This Is The Sixth Century, Not The XXI - Alternative View

2024 Author: Keith Bush | [email protected]. Last modified: 2023-12-16 14:01

“Stay awake, otherwise you will fall into laziness and oblivion … Remember that you must fulfill the mission that Providence has assigned you. When the time comes, it will open your eyes and guide you along the right path. Be always ready for this … Listen carefully, and you will hear when the call will sound!.."

(Ancient astrologers about Saturn)

In the book by Alexei Kungurov (Tyumen) "There was no Kievan Rus, or what historians are hiding" came across an interesting fragment from the chapter "Arseny Sukhanov. A debate with the Greeks about faith. " I will not now discuss the authenticity of this document, but, in spite of everything, it quite reasonably explains why exactly three independent laboratories (Switzerland, Great Britain and the USA), not knowing about the origin of the tissue samples (Turin Shroud), on the basis of research to establish dating using radiocarbon analysis gave almost the same conclusions about their age - the 12th century AD.

Astronomers also indirectly point to the date of birth of Jesus. Having calculated the expansion rate of the Crab Nebula, which the evangelists called the Star of Bethlehem, they gave an approximate date of its origin. And this is not "zero" or the first century AD. e. This is the 12th century!

Now we read a quote from the "Debate":

“Yes, you have lost even years from the Nativity of Christ: you are writing this year, 158, from the Nativity of Christ, 1650; and your Greek books convict you of this, but you do not want to obey. - And all that you received from the Romans, after the Hellenic doctrine, the printing court at your imate and books are printed for you in Rome and in Venice and in England; and the Hellenic scripture, go to learn in Rome and Venice, and didascoli (Didascal [didascal; Greek διδάσκαλος], literally - teacher. - my comment) all of you from those sciences come to you and, there he was, even in the scabs of the herd and the healthy cattle grows stiff, tacos and your didascoli come to you from Rome and from Venice, all scabies, like Blasius didascoli rivers from the science of Roman customs, and they teach you this; and you listen to them in everything, because you do not have your own sciences in the Greek language and you accept books from them. - The rest of the river that you did not have good,then everything passed to us in Moscow."

So, Arseny Sukhanov denounces the creators of the fake history and the fake calendar in plain text - Rome, Venice and England. But most importantly, it turns out that back in the middle of the 17th century, people remembered exactly when Jesus was born! In 1650 he would have turned 158 years old! It turns out that Jesus was born in 1492, and we, according to "their" chronology, should not show off 2013 on our calendars, but only 521!

Again, we have to make adjustments in understanding who we are and where we are from. More recently, I thought that 5508 years were stolen from us, and now it turns out that 6029 years have been stolen from humanity! And what happened during these times? More or less reliably I see only the last 120-130 years. Well, okay, 135. Nobody knows what happened before, because the whole history was written by Jesuits, Freemasons, French, Germans and Bolsheviks.

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A reasonable question: how do they do this? How can history be rewritten on a global scale? A sane person will say: “No way! There are manuscripts, archaeological finds, and everything is consistent with traditional history. " More recently, such "evidence" did not even occur to anyone to check for reliability. Having learned exactly how forgeries and manipulations are performed, I dare to draw my own conclusions.

What is the only myth about the Library of Alexandria, which supposedly contained carriages of folios, despite the fact that paper had not yet been invented? And what is the cost of trying to find the library of Ivan the Terrible? And remember how the Bolsheviks simply burned the archive of the Romanovs' house from more than half a million volumes in vacant lots in different parts of Moscow?

I believe this is the case:

1) Replacing calendars. This is a sure and proven way to bury the truth. It is enough to regularly arrange changes in the chronology system. Lunar calendar, solar, Muslim, Jewish, Slavic, Hindu, Julian, Gregorian - the devil himself will break his leg in this chaos. You can bury anything in it. Any date can be drawn to the "desired" event. The Gregorian calendar does not fit - we take the lunar, and now you have a thousand-year history!

2) Spoofing of place names is also a popular way to falsify true events. They wrote that the Battle of Kulikovo was on the Don River, and everyone is still convinced that it was on the Don on the Don, where "the horses roamed." And the fact that any river was called Don is difficult to remember. And now look for which of the Don was the event. But LONDON is also LONG DON - just a long river. This hypothesis was prompted, paradoxically, by the name of the mountain in the Falkland Archipelago. The mountain is called Longdon.

