- Part 1. Down with stereotypes -
Hello, friends. Then we continue to observe the amazing properties of electrical energy.
As we remember from the last article, atmospheric electrical oscillations at a relatively low altitude from the earth obey certain laws, which at each point in space give out their individual characteristics of these oscillations both in magnitude and in direction. It is not possible to create mathematical expressions for these laws under normal conditions - too many variables would go into these functions. But, in fact, there was no need for the masters of generations of the 19th century and earlier. They measured all the necessary characteristics experimentally. And in this they were helped by ordinary improvised means, and far from a complex level, as well as experience. And their experience consisted not only of one work with these improvised means. It is only at first glance that electrical vibrations in the atmosphere are invisible and difficult to imagine,and are not connected in any way with surrounding objects. In fact, they have many external manifestations in the natural environment - nature. It is now, looking at certain natural phenomena, a modern man, at best, half-jokingly thinks about the heavenly office. And in those days they thought about it completely differently. And they even brought their knowledge into some works, which we now cannot decipher in about the same way as the Egyptian hieroglyphs.
Look at the picture. What is it depicting that might raise questions? Of course, the upper layer of the atmosphere, which for some reason is called "fire". But it is definitely that there is nothing to burn there. This means that earlier this word was understood not to be the fire that we now observe at the stake. And most likely, this was the name of the usual layer of certain substances, which is now called the ionosphere. And what can unite them? Probably only the fact that both there and there there are elements that, without hesitation, were called the fourth state of aggregation of matter, or plasma. But the question is rather different - how could the author of this drawing be able to find out what exactly is at that height, if there were no aircraft? Let's put this drawing a bit in our head and move on.
This is nothing more than a wind rose, which is called that way everywhere and in all works. Moreover, it is present in many heraldic images. But what kind of wind rose? There are only directions to the four main directions of the world, four directions in the bisectors of the angles between them, and four more directions between the two above. In total, there are three more directions between the directions to the main cardinal points. What are these strange winds? And each is indicated by its own symbols. In the works of completely different authors, this scheme is present precisely in this form, and the authors clearly drew something the same. But what?
Promotional video:
Well, here the picture begins to clear up. Surely in the original, all these lines were in color. Previously, something similar was described here, in fact, this was the first engraving, to some extent confirming the course of these thoughts. All this is nothing more than a picture of oscillations of one of the varieties of Schumann waves, and here several of its harmonics are shown at once. And again, there are three other directions between the directions to the main cardinal points. Again it all fits. It turns out that our wind roses are nothing but a rose of ethereal winds. And they were somehow designated by signs that have now migrated into card suits. Also note that all three engravings have a ceiling for all waves from which they are reflected. What is it? I would venture to suggest that this is the end of the ionosphere, or that very "fire", and it has a rather abrupt transition. At this border, the waves are reflected, in accordance with the laws of physics. This is all good, of course, but why are there still two suits in red and two in black in playing cards?
Let's take a closer look at this picture from another old work. Obviously, it was adapted to this work from an earlier work, since the edges of the picture are cut off. Due to the fact that they were cut off, we will not see the same ceiling, but it does not matter. In the picture you can make out the land (with the seas), the atmosphere, and some strange mushrooms above it. Moreover, in the foreground, these mushrooms are of the same shape, and in the background they are slightly different, and from the very bottom. And there are rear in relation to the front in a checkerboard pattern. What it is? And under the mushrooms, in the atmosphere, waves are drawn, and in places even with circular flows. Brilliant. If we immediately discard the version with the artist's imagination, then this is actually a picture of those very atmospheric waves. Considering that the front mushrooms are ethereal waves (or the "spades" card suit),and the back ones are electric (or “tambourines”), then everything falls into place with the colors of the suits. Electric waves of red color, as they move, they cause etheric waves of black color, which swirl in vortices in accordance with the rule of the gimbal, as described in the last chapter. And this process goes on continuously. Most interestingly, this process can be found in a slightly mystified form.
This is nothing more than the Burning Bush, and for some unknown reason (albeit slightly already understandable), it depicts our electric and magnetic waves in the form of multi-colored squares of diamonds. It is they who cause the appearance of oil and blessed fire. Following the logic of the icon, there are no electrical oscillations at the north and south poles, but only magnetic? It fits quite well, and is confirmed with our wind roses from engravings (it is a pity that they are black and white). And if we compare the icon with the engraving that is above it, then we get that above the poles there will be a maximum concentration of ethereal vortices caused by waves of various harmonics. Let's also remember this thought and move on.
It turns out that our ethereal vortices in the form of "peak" rotate and simultaneously move throughout the airspace from the ground to the very end of the ionosphere. And if we imagine that due to the imperfect curvature of the earth's surface or for another reason, one of the rotating aetheric streams touched another nearby one, and the directions of rotation of the particles at the collision point were directed in different directions? It turns out that just before the collision, multidirectional streams of aether in a small gap between them will stretch the aether in different directions, a huge cavitation region is formed (see part 1), and then what will happen? Right.
