Invisibles From Parallel Reality - Alternative View

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Invisibles From Parallel Reality - Alternative View
Invisibles From Parallel Reality - Alternative View

Video: Invisibles From Parallel Reality - Alternative View

Video: Invisibles From Parallel Reality - Alternative View
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Mysterious invisible

Invisible - we are talking about the types of UFOs that are invisible to the naked eye, but are determined using film and digital cameras, special electronic sensors, radars, photometers, magnetometers and other modern equipment.

Scientists' discoveries

If "ordinary" UFOs were described by mankind throughout our history, then invisible flying objects began to be identified only with the invention of high-speed photography. This is because these variants of flying objects appeared in the field of view for a few fractions of a second, and for this reason, they could not be recorded by the first cameras requiring long exposure due to the low sensitivity of photographic materials. In addition, all these UFOs were located exclusively in the invisible part of the spectrum.

These conclusions were reached independently in the middle of the 20th century by T. D. Constable from America and Italian naturalist Luciano Boccone. But if the Constable photographed objects, which he called critters (from the English creature - "creature, creature"), in the infrared part of the spectrum, then Boccone, calling them plasmodids, - in the ultraviolet. Both scientists came to the conclusion that critters or, even more so, plasmoids are ethereal forms of life that are capable of acquiring different shapes and even sometimes becoming visible, influencing humans and physical objects.

In a secluded area in his homeland, Boccone built a real laboratory on the top of a mountain, surrounding himself with various kinds of equipment. In the midst of this technological jumble, Boccone also kept dogs specially trained to detect smells, sounds and movements. Over the course of several years of work, Boccone collected solid material on invisible flying objects, which he later summarized in the form of a report in one of his books.

For his part, Constable, making directional photography and filming in a desert area in California, where the most common "classic" UFOs could be found, photographed several invisible flying objects of gigantic proportions, similar to amoeba. Analyzing the results obtained, Constable concluded that these are living beings from a parallel reality, located in the upper layers of the atmosphere.

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Attempts to separate the wheat from the chaff

Until the end of the 20th century, almost everyone who was involved in photography met with the appearance of mysterious glare, white and dark spots, as well as the so-called "veil" in their photographs, causing annoyance and irritation. Indeed, such phenomena as traces of electrostatic discharges, the influence of radioactive radiation, as well as the so-called "veil" that appears, for example, as a result of the use of film with an expired shelf life, can ruin the best shot.

Negligence during processing of photographic materials, an old or contaminated solution, drops of fixer getting on the film before development, etc., etc., could lead to similar defects. But with the advent of digital cameras, all these errors were immediately eliminated for obvious reasons. The exceptions are dust particles, droplets of fog or rain, as well as insects that appear for a split second in front of the lens, which are reflected in the photograph as light circles or balls resembling critters or plasmoids. And yet there are cardinal signs by which you can distinguish true aliens from another world from their imitation.

Dialogue with the invisible

Researchers from America M. Leduit and K. Heinemann, studying the mechanism of the formation of plasmoids (or orbs, from the Latin orbis - "circle, sphere"), concluded that photographing these invisible objects turns out to be successful if a photo flash is used. At the same time, the appearance of orbs in a photograph is not the result of light reflected from them, as is the case with other small objects of physical nature, but the effect of their internal glow, or fluorescence. The flash itself only triggers such a process, ionizing the air. For the same reason, orbs are more often photographed during thunderstorms or nearby high-voltage lines. The researchers also found that dust or rain particles are photographed as light and structureless circles, while orbs have a distinct shell and granular structure.

Scientists have established the language of communication with invisible people, when the appearance of, say, round orbs in response to a mentally asked question meant "yes", and the appearance of hexagonal ones - "no." This way of "talking" took an enormous amount of time. But the authors still managed to get answers to some important questions for them.

PAYNE - contact of the Penza ufologist

PAYNE is an abbreviation for “primary intelligible essence”. The term was introduced by Penza UFO researcher S. Volkov to designate entities that fit the characteristics of invisible UFOs.

The "habitat" of this kind of invisible, according to Volkov, is the information environment or the human psyche. Partial physical materialization of an object with its manifestation, for example, on photographic film or on a magnetic medium - its secondary appearance in the three-dimensional world.

At the same time, it is PAYNE contact that is important for research, the connection between a person and an invisible entity, as a result of which it becomes visible. It is possible to assume that PAYNE does not exist outside such contact, but only in the physical sense. This indicates a certain degree of materialization of the object by the mind and feeling of the human operator. Despite the fact that in the absence of an observer (for example, when shooting with a self-timer), according to Volkov's data, the critters do not appear, most likely this is a counter process, where the transcendental entity also shows some kind of activity, striving for contact.

In his experiments, Volkov established interaction with PAYN-objects, causing them by meditation and concentration on the "third eye", "pulling" the PAYN-object using mantras or traditional spells, and also fixing the approach or distance of the plasmoid using a pendulum.

A. Vyatkin