3) Resettlement of large masses. The most harmless is the organization of large projects such as BAM, NPO Nizhnekamskneftekhim, virgin lands, Sayano-Shushenskaya hydroelectric power station, Magnitka, etc. A huge number of visiting workers and specialists fill a certain territory with the "rumble" of their traditions, old-timers die, and newcomers no longer aware of the history of the land on which they came to build something. And having broken away from their homeland, they will no longer remember the true history of the places where they were born. But the most terrible of the tools of progressors are the great upheavals: wars, revolutions, crises, epidemics, etc. Not only books of libraries and archives burn in such fireplaces, but entire peoples, their memory and their history.

4) the media. The most effective weapon. It all started with wandering buffoons. The gentlemen quickly learned that satire and criticism, which was contained in the speeches of jesters and buffoons, is capable of raising popular uprisings. The method has been adopted, and now, get: Hollywood "number one" - a project called "William Shakespeare" (which translated into a language we understand means: Bill and Shook the Spear). And now a whole literary agency scribbles dramas and tragedies (read - soap operas), and hundreds of nativity scenes across all the islands and western Europe show how to speak, move, dress correctly, which houses to live in, what to strive for, what to appreciate, whom respect and who to hate and destroy as undemocratic regimes that do not know pluralism and tolerance. And Britt's, Walles's & Scott's, just like modern housewives, learned the rules of behavior,wept into the skirts of dirty rags and thought: “Wow! We are sitting here in a backward village … But real life is what it is! " Today, our compatriots see gigantic, basketball court-sized apartments in TV shows, luxurious furnishings, clothes and cars of their favorite heroes, and they absorb a special type of consumer thinking into their subconsciousness. Is the story here true? If there is one thing in life, but something completely different on the screen?

In general terms, the mechanism is clear. It remains to answer the main question: WHY? By the way, this is not an entirely correct question. In Russian, before the reforms of Lunacharsky, whose native language was Yiddish, every Russian knew the difference between the questions "WHY", "WHY" and "OTHER". These concepts are not interchangeable. Depending on the question asked, the answer was given correspondingly, by no means the same in meaning. For example:

1st situation.

Q: Why did you wear black?

A: To match the setting of funeral mourning.

2nd situation.

Q: Why did you wear black?

A: Regarding the mourning for Yaroslav Vladimirovich.

3rd situation.

Q: Why did you wear black?

A: Because I grieve over an untimely loss.

So obviously they are not the same thing. So why, why and why do we see the application of the above-mentioned four tactics of depriving truthful information about the history of mankind to humanity?

My version is this:

To keep people in ignorance as long as possible for ease of management. Lest they realize that they are simply bred like plants or pets. So that they carry out the given program and continue to meekly feed their owners. So that they never know who they really are and where they come from, what their true nature and purpose are.

All this is true for all three questions: why, why and why. With the motives sorted out, now the main thing. What exactly do the progressors hide from people? Some very important event, most likely exactly the one thanks to which they managed to seize and retain power. Maybe they received power as a result of a planetary catastrophe that they themselves arranged (echoes of which are the myths of the flood, the battle of the titans, Atlantis, Lemuria, Hyperborea)?

And having learned the truth about it, mankind will be able to find ways to prevent it in the future and break out of slavery, interrupt this endless run in a circle? Let's think, not believe!

After what has been said: so what was the year according to the Slavic calendar if Jesus was really born in 1492? Incredibly, this is a round date - 7000th summer from the creation of the world! And this year is also considered the official date of the discovery of America! Coincidence? No, guys are Democrats! I don't believe in coincidences of this order!

What else has this year been marked in history, besides the "discovery of America"? First of all … the End of the World. Yes, that's it, neither more nor less. The 7000th year was initially considered the last in the history of the World, in accordance with the early apocryphal prophecies that were not included in the canonical edition of the modern Bible. Suppose that the situation was developing exactly as in 1900 or 2012, when the world was eagerly awaiting the end of the World. And he felt a terrible dissatisfaction that he was not able to see the promised grand performance. Let's clarify: LIGHT-representation.

But in the same year, the calendar changed in Moscow Tartary! Is the transition from the Constantinople calendar, in which the year began on March 1, to the Byzantine calendar, where the beginning of the year was September 1, accidental? And what is the difference between "Constantinople" and "Byzantine" if it was one country, as we are assured?

And here's another oddity. Ensisheim meteorite. Let's start with the title. I understand that it is ridiculous to look for the etymology of the name of a village in Gaul in modern English, but, as practice shows, in the absence of visible connections, the essence of the phenomenon often appears even in words that are not in use at the time of the event.