Those who have watched the lightning can attest that it is not necessary that the lower end be touching trees or tall buildings. It is rather an accident. There were many cases when lightning struck the porch of a multi-meter building, despite the fact that there was a lightning rod 10 meters horizontally and twenty meters vertically. It so happened that the cavitation area did not capture him situationally. Well, probably, everyone has already understood how the imbalance of the etheric flows can give rise to clouds, winds and precipitation. And what happens in the case of a collision of three etheric streams, when at least two forces in one horizontal plane, but in different directions, begin to disturb the ether, and with it the air masses? If we represent a set of such planes from bottom to top, then we get:
This is nothing more than a tornado or tornado. It can stand still, or it can move towards the collision of the following vortex etheric flows. And this is not happening at a tremendous speed, which means that the speed of the vortex aetheric streams themselves, when moving above the earth, is not at all great.
And yet, something in this story is still missing. The suits "clubs" and "hearts" also exist, and they cannot be thrown out of history. This means that there are waves with such a configuration too. Let's take a look at another engraving.
It turns out that the tropics of cancer, ibex, the polar circles and the equator were originally designated by the ancients not on earth. On the globes there was only their projection from that very ceiling. But nevertheless the fact remains that they are tied to the characteristics of the solstice. If you take a closer look and compare with our wind rose, then for some reason you can see that, for example, between the tropic of cancer and the Arctic Circle, another latitude in the middle suggests itself, but it is not there. And what is the mystery? Probably need to see the gif on the link above. Well, then it will become clear that electrical waves in the form of "worms" near the poles will either not touch the earth at all, or fall on it at a very small angle, re-reflecting from the region of the ionosphere between the tropic of cancer and the Arctic Circle. It is this that can explain the fact that in that area the height of the trees decreases sharply,and on the existing ones, incomprehensibility begins in the growth of branches.
Near the Arctic Circle, branches of fir trees initially grow downward, which does not happen in the middle lane. For reference, in the permafrost zones in the BAM region, where it is colder in winter even than at the North Pole, such spruce simply does not exist. It turns out it's all about latitude. Well, in fact, at the poles, where we observe the concentration of aetheric streams from different waves, during periods of their disturbances and disharmony, we observe nothing more than the Luminescence of the Aurora, or in the common people the aurora:
However, we are distracted. Well, they realized that, for example, in our middle band, at every point in space, all electrical waves propagate with a poorly understood periodicity. And once there was a whole science that made it possible to experimentally determine this periodicity of waves. But how? The answer to this question is again given by old engravings.
There is a lot of similar material on the net. What are these people doing, and what kind of device is circled in the picture? Actually, this device is quite known, in various modifications, depending on the magnitude of the angle of the circular scale, it was called a quadrant, sextant, etc., but it seemed to serve only for astronomical functions. They determined the angle of standing of the stars above the ground. And why are they not measured at all? A mystery, however. We look further.
As you know, you can only look at the sun twice - once with your left eye, and once with your right. Well, let's say, after all, a person is watching the sun, maybe he is interested in it, or he just checks the time. Let's take a close look at its quadrant. It can easily determine the standing angle thanks to a movable slotted bar and a scale. He will direct the slits to the sun quite easily and without errors - the quadrant is rigidly fixed. And why are the scales attached to it in the background? Stop, let's start thinking.
The scale bar is used to measure some third parameter, but clearly not the angle of the sun. And the standing of the angle of the sun is nothing more than a countdown at which the rail reacts to something. And what kind of gizmos are circled besides the rail? The first thought is that this is a spirit level, if not for the strange shape of the ends and the fastening of the lower one with a rope. And again, everything falls into place if you look closely at the quadrant itself. The curls on the crosshairs of its details are clearly superfluous, they, just like on a musical instrument, do not seem to make sense, they only make it heavier. But what if they stand for the same purpose as the curls on the column capitals that serve to highlight the ether into space? It turns out that a current is induced in the body of the quadrant, to which our balance bar reacts like an ordinary magnet, and experimenting,you can catch the maximum current value at a certain point in time. It turns out that in the old days everything was much more complicated than it seems at first glance. But this is only a small part of those experiments that were done with such improvised devices.
What is it? You would think that this is a telescope, if everything did not happen in broad daylight. But most likely, this is the very electrical engineering survey at the construction site of the new temple (astronomers, I would like to hear your opinion).
This is the same, but apparently, here is a simplified version of the work - surveys before the construction of a dome on a building.
As you can see, in the recent past there was a single science, from which astronomy and meteorology somehow imperceptibly separated and emerged (* - by the way, a meteor (Greek) - a shooting star), as well as some of the knowledge migrated to physics and mathematics. What we have considered is a very small part of this science. If you look at how many incomprehensible measuring instruments are in museums and just in pictures, then we can say that we almost do not know this science. And the person in the main photo measuring something is a follower of that science.
And yet, how did the masters get free energy at the output? It's probably time to get deeper into math. This will already be the next part called "Vector Algebra".
Until next time, to be continued.
Dear Readers!
Due to the fact that in the next part of the article there was a need to bring graphic materials in the form of swastikas, the publication of the sequels was discontinued for obvious reasons.