In the sensational film "Memories of the Future" at the time, there are interesting shots filmed on one of the Polynesian islands
During the war, the Americans set up their air transshipment base there for bombing Japan. And after the end of the war, when the Yankees left the base, the natives built an idol on the island, which they worship as a deity. This is an exact replica of a wartime plane, only made of branches and reeds.
The Polynesian aborigines are not hard to understand. Imagine: a wild tribe lives in the jungle. His whole culture consists in the ability to make primitive tools of labor and hunting, to make a fire and to tell children stories from their fathers and grandfathers. And suddenly large iron birds roar into the nearest large clearing, and people in spacesuits and helmets emerge from them. Well, how could this appear in the eyes of the aborigines, completely unfamiliar with the achievements of civilization? Of course, the phenomenon of the gods on winged chariots, which needed to be immortalized for posterity. So they built their “straw” idol for worship.
But it was not this fact that prompted scientists to search for clues about the shape of religious buildings of various denominations. For many decades, historians and researchers of anomalous phenomena have been interested in why temples on different continents are structures, as if striving into the sky. And with the beginning of the space age, they also had samples for comparison.
The famous Polish historian and publicist Lucian Znich writes: “Of course, we do not know what the spaceships of alien civilizations that visited the Earth in ancient times could look like. But, based on modern knowledge, it is logical to assume that such a spacecraft had to consist of two parts. The first, and the main one, was intended for flights over marathon (interstellar) distances. Surely this part remained in low-earth orbit. But the second part of such a ship was supposed to be intended for flights at sprint distances from orbit to Earth and back, and even for flights from continent to continent. And if so, then its external shape was streamlined, since only it provided the necessary aerodynamic properties and guaranteed safety when passing through the dense layers of the atmosphere. Therefore, the chariotfrom which the gods emerged was probably not much different from today's spaceships."
In addition to the light and sound effects accompanying the landing of such ships, our ancient ancestors probably well remembered the similarity of these "flying temples" to towers, their multi-stage, tapering shape, and streamlining, especially in the upper part of the structure.
Then everything, as in the case of the Polynesian aborigines. Since the gods who appeared to the earthlings demonstrated their power to them, showered them with various benefits, taught them a lot, and had such amazing ships, it is enough to build the same structures for the gods to return to Earth and remain on it forever. And since the gods visited all continents, such structures appeared everywhere and began to multiply. Typical ancient examples are the tombs in the Tsedron Valley near Jerusalem and in ancient Phenicia. The first resembles an American space rocket with a Gemini capsule, and the second resembles the Soviet spaceship Vostok.
Of course, we are talking not only about these two tombs, but about all the places of worship in the world. But does the fragile foundation of this hypothesis hold up to this scale? And the foundation is the oldest Buddhist structures called stupas. Many of them are already crumbling ruins today. As a rule, they are cylindrical in shape and topped with semicircular domes. These structures have no internal premises, they are monolithic, and therefore have only external symbolism for the followers of Buddhism.
What is it? Experts say different things. Some, for example, believe that in the course of evolution, the dome in the shape of a hemisphere gradually acquired the features of a baroque structure, crowned with a spire, and is nothing more than a model of a space rocket.
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Everything looks much more interesting and convincing with other places of worship. One of the proofs of the correctness of the hypothesis is the brahmana pagodas in India. They are placed on large wooden platforms with wheels and are called "vimana", which means "chariot of God."
Another prime example is the Hagia Sophia in Istanbul. It was built back in 537, and for a millennium and a half, its dome is considered a model for religious construction. However, over the course of 15 centuries, it underwent "revolutionary" changes, as a result of which it turned into a temple of God Allah, hostile to Christianity. During this time, four equally beautiful minarets were added to the beautiful dome, which strikingly resemble modern space rockets. It turns out that in the 6th century AD people continued to use space symbols in cult architecture. It is possible that in the Middle East such buildings were created under the influence of Indian culture. After all, it is known that the ancient Indian emperor Ashoka back in the III century BC. to promote Buddhism sent his missionaries to the West.
The successor of the Constantinople school was Russian Orthodoxy, the symbol of which became onion domes. Later they appeared in Muslim Iran. This dome is very similar to the first generation spacecraft after it emerged from the dense layers of the atmosphere. On Earth, it is closed by a streamlined casing. And such a casing is similar to the conical crown of a church, which was borrowed by Russian stone architecture in the 16th century from wooden architecture. By the way, the bell towers of Catholic churches also resemble space rockets in their shape.
The origin of temple buildings from spacecraft is also proved by terminology. Each church is divided into "compartments", which in all European languages are called "ship" (in Latin navis, in English nave, in French nef, in Russian nave).
All these Sumerian temple buildings, ancient Hindu stupas, Catholic and Orthodox bell towers and Muslim minarets are nothing more than proofs of the correctness of the hypothesis that alien spaceships were the prototypes of the cult buildings. If we add to this numerous facts from archeology and history, then an almost complete mosaic of cosmit visits to the Earth in distant antiquity is formed.