sometimes disappear, then such a recording is classified as class B. On such a film, the EVP can completely disappear and reappear, which makes it difficult to obtain information. And class C is a very weak recording, where the voice is barely caught by the human ear.
However, EVP hunters easily distinguish between all three recording classes. There are several EVP search sites on the Internet for a long time, where you can even listen to successful recordings of voices from another world. I'll make a reservation right away that while the recorded spirits speak English. Even on the website of Konstantin Rodiv, who is a Latvian, although he lives in the United States, you will only hear English.
For those who dare to try their luck in search of EVP, we will inform you that experienced and successful seekers of this little-studied phenomenon recommend keeping records-searches in radio wave ranges closer to long and medium, where there is practically no radio interference. Recording is advised to be made exclusively on new tape cassettes, previously unused.
Roman Aleev