Few know about this forbidden fighting technique, only to the selected students of the master, who own Dim-Mak - the art of delayed death, passed on their secret knowledge, allowing a light touch of the hand to kill a person. Moreover, the death of the enemy could occur both immediately and after hours, days, weeks - at exactly the time specified by the master
In this regard, it is logical to recall a strange incident that happened to Bruce during the shooting of one of his last films. He practiced one of the tricks for a long time and could not achieve what he wanted. Suddenly, from the crowd, a stranger approached Bruce and offered him a very effective version of the trick. Curious, Lee went out with him to the set. They were facing each other when a stranger suddenly gave Bruce a short but very powerful blow to the head. The actor lost consciousness and collapsed as if knocked down.
During the pandemonium, when everyone rushed to the lying Bruce, the person who struck, seemed to vanish into thin air. It turned out that no one knew him, and he was not registered in the crowd. Later, one of the make-up artists remembered that that day a man entered the dressing room, took his clothes and said a strange phrase: "He must die!"
Many believe that the stranger was the Triad hitman, who possessed delayed death strikes. After such a blow, a person can die even after 2 months, and after years from the moment of the blow, it all depends on what program the master of the lethal touch has introduced into the victim's body. Perhaps it was this blow by a mysterious stranger that caused Bruce Lee's death.
Some researchers of the celebrity's biography believe that Bruce regularly paid tribute to the "Triad" mobsters, who once may have given money for his first films. But the day came when the Little Dragon decided that he was given everything with interest and gave up the "tutelage" of the mafia. This is why his early death seems very strange, because it followed almost immediately after his break with the mafia.
Monstrous experiment
In the East, after a sudden death from "natural causes" of any celebrity, there are often rumors that this is another victim of killers who own the secret of "touching delayed death." The fact that such rumors are not groundless was convinced in 1957 by martial arts master John F. Gilby. During his stay in Taiwan, boxer O-Hsin-Yan succumbed to the urgent request of a foreigner and introduced him to some details of this highly classified art of fighting.
As a demonstration "aid" the Chinese boxer chose … his son Al Lin. In the presence of Gilbley, he lightly punched his son in the stomach. More precisely, it was not even a blow - just a harmless touch that did not bring either pain or any visible harm. After that, O-Hsyn-Yan invited the foreigner to watch his son.
For two days Gilby literally did not leave Al Lin, but the guy felt great and did not show any signs of illness. But at the beginning of the second half of the third day, the guy suddenly lost consciousness and fell. However, O-Hsyn-Yan instantly appeared next to him, as if he knew the day and hour when his help would be needed. He brought Al Lin to his senses by means of massage and infusions of medicinal herbs, but it still took him about three months to fully restore his son's health.
A monstrous, albeit revealing experiment! Despite the fact that the real master of Dim-Mak, which was Oh Hsin-Yan, certainly knows how to neutralize the death program he launched, such a risk to the health of his son will seem reckless to many of us.
The Art of the Poisonous Hand.
A person who has become a victim of the use, Dim-Mak, dies at first glance from an unknown cause, but an autopsy usually indicates a natural disease, although it is not clear how it originated. That is why a killer who owns such a technique is a real boon for any criminal community. It is possible to eliminate very influential persons, and at the same time it would never occur to anyone to call their death a murder.
Dim-Mak is sometimes called the “art of the poisonous hand”. The analogy with poison in this case is quite clear. The poison can kill both immediately and after hours, days, weeks - it all depends on its type and dosage, Death touch acts like a poison introduced into the body, depending on the point chosen on the human body, it can also kill instantly or hit the victim through a certain period.
That is why the ancient masters Dim-Mak taught this art only to selected students, paying main attention not only to their physical training, but also to the moral qualities of their personality. The student had to have a balanced character and a sense of justice. Such deadly knowledge was not supposed to get to those who would use it for their own selfish purposes.
At first glance, it may seem to an uninitiated person that such a technique cannot be called art. Well, what's wrong with that? - I learned a couple of dozen, albeit secret, points, touched where it should - that's the whole "science" … However, this view is fundamentally wrong.
This is actually the most real art!
The points on the human body that a master should know are not two dozen, but hundreds: the number of points connected by nerve endings with the most important organs is more than 700. True, mainly Dim-Mak masters use about 150 in practice. In addition to the points that were used to defeat the enemy, the student learned the points for healing a person, and devoted a huge amount of time to the study of ancient Chinese medicine.
It was not enough to know only certain points, it was necessary to remember the exact time of their activation, it was not for nothing that the masters had a proverb: "Before you hit, look at the Sun." The fact is that blood with varying intensity supplies the internal organs and the surface of the body at different times of the day.
Therefore, depending on the time of day, an organ with the maximum supply of blood, or a part of the body where the fauve is closer to the surface, was selected to defeat the enemy.
It was necessary to know with what force and at what angle to hit this or that point. The healing effect during treatment also depended on the angle, direction and force of pressure. In addition, it mattered which hand and which finger was applied to the point! The fact is that each finger corresponds to a certain element: the big one is the element of wood, the index finger is the earth, the middle one is water, the nameless one is fire, the little finger is metal.
To become a Dim-Mak master, one had to master the energy of one's body perfectly, be able to control vital (psychic) energy - the so-called "qi" (sometimes it is also called prana, "chi" or "ki"). With the help of qi energy, you can kill with the gaze of a wild beast or a person, naked does not freeze in the most severe frost.
Therefore, it is extremely important to learn how to accumulate this vital energy, if necessary, you can use it according to your desire on the day of the enemy's defeat, your protection or healing of others. This energy is necessarily used in combat practice. The master mobilizes qi, concentrates it and, when touched by the opponent, seems to be discharged into his body. Such an energetically saturated blow to its consequences is much more dangerous than usual, even if very strong.
If the flow of qi is disturbed in the body, and this can happen after the influence of the master Dim-Mak, the person's energy field becomes unbalanced, and as a result, a disease occurs. In a duel, with the help of qi energy, a fighter can, without stopping the fight, reanimate the organ struck by the opponent, relieve acute pain. Having accumulated a sufficient "portion" of qi, a fighter can use it as a kind of armor to protect himself from the enemy's energy attack.
The importance of qi energy in martial arts is clearly demonstrated by the lesson that Hirokachu Kanazawa, the holder of a black belt in karate, once taught to his students. First, this master broke three bricks laid on top of each other with one blow, and then took three new bricks, laid them on top of each other again and said that now he would direct his ki (Japanese term for qi) only to the middle brick. A sharp blow followed, followed by a furious cry, and the students saw that only the middle brick had broken …
Perhaps it is already clear that a real master of Dim-Mak must have tremendous knowledge, including not only the above, but also much more, in particular - the ability to see and "read" a person's aura, to have an idea of the influence of the Moon, the Sun on his organs and health and planets, being able only by psychological influence to instill such fear in the enemy that the very need for any duel disappeared.
It should be noted that in the East, the mastery of the martial art was seen not only as obtaining the skills of defense and attack and improving the physical condition of one's body, but also as a way of developing the spirit and learning the amazing capabilities of the human body. This should be remembered by everyone who wants to become invincible.
A.
Sidorenko “Interesting newspaper. The world of the unknown”№6 2009