So, this word is missing one single letter "D", which, like an evil joker, was deliberately removed. "End sys game" requires translation? Yes, there are such jokes in history. There is a legend that the great Albrecht Durer witnessed the fall of this meteorite. In our time, this is a common thing: if an airplane can crash into a skyscraper, then by all means, some of the eyewitnesses at this moment will “accidentally” have a video camera with a view of a skyscraper turned on. And at a time when cameras did not exist, it was necessary for some graphic artist to be in the right place at the right time.

And that's why it seems to me that this "meteorite" is not really a meteorite. More precisely, he was not alone, and they fell in different places, otherwise how to explain the fact that Durer painted many drawings in which the same event is depicted in completely different ways?

Here are two options:

The fall of the Ensisheim meteorite on November 7, 1492 Albrecht Durer.

It seems to be even "filmed" from the same point, but why then does the meteorite fall in different directions? Or there were more than one. But it seems to me that these two prints cannot in any way belong to the same person. Moreover, I can’t believe in the authorship of the great Dürer.

We are looking at a photo of the meteorite itself, which, by a strange circumstance, was not forged into swords for kings, as was customary in those days. For some reason, there are several images with the same name. In addition, in Europe at about the same time, abundant "meteorological precipitation" "fell out", which never happened later.

Ensisheim meteorite.

The reason why both meteorites are called by the same name among researchers, I could not establish.

For example, over the past 200 years, not a single reliable fact has survived about anything larger than small meteors falling to Earth. Except for the Tunguska "meteorite", which is not at all a fact that it came from the sky. Nevertheless, the meteorological service existed in the eighteenth century and was state-owned. She was observing not at all the weather, as now, but specifically the celestial bodies falling to the Earth. However, why am I explaining this? From the very name "METEORologicheskaya" this clearly follows.

It turns out that we have grounds to suspect some very important events for the history of mankind in the late fifteenth - early sixteenth centuries. Albrecht Durer's "deep immersion" in the meteorite theme is an indirect confirmation. Let us recall his famous Melancholy (1513).

Melancholy. A. Durer, 1513

A winged woman in a state of melancholy (this is when not just sad, but when everything is over) is surrounded by objects: measuring, carpentry tools, and a ball lies at her feet … The symbolism is easily guessed. Here you will find a set of items from the arsenal of free masons, builders of the world, and a symbol of the planet, and a bright light from above.

Alienation, a sense of powerlessness to change the situation is emphasized by the hourglass. A huge crystal (or meteorite), an incomprehensible creature that carries a banner "Melancholy" in its paws. Everything points to the end of time. And, possibly, the beginning of a new era. Particularly attractive is the magic square on the wall.

Magic square.

The sum of the numbers in all lines vertically, horizontally and diagonally gives the same number - 34. Why? If we are talking about Masonic symbolism, then 33 is the highest degree of initiation. Then 34 is God?

In general, one gets the feeling that it was a difficult time! The outbreak of the "Star of Bethlehem", the fall of meteorites, wars, uprisings, pestilence, the "discovery of America", the change of the calendar, the arrival of Jesus, the heyday of the Renaissance and … The beginning of the Reformation era!

Two questions: what, in fact, was revived and what was reformed? The answer to both questions may be hidden in the key - the reasons for these processes. In the encyclopedia, mind you, do not peep, if someone has forgotten. And who remembers - forget that you were told about it at school and institute.

It is enough to decipher the overseas terms, and much becomes clear.

You see how simple everything is, if we discard the "husk" invented by culturologists who are not very versed in history. Firstly, “Nazi” is not a fascist, but literally “RODNOVER”. Secondly, it is clearly stated that antiquity (the era of the Antes) died, and the Europeans began to revive it.

Well then! Clearer than clear. Secular revival is an attempt to adopt and revive the technologies of a lost civilization, and religious reform is to bring spiritual government in line with new realities, such as the introduction of Jesus into Christianity as the son of God and the writing of the Bible.

If we assume that the guess is correct, then a new version of post-Flood events is easily born:

Jesus was executed by the Jews when he was thirty years and three years old. Exactly as they say in Russian fairy tales. It turns out that if he was born in 1492, then he died in 1525. And what is this year remarkable, according to the officially accepted chronology? But practically nothing. Completely "legendary" battles and milestones of the Reformation. But! In this year, the famous Pieter Bruegel (Sr.) was born, who is known for non-trivial depictions of biblical subjects.

If you believe the culturologists, then everything is logical. The man lived at a time when there were already the most vague ideas about how everything happened in ancient Judea, and he portrayed characters from the time of the birth of Christianity in the image of his contemporaries. Well … How our Nikas Safronov is now swaggering, depicting pop stars and tribunes in suits and armor of the late Middle Ages.

However … Bruegel is not alone. There is a whole layer of painting depicting biblical stories exactly in accordance with the level of development of civilization at the end of the fifteenth century. Well, see for yourself!

Pieter Bruegel Sr. Battle of Shrovetide and Lent. 1559 Digital reproduction is in the Internet Museum Gallerix.ru

Here we are primarily concerned with the question of how, during the Renaissance, the Slavic pagan Maslenitsa could be celebrated in Catholic Europe ?! That is, once it was not us who celebrated the European "Halloween" and "Valentine's Day", but the Europeans celebrated Maslenitsa?

Lucas Cranach the Elder. Flight of the Holy Family to Egypt (1504).

This is generally a seditious picture. It directly confirms the version that Jesus had an older sister. It may seem incredible to some, but see for yourself: Jesus is in Mary's arms, and to her right is not an angel, but an earthly girl who fully pretends to be an older sister. Well, how could it be otherwise? Earlier, after all, women at the age at which Mary is portrayed already had up to a dozen children.

And the most important thing is the landscape. It is European, if not Siberian.

Paolo Veronese. Finding Moses (1575).

Culturologists say that in the center of the picture is the wife of the Egyptian pharaoh. And that, they say, the artist did not know what Arab women and the landscape of North Africa look like. But … Our culturologists were born in the twentieth century, and they have much less opportunity to correctly describe biblical events from the everyday point of view than those who were much closer to them on the timeline. Somehow I believe more artists of the Renaissance. And Paul's surname obliges … Veronese in translation into Russian means "Pravdivtsev" or "Pravdin".

Peter Bruegel Jr. Adoration of the Magi. XVI century

And again European architecture, flora and climate. Snow and winter. If illiterate artists, who for some reason at once rushed to paint pictures on biblical themes fifteen hundred years later, did not know how they lived in Palestine, then why do they so amicably depict snow on the streets and roofs? It seems to me only for one reason. At one time they still knew exactly when and where exactly these events took place.

Pieter Bruegel Sr. Massacre of the innocents. (1567).

This picture gives even more food for thought. In addition to the brick buildings of the snow-covered city, we see a typical image of the Russian squad. They are under red banners, in armor and uniforms of the Russian army from the early sixteenth century. Well, horse Cossacks in red caftans are a real "cherry on the cake."

Pieter Bruegel Sr. Way to Calvary (1564)

This picture is a real treasure. She alone is worthy of a separate article, so I will not dwell on in detail, I will only note that on this canvas we again see a typical Russian landscape, Russian Cossacks who are taking a suffering Jesus to the Execution Ground on a cart, and even an indispensable attribute of a Russian village - a nest for storks in the form of a workpiece from a broken wheel from a cart.

From the above, the thought already suggests itself that in fact the artists of the Reformation era saw the biblical history in a completely different way than we do now. If we were convinced that all the events described in the New Testament took place in prehistoric Palestine, where everyone walked in sandals, wrapped in rags, belted with ropes, then this does not mean at all that this was in fact!

The events described could have been in reality, but not there and not then, as is now commonly believed, but quite recently and not in Palestine, but in Europe and (or) partially in Russia. Then a lot of questions are removed for historians. Everything becomes logical, simple and understandable without interpretation or explanation.

In the fourteenth century, a tragedy broke out that went down in history as the Great Flood. She destroyed a civilization called ancient. And this is reflected in the pictures of the witnesses of the flood:

God instructs Noah. Woodcut, 1539 Artist Amman.

Another of the objects looks absolutely fantastic. Either a skyscraper is falling, or a log in the eye of God. This print was recently auctioned off for $ 60,000. The new owner did not wish to disclose his name. And the picture has been removed from the site, so you can only see it on the Tart-Aria.info website.

Note! The picture of the forty days of rain and the flood caused by it is depicted against the backdrop of the most real skyscrapers. One of them is the so-called. Tower of Babel. It is now being reconstructed. I think that in the same place where its biblical prototype existed - in Brussels. But who will tell us about